Teddy Tahu Rhodes - Bach: Arias (2010)
BAND/ARTIST: Teddy Tahu Rhodes
- Title: Bach: Arias
- Year Of Release: 2010
- Label: ABC Classics
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 55:08
- WebSite: Album Preview
Tracklist:
1 Cantata "Liebster Gott, wenn werd ich sterben?", BWV 8: IV. Aria "Doch weichet, ihr tollen vergeblichen Sorgen!" 05:14
2 Cantata "Herr, wie du willt, so schicks mit mir", BWV 73: IV. Aria "Herr, so Du willt" 03:40
3 Cantata "Brich dem Hungrigen dein Brot", BWV 39: IV. Aria "Wohlzutun und mitzuteilen" 02:56
4 Cantata "Wachet auf, ruft uns die Stimme", BWV 140: VI. Aria "Mein Freund ist mein" 05:50
5 Cantata "Nun danket alle Gott", BWV 192: II. Duet Aria "Der ewig reiche Gott" 02:58
6 St Matthew Passion, BWV 244: 65. "Mache dich, mein Herze, rein" 06:23
7 St Matthew Passion, BWV 244: 51. "Gebt mir meinen Jesum wieder" 03:01
8 Cantata "Ich habe genug", BWV 82: I. Aria "Ich habe genug" 07:20
9 Cantata "Ich habe genug", BWV 82: II. Recitative "Ich habe genug" 01:15
10 Cantata "Ich habe genug", BWV 82: III. Aria "Schlummert ein, ihr matten Augen" 09:15
11 Cantata "Ich habe genug", BWV 82: IV. Recitative "Mein Gott!" 01:00
12 Cantata "Ich habe genug", BWV 82: V. Aria "Ich freue mich auf meinen Tod" 03:39
13 Bist du bei mir, BWV 508 (Arr. Jessica Wells) 02:37
Performers:
Teddy Tahu Rhodes (bass-baritone)
Sara Macliver (soprano)
Orchestra of the Antipodes
Anthony Walker
Brett Weymark
1 Cantata "Liebster Gott, wenn werd ich sterben?", BWV 8: IV. Aria "Doch weichet, ihr tollen vergeblichen Sorgen!" 05:14
2 Cantata "Herr, wie du willt, so schicks mit mir", BWV 73: IV. Aria "Herr, so Du willt" 03:40
3 Cantata "Brich dem Hungrigen dein Brot", BWV 39: IV. Aria "Wohlzutun und mitzuteilen" 02:56
4 Cantata "Wachet auf, ruft uns die Stimme", BWV 140: VI. Aria "Mein Freund ist mein" 05:50
5 Cantata "Nun danket alle Gott", BWV 192: II. Duet Aria "Der ewig reiche Gott" 02:58
6 St Matthew Passion, BWV 244: 65. "Mache dich, mein Herze, rein" 06:23
7 St Matthew Passion, BWV 244: 51. "Gebt mir meinen Jesum wieder" 03:01
8 Cantata "Ich habe genug", BWV 82: I. Aria "Ich habe genug" 07:20
9 Cantata "Ich habe genug", BWV 82: II. Recitative "Ich habe genug" 01:15
10 Cantata "Ich habe genug", BWV 82: III. Aria "Schlummert ein, ihr matten Augen" 09:15
11 Cantata "Ich habe genug", BWV 82: IV. Recitative "Mein Gott!" 01:00
12 Cantata "Ich habe genug", BWV 82: V. Aria "Ich freue mich auf meinen Tod" 03:39
13 Bist du bei mir, BWV 508 (Arr. Jessica Wells) 02:37
Performers:
Teddy Tahu Rhodes (bass-baritone)
Sara Macliver (soprano)
Orchestra of the Antipodes
Anthony Walker
Brett Weymark
New Zealander Teddy Tahu Rhodes' bass baritone sounds like it has become even deeper and more burnished in this selection of Bach arias than it did in his first solo recitals, released in 2003 and 2004. The gravity of the material may be a factor in the dark weightiness of his vocal color, which is entirely appropriate and effective here. His technique is secure, giving him the flexibility to negotiate the intricacies of the music as well as the ability to spin out luxuriously long legato lines. His warmly enveloping voice is ideal for these arias, many of which offer benevolent messages of comfort and solace. The two arias from the St. Matthew Passion are highlights of the album. They're exceptionally lovely solos, and Rhodes brings to them a heightened expressivity. His voice blends beautifully with that of soprano Sara Macliver, who joins him on two tracks. Apart from the St. Matthew Passion excerpts, most of the selections are taken from various cantatas, but Ich habe genug is included in its entirety. It's one of the composer's most urgently emotional works, and Rhodes is effectively poignant. Anthony Walker and Brett Weymark share the duties in leading the Orchestra of the Antipodes in performances of breathtaking subtlety and delicacy. The orchestra's tone is sweet but earthy, characteristics that could also describe the music itself, and the fit is revelatory in its aptness. ABC Classics' sound quality is uncharacteristically crowded and cramped. It's not exactly a question of volume or balance, but the voice and the instruments both somehow seem to be on the verge of drowning each other out, a problem that might have been avoided had there been more of a sense of spaciousness.
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