Herbert Von Karajan & Berliner Philharmoniker - Mendelssohn: Violin Concerto & 5 Symphonies (2023)
BAND/ARTIST: Herbert Von Karajan, Berliner Philharmoniker, Anne-Sophie Mutter, Edith Mathis, Werner Hollweg
- Title: Mendelssohn: Violin Concerto & 5 Symphonies
- Year Of Release: 2023
- Label: UMG Recordings, Inc.
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 3:43:28
- Total Size: 1.02 GB
- WebSite: Album Preview
Tracklist:
01. I. Allegro molto appassionato
02. II. Andante
03. III. Allegro non troppo - Allegro molto vivace
04. 1. Allegro di molto
05. 2. Andante
06. 3. Menuetto (Allegro molto)
07. 4. Allegro con fuoco
08. 1. Sinfonia: Maestoso con moto
09. 1. Sinfonia: Allegretto un poco agitato
10. 1. Sinfonia: Adagio religioso
11. 2. "Alles, was Odem hat, lobe den Herrn!" - "Lobt den Herrn mit Saitenspiel" - "Lobe den Herrn, meine Seele"
12. 3. "Saget es, die ihr erlöst seid" - "Er zählet unsre Tränen"
13. 4. "Sagt es, die ihr erlöset seid"
14. 5. "Ich harrete des Herrn"
15. 6. "Stricke des Todes hatten uns umfangen"
16. 7. "Die Nacht ist vergangen"
17. 8. "Nun danket alle Gott" - "Lob, Ehr' und Preis sei Gott"
18. 9. "Drum sing ich mit meinem Liede ewig"
19. 10. "Ihr Völker, bringet her dem Herrn Ehre und Macht" - "Alles danke dem Herrn!" - "Alles, was Odem hat, lobe den Herrn!"
20. I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
21. II. Vivace non troppo
22. III. Adagio
23. IV. Allegro vivacissimo - Allegro maestoso assai
24. 1. Allegro vivace
25. 2. Andante con moto
26. 3. Con moto moderato
27. 4. Saltarello (Presto)
28. I. Andante - Allegro con fuoco
29. II. Allegro vivace
30. III. Andante
31. IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
01. I. Allegro molto appassionato
02. II. Andante
03. III. Allegro non troppo - Allegro molto vivace
04. 1. Allegro di molto
05. 2. Andante
06. 3. Menuetto (Allegro molto)
07. 4. Allegro con fuoco
08. 1. Sinfonia: Maestoso con moto
09. 1. Sinfonia: Allegretto un poco agitato
10. 1. Sinfonia: Adagio religioso
11. 2. "Alles, was Odem hat, lobe den Herrn!" - "Lobt den Herrn mit Saitenspiel" - "Lobe den Herrn, meine Seele"
12. 3. "Saget es, die ihr erlöst seid" - "Er zählet unsre Tränen"
13. 4. "Sagt es, die ihr erlöset seid"
14. 5. "Ich harrete des Herrn"
15. 6. "Stricke des Todes hatten uns umfangen"
16. 7. "Die Nacht ist vergangen"
17. 8. "Nun danket alle Gott" - "Lob, Ehr' und Preis sei Gott"
18. 9. "Drum sing ich mit meinem Liede ewig"
19. 10. "Ihr Völker, bringet her dem Herrn Ehre und Macht" - "Alles danke dem Herrn!" - "Alles, was Odem hat, lobe den Herrn!"
20. I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima
21. II. Vivace non troppo
22. III. Adagio
23. IV. Allegro vivacissimo - Allegro maestoso assai
24. 1. Allegro vivace
25. 2. Andante con moto
26. 3. Con moto moderato
27. 4. Saltarello (Presto)
28. I. Andante - Allegro con fuoco
29. II. Allegro vivace
30. III. Andante
31. IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco)
Herbert von Karajan was among the most famous conductors of all time -- a man whose talent and autocratic bearing lifted him to a position of unprecedented dominance in European musical circles. He was born on April 5, 1908 in Salzburg, Austria, to a cultured Austrian family of Greek descent (their original name was Karajannis). His musical training began at the Mozarteum Conservatory in Salzburg where he studied piano with Franz Ledwenke, theory with Franz Zauer, and composition with Bernhard Paumgartner, who encouraged Karajan to pursue conducting. Karajan graduated from the conservatory in 1926, and continued his studies at the Vienna Academy of Music and Performing Arts, where he studied piano with Josef Hofman and conducting with Alexander Wunderer and Franz Schalk. Karajan's conducting debut came on January 22, 1929, with the Mozarteum Orchestra in Salzburg. Consequently, the young maestro directed a performance of Strauss' Salome at the Salzburg Festspielhaus, and was named principal conductor of the Ulm Stadttheater, where he remained in that capacity until 1934.
The next fourteen years saw the young conductor's reputation grow rapidly. He was named music director of the Aachen Stadttheater (1934-1942), had his debut at the Vienna State Opera (1937), and accepted a position with the Deutsch Grammophon Gesellschaft (1938-1943). In 1939, Karajan was appointed conductor of the Berlin State Opera, and director of the Preussiche Staatskapelle Symphony concerts. In 1948, he was appointed for life, to the position of director of the Chorale Society at the Society of the Friends of Music, in Vienna.
In 1948, Herbert von Karajan also served at the Vienna Symphony Orchestra, the Philharmonia Orchestra, and La Scala, before succeeding Wilhelm Furtwängler as the music director of the Berlin Philharmonic Orchestra -- a union that would cement his reputation as one of the world's premier conductors. In 1955, Karajan brought that orchestra to the United States on the first of many international tours. The decade that followed saw Karajan accept several appointments, including those to the Salzburg Festival and the Vienna State Opera. In 1967, Karajan had his Metroplitan Opera debut, conducting a performance of Wagner's Die Walküre, and the same year, founded the Salzburg Easter Festival. In 1968, the Herbert von Karajan Foundation was founded to support the research of "conscious musical perception."
Herbert von Karajan was awarded the "Ring of the Province of Salzburg," Golden Grammophone, Arts Prize (Lucerne), Grand Prix International du Disque, Gold Medal of the Royal Philharmonic Society, German Golden Disc Prize, UNESCO International Music Prize, Olympia Prize of the Onassis Foundation, and multiple Grammophone awards, among others. He was elected to an honorary senate seat at the University of Salzburg. The maestro was also recognized with honorary degrees from a host of universities.
Karajan, along with Akio Morita and Norio Ohga (president and vice-president respectively, of Japanese Sony Group), unveiled and presented the Compact Disc Digital Audio System in 1981. In 1982, Karajan founded Telemondial S.A.M. with Uli Markle, in an effort to document the maestro's illustrious legacy on videotape and laser disc, and to help broaden the scope of "musical expression," through the use of modern technology. In 1984, Karajan recorded the complete Beethoven symphonies with film adaptation, made possible by his own Telemondial. In 1988, Deutsch Grammophone released a collection of one hundred "masterworks" recordings made by the conductor. Herbert von Karajan's discography is impressive to say the least, and will certainly endure in musical arenas, as some of the most valued interpretations of the repertoire available. Herbert von Karajan, often referred to as "general music director of Europe," died in Salzburg of heart failure July 16, 1989. © David Brensilver
The next fourteen years saw the young conductor's reputation grow rapidly. He was named music director of the Aachen Stadttheater (1934-1942), had his debut at the Vienna State Opera (1937), and accepted a position with the Deutsch Grammophon Gesellschaft (1938-1943). In 1939, Karajan was appointed conductor of the Berlin State Opera, and director of the Preussiche Staatskapelle Symphony concerts. In 1948, he was appointed for life, to the position of director of the Chorale Society at the Society of the Friends of Music, in Vienna.
In 1948, Herbert von Karajan also served at the Vienna Symphony Orchestra, the Philharmonia Orchestra, and La Scala, before succeeding Wilhelm Furtwängler as the music director of the Berlin Philharmonic Orchestra -- a union that would cement his reputation as one of the world's premier conductors. In 1955, Karajan brought that orchestra to the United States on the first of many international tours. The decade that followed saw Karajan accept several appointments, including those to the Salzburg Festival and the Vienna State Opera. In 1967, Karajan had his Metroplitan Opera debut, conducting a performance of Wagner's Die Walküre, and the same year, founded the Salzburg Easter Festival. In 1968, the Herbert von Karajan Foundation was founded to support the research of "conscious musical perception."
Herbert von Karajan was awarded the "Ring of the Province of Salzburg," Golden Grammophone, Arts Prize (Lucerne), Grand Prix International du Disque, Gold Medal of the Royal Philharmonic Society, German Golden Disc Prize, UNESCO International Music Prize, Olympia Prize of the Onassis Foundation, and multiple Grammophone awards, among others. He was elected to an honorary senate seat at the University of Salzburg. The maestro was also recognized with honorary degrees from a host of universities.
Karajan, along with Akio Morita and Norio Ohga (president and vice-president respectively, of Japanese Sony Group), unveiled and presented the Compact Disc Digital Audio System in 1981. In 1982, Karajan founded Telemondial S.A.M. with Uli Markle, in an effort to document the maestro's illustrious legacy on videotape and laser disc, and to help broaden the scope of "musical expression," through the use of modern technology. In 1984, Karajan recorded the complete Beethoven symphonies with film adaptation, made possible by his own Telemondial. In 1988, Deutsch Grammophone released a collection of one hundred "masterworks" recordings made by the conductor. Herbert von Karajan's discography is impressive to say the least, and will certainly endure in musical arenas, as some of the most valued interpretations of the repertoire available. Herbert von Karajan, often referred to as "general music director of Europe," died in Salzburg of heart failure July 16, 1989. © David Brensilver
Year 2023 | Classical | FLAC / APE
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