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VA - Livia Teodorescu-Ciocănea: Orchestral Works (Live) (2023) [Hi-Res]

VA - Livia Teodorescu-Ciocănea: Orchestral Works (Live) (2023) [Hi-Res]
  • Title: Livia Teodorescu-Ciocănea: Orchestral Works (Live)
  • Year Of Release: 2023
  • Label: Toccata Classics
  • Genre: Classical
  • Quality: FLAC (tracks + booklet) [48kHz/24bit]
  • Total Time: 1:24:11
  • Total Size: 851 / 371 MB
  • WebSite:
Tracklist:

1. Romanian National Radio Orchestra – Archimedes Symphony: I. The Assault on Syracuse (Live) (06:34)
2. Romanian National Radio Orchestra – Archimedes Symphony: II. Do Not Touch My Circles (Live) (09:14)
3. Romanian National Radio Orchestra – Archimedes Symphony: III. the Burning Mirrors of Archimedes (Live) (08:56)
4. Romanian National Radio Orchestra – Archimedes Symphony: IV. Elegy at the Tomb of Archimedes - The Sphere and the Cylinder (Live) (12:28)
5. Pierre-Yves Artaud – Rite for Enchanting the Air: I Largo (Live) (08:25)
6. Pierre-Yves Artaud – Rite for Enchanting the Air: II. Mosso agitato (Live) (02:44)
7. Pierre-Yves Artaud – Rite for Enchanting the Air: III. Più mosso (Live) (03:15)
8. Pierre-Yves Artaud – Rite for Enchanting the Air: IV. Adagio (Live) (14:03)
9. Antonela Barnat – Mysterium tremendum: I. the Hymn of the Cherubim (Live) (04:55)
10. Antonela Barnat – Mysterium tremendum: II. The Gospel of Matthew (Live) (03:45)
11. Antonela Barnat – Mysterium tremendum: III. Dies irae (Live) (03:56)
12. Antonela Barnat – Mysterium tremendum: IV. Recordare (Live) (05:53)

These three works by the Romanian composer Livia Teodorescu-Ciocănea (b. 1959) show her approach to three of the central genres of the western classical tradition: symphony, concerto and cantata. The powerful and programmatic Archimedes Symphony was inspired by the death of Archimedes in the siege of Syracuse in 214 BC; the Rite for Enchanting the Air – a concerto for various flutes and orchestra – is a kind of magical journey into a dizzying world of sound and colour; and the cantata Mysterium tremendum aims to reconcile Byzantine and Catholic liturgical traditions. All three make clear her fascination with orchestral timbre and texture – and have distant roots in Romanian folk-music.


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