Capilla Flamenca, Patrick Denecker - A-La-Mi-Re Manuscript: Flemish Polyphonic Treasures for Charles V (1999)
BAND/ARTIST: Capilla Flamenca, Patrick Denecker
- Title: A-La-Mi-Re Manuscript: Flemish Polyphonic Treasures for Charles V
- Year Of Release: 1999
- Label: Naxos
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:01:56
- Total Size: 311 Mb
- WebSite: Album Preview
Tracklist:
Missa, "Myn herte heeft altyt verlanghen" (Mathieu Gascongne)
1 Missa Myn hert: Kyrie 03:46
Celeste beneficium (Jean Mouton)
2 Celeste beneficium - Audiutorium nostrum 06:15
Proch dolor - Pie Jhesu (Josquin des Prés)
3 Proch dolor - Pie Jhesu 02:52
Mater floreat (Pierre Moulu)
4 Mater floreat 05:31
Missa super Benedicta es (Adrian Willaert)
5 Agnus Dei 04:04
Salve Regina (on Myn hert) (Anonymous)
6 Salve Regina (on Myn hert) 07:38
Maudit soyt (Heinrich Isaac)
7 Maudit soyt 01:22
Autant en emporete (Pierre de La Rue)
8 Autant en emporte 01:17
Myn hert altyt heeft verlanghen I (Pierre de La Rue)
9 Myn hert altyt heeft verlanghen I 02:22
Celle que j'ay (Cornelius Rigo)
10 Celle que j'ay 02:33
Myn hert altyt heeft verlanghen II (Hans Neusidler)
11 Myn hert altyt heeft verlanghen II 03:39
Plus oultre (Anonymous)
12 Plus oultre 02:40
Plaine de duel (Josquin des Prés)
13 Plaine de duel 05:43
Soubz ce tumbel (Pierre de La Rue)
14 Soubz ce tumbel 05:03
Dulces exuviae (Marbrianus de Orto)
15 Dulces exuviae 02:46
Jam sauche (Pierre de La Rue)
16 Jam sauche 01:16
Tandernaken op den Rijn (Pierre Alamire)
17 Tandernaken op den Rijn 03:09
Performers:
Capilla Flamenca
Patrick Denecker
Missa, "Myn herte heeft altyt verlanghen" (Mathieu Gascongne)
1 Missa Myn hert: Kyrie 03:46
Celeste beneficium (Jean Mouton)
2 Celeste beneficium - Audiutorium nostrum 06:15
Proch dolor - Pie Jhesu (Josquin des Prés)
3 Proch dolor - Pie Jhesu 02:52
Mater floreat (Pierre Moulu)
4 Mater floreat 05:31
Missa super Benedicta es (Adrian Willaert)
5 Agnus Dei 04:04
Salve Regina (on Myn hert) (Anonymous)
6 Salve Regina (on Myn hert) 07:38
Maudit soyt (Heinrich Isaac)
7 Maudit soyt 01:22
Autant en emporete (Pierre de La Rue)
8 Autant en emporte 01:17
Myn hert altyt heeft verlanghen I (Pierre de La Rue)
9 Myn hert altyt heeft verlanghen I 02:22
Celle que j'ay (Cornelius Rigo)
10 Celle que j'ay 02:33
Myn hert altyt heeft verlanghen II (Hans Neusidler)
11 Myn hert altyt heeft verlanghen II 03:39
Plus oultre (Anonymous)
12 Plus oultre 02:40
Plaine de duel (Josquin des Prés)
13 Plaine de duel 05:43
Soubz ce tumbel (Pierre de La Rue)
14 Soubz ce tumbel 05:03
Dulces exuviae (Marbrianus de Orto)
15 Dulces exuviae 02:46
Jam sauche (Pierre de La Rue)
16 Jam sauche 01:16
Tandernaken op den Rijn (Pierre Alamire)
17 Tandernaken op den Rijn 03:09
Performers:
Capilla Flamenca
Patrick Denecker
If you’ve never heard of the Flemish early music vocal group Capilla Flamenca and you’re inclined to listen to music by composers such as Josquin Desprez, Jean Mouton, Pierre de la Rue, Heinrich Isaac, or Adrian Willaert, be reassured: you will love this recording. Naxos has “discovered” yet another world-class ensemble that owns a particular repertoire niche and performs it as well as or better than many “big-name” outfits. These eight singers exhibit exceptionally rich tone, ideal blend and balance, and, thanks to the two fine, rock-solid basses, a purity of intonation that every choral group strives for but few attain. Capilla Flamenca (the name comes from the group of court musicians brought from the Low Countries to Spain by Charles V in 1517) is joined on this recording by La Caccia, whose viols, lute, and various wind instruments are used both to accompany voices on some selections and to perform a handful of purely instrumental pieces. The program consists primarily of both sacred and secular works by the abovementioned composers and a few more obscure names, including “anonymous”. The selections are drawn from the beautifully copied illuminated manuscripts of the great 16th century music calligrapher known as Petrus Alamire. Not only did these collections contain music by the most important polyphonists of the period, but they were highly valued in the courts and noble-houses of Europe as works of high art. And high art is what we get here–a thoughtful and exemplary program in every respect.
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