William Ryan Fritch - Music For Film Vol. 1 (2015)
BAND/ARTIST: William Ryan Fritch
- Title: Music For Film Vol. 1
- Year Of Release: 2015
- Label: Lost Tribe Sound
- Genre: Electronic, Ambient, Neoclassical, Folk
- Quality: FLAC (tracks)
- Total Time: 60:40 min
- Total Size: 292 MB
- WebSite: Album Preview
Tracklist:
01. Winds Upon A Tin Roof
02. Silent River
03. Sinews
04. Spilt 02:16
05. Muted, Distant Fires
06. Distance
07. Respire
08. A Tangle Of Birds
09. Contactos
10. Cloak
11. Abandoned Space
12. Flutters
13. Exit Wounds
14. A Fading Light
15. In Dusky Ruin
16. Our Soft Tissue
17. A Renewed Sense
18. Violet
19. Caution
20. Sirens And Cicadas
21. Emergent 04:26
22. Skipping Rocks
23. With Each Sweet Submersion
24. Processional 03:53
25. Unflappable
26. Hopeless Romantic 01:42
27. In Spite Of It All
28. Skunk
29. A Common Sadness
30. Till Fresh Earth 04:39
01. Winds Upon A Tin Roof
02. Silent River
03. Sinews
04. Spilt 02:16
05. Muted, Distant Fires
06. Distance
07. Respire
08. A Tangle Of Birds
09. Contactos
10. Cloak
11. Abandoned Space
12. Flutters
13. Exit Wounds
14. A Fading Light
15. In Dusky Ruin
16. Our Soft Tissue
17. A Renewed Sense
18. Violet
19. Caution
20. Sirens And Cicadas
21. Emergent 04:26
22. Skipping Rocks
23. With Each Sweet Submersion
24. Processional 03:53
25. Unflappable
26. Hopeless Romantic 01:42
27. In Spite Of It All
28. Skunk
29. A Common Sadness
30. Till Fresh Earth 04:39
Settled Scores and Lost Tribe Sound present this stunning collection of film works from the prolific composer and multi-instrumentalist William Ryan Fritch. For the first time, Fritch's most sought after film compositions are made available to the public. This volume will release to all subscribers of the 11 album Leave Me Sessions in late March and worldwide in April 2015.
Music for Film Volume I features select works of William Ryan Fritch’s own fiercely self-sufficient, acoustic, and rustic brand of modern classical music from soundtracks, commissions, and multi-media works composed in 2014. Whether it be the humid thicket of cellos for “Skunk” (from the Cannes award winning short film “Skunk”) or the piercing drama and sincerity of “Processional” ( a piece Fritch wrote for his own wedding), this collection seamlessly integrates sounds culled from widely varied visual worlds into an immersive and hypnotic narrative of it’s own. There is a good chance you have heard his work before in a film (smarturl.it/wrfclips), a television show, a commercial, or in a number of GoPro videos (smarturl.it/wrfgopro), but with Settled Scores’ ongoing series you can hear the best of Fritch’s film music presented as satisfying and cohesive stand alone records.
Music for Film Volume I features select works of William Ryan Fritch’s own fiercely self-sufficient, acoustic, and rustic brand of modern classical music from soundtracks, commissions, and multi-media works composed in 2014. Whether it be the humid thicket of cellos for “Skunk” (from the Cannes award winning short film “Skunk”) or the piercing drama and sincerity of “Processional” ( a piece Fritch wrote for his own wedding), this collection seamlessly integrates sounds culled from widely varied visual worlds into an immersive and hypnotic narrative of it’s own. There is a good chance you have heard his work before in a film (smarturl.it/wrfclips), a television show, a commercial, or in a number of GoPro videos (smarturl.it/wrfgopro), but with Settled Scores’ ongoing series you can hear the best of Fritch’s film music presented as satisfying and cohesive stand alone records.
Music | Classical | Soundtracks | Instrumental | Folk | Electronic | Ambient | FLAC / APE
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