La Grande Chapelle, Schola Antiqua, Albert Recasens, Juan Carlos Asensio - Victoria: Officium defunctorum (2020) [Hi-Res]
![La Grande Chapelle, Schola Antiqua, Albert Recasens, Juan Carlos Asensio - Victoria: Officium defunctorum (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-02/1676268082_la-grande-chapelle-victoria-officium-defunctorum-2020.jpg)
BAND/ARTIST: La Grande Chapelle, Schola Antiqua, Albert Recasens, Juan Carlos Asensio
- Title: Victoria: Officium defunctorum
- Year Of Release: 2020
- Label: Lauda
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz
- Total Time: 01:43:17
- Total Size: 450 mb / 3.98 gb
- WebSite: Album Preview
Tracklist
CD1
1.01. Domine labia mea aperies
1.02. Deus in adjutorium meum intende
1.03. Circumdederunt meVenite, exsultemus Domino
1.04. Lectio I Parce mihi Domine
1.05. Responsorium I Credo quod redemptor
1.06. Lectio II Taedet animam meam vitae meae
1.07. Responsorium II Qui Lazarum resuscitasti
1.08. Lectio VII Spiritus meus attenuabitur
1.09. Responsorium VII Peccantem me quotidie
1.10. Exsultabunt DominoMiserere mei Deus
1.11. Ego sum resurrectioDominus Deus Israel
CD2
2.01. Introitus Requiem aeternam
2.02. Kyrie
2.03. Graduale Requiem aeternam
2.04. Tractus Absolve, Domine
2.05. Sequentia Dies irae
2.06. Domine Iesu ChristeHostias et preces
2.07. Praefatium
2.08. Sanctus - Benedictus
2.09. In elevatione (motectum) Versa est in luctum
2.10. Agnus Dei
2.11. Communio Lux aeterna
2.12. Postcommunio Dominus vobiscum
2.13. Responsorium Libera me, Domine
![La Grande Chapelle, Schola Antiqua, Albert Recasens, Juan Carlos Asensio - Victoria: Officium defunctorum (2020) [Hi-Res]](https://www.dibpic.com/uploads/posts/2023-02/1676268053_la-grande-chapelle-victoria-officium-defunctorum-2020-back.jpg)
The Officium defunctorum by Tomás Luis de Victoria, published in 1605, is one of the masterworks of the musical Renaissance, which still moves us with it's austerity and expressive power. It was written "in the style of a swansong" for the funeral rites of the composer's patroness, the empress Maria of Austria, sister of Philip II and widow of the emperor Maximilian II. For the first time in a recording, La Grande Chapelle and Schola Antiqua place the work in it's liturgical context, restoring the two original days: the vigil for the dead and the mass which concludes with the rite of absolution. The funeral rites celebrated in Madrid in 1603 are evoked, by means of respecting the original performing forces, the inclusion of the lection, the responsories and the psalms written by Victoria himself, and the use of plainchant taken from sources of the period. This reading brings us closer in a new way to one of the most important dynastic ceremonies of the Spanish Habsburgs of the beginning of the 17th century.
CD1
1.01. Domine labia mea aperies
1.02. Deus in adjutorium meum intende
1.03. Circumdederunt meVenite, exsultemus Domino
1.04. Lectio I Parce mihi Domine
1.05. Responsorium I Credo quod redemptor
1.06. Lectio II Taedet animam meam vitae meae
1.07. Responsorium II Qui Lazarum resuscitasti
1.08. Lectio VII Spiritus meus attenuabitur
1.09. Responsorium VII Peccantem me quotidie
1.10. Exsultabunt DominoMiserere mei Deus
1.11. Ego sum resurrectioDominus Deus Israel
CD2
2.01. Introitus Requiem aeternam
2.02. Kyrie
2.03. Graduale Requiem aeternam
2.04. Tractus Absolve, Domine
2.05. Sequentia Dies irae
2.06. Domine Iesu ChristeHostias et preces
2.07. Praefatium
2.08. Sanctus - Benedictus
2.09. In elevatione (motectum) Versa est in luctum
2.10. Agnus Dei
2.11. Communio Lux aeterna
2.12. Postcommunio Dominus vobiscum
2.13. Responsorium Libera me, Domine
The Officium defunctorum by Tomás Luis de Victoria, published in 1605, is one of the masterworks of the musical Renaissance, which still moves us with it's austerity and expressive power. It was written "in the style of a swansong" for the funeral rites of the composer's patroness, the empress Maria of Austria, sister of Philip II and widow of the emperor Maximilian II. For the first time in a recording, La Grande Chapelle and Schola Antiqua place the work in it's liturgical context, restoring the two original days: the vigil for the dead and the mass which concludes with the rite of absolution. The funeral rites celebrated in Madrid in 1603 are evoked, by means of respecting the original performing forces, the inclusion of the lection, the responsories and the psalms written by Victoria himself, and the use of plainchant taken from sources of the period. This reading brings us closer in a new way to one of the most important dynastic ceremonies of the Spanish Habsburgs of the beginning of the 17th century.
Classical | FLAC / APE | HD & Vinyl
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