Vladimir Ashkenazy - Ashkenazy Plays Bach - Vol. 2 (2023)
BAND/ARTIST: Vladimir Ashkenazy
- Title: Ashkenazy Plays Bach - Vol. 2
- Year Of Release: 2023
- Label: UMG Recordings, Inc.
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 3:59:12
- Total Size: 792 MB
- WebSite: Album Preview
Tracklist:
01. 1. Allemande
02. 2. Courante
03. 3. Sarabande
04. 4. Menuet I-II
05. 5. Gigue
06. 1. Allemande
07. 2. Courante
08. 3. Sarabande
09. 4. Air
10. 5. Menuet
11. 6. Gigue
12. 1. Allemande
13. 2. Courante
14. 3. Sarabande
15. 4. Menuet I-II
16. 5. Gavotte
17. 6. Gigue
18. 1. Allemande
19. 2. Courante
20. 3. Sarabande
21. 4. Gavotte
22. 5. Air
23. 6. Menuet
24. 7. Gigue
25. 1. Allemande
26. 2. Courante
27. 3. Sarabande
28. 4. Gavotte
29. 5. Bourrée
30. 6. Loure
31. 7. Gigue
32. 1. Allemande
33. 2. Courante
34. 3. Sarabande
35. 4. Gavotte
36. 5. Menuet Polonaise
37. 6. Bourrée
38. 7. Petit Menuet
39. 8. Gigue
40. Aria
41. Variatio I. Largo
42. Variatio II
43. Variatio III
44. Variatio IV. Allegro
45. Variatio V. Un poco allegro
46. Variatio VI. Andante
47. Variatio VII. Un poco allegro
48. Variatio VIII. Allegro
49. Variatio IX
50. Variatio X
51. 5. Menuet I
52. 6. Menuet II
53. 7. Giga
54. 6. Capriccio
55. 3. Corrente
56. 4. Air
57. 5. Sarabande
58. 6. Tempo di gavotta
59. 7. Gigue
60. 2. Allemande
61. 3. Corrente
62. 7. Gigue
63. 1. Overture
64. 5. Sarabande
65. 6. Menuet
66. 7. Gigue
67. 2. Allemande
68. 5. Tempo di minuetto
69. 7. Gigue
70. 3. Gavotte I-II
71. 1. Preludio
72. 3. Gavotte
73. 6. Gigue
74. 1. Prélude
75. 2. Allemande
76. 3. Courante I
77. 4. Courante II
78. 5. Double I
79. 6. Double II
80. 7. Sarabande
81. 8. Bourrée I
82. 9. Bourrée II & Bourrée I Da Capo
83. 10. Gigue
84. 1. Prélude
85. 2. Allemande
86. 3. Courante
87. 4. Sarabande
88. 5. Les agréments de la même Sarabande
89. 6. Bourrée I
90. 7. Bourrée II & Bourrée I Da Capo
91. 8. Gigue
92. 1. Prélude
93. 2. Allemande
94. 3. Courante
95. 4. Sarabande
96. 5. Les agréments de la même Sarabande
97. 6. Gavotte I
98. 7. Gavotte II & Gavotte I Da Capo
99. 8. Gigue
01. 1. Allemande
02. 2. Courante
03. 3. Sarabande
04. 4. Menuet I-II
05. 5. Gigue
06. 1. Allemande
07. 2. Courante
08. 3. Sarabande
09. 4. Air
10. 5. Menuet
11. 6. Gigue
12. 1. Allemande
13. 2. Courante
14. 3. Sarabande
15. 4. Menuet I-II
16. 5. Gavotte
17. 6. Gigue
18. 1. Allemande
19. 2. Courante
20. 3. Sarabande
21. 4. Gavotte
22. 5. Air
23. 6. Menuet
24. 7. Gigue
25. 1. Allemande
26. 2. Courante
27. 3. Sarabande
28. 4. Gavotte
29. 5. Bourrée
30. 6. Loure
31. 7. Gigue
32. 1. Allemande
33. 2. Courante
34. 3. Sarabande
35. 4. Gavotte
36. 5. Menuet Polonaise
37. 6. Bourrée
38. 7. Petit Menuet
39. 8. Gigue
40. Aria
41. Variatio I. Largo
42. Variatio II
43. Variatio III
44. Variatio IV. Allegro
45. Variatio V. Un poco allegro
46. Variatio VI. Andante
47. Variatio VII. Un poco allegro
48. Variatio VIII. Allegro
49. Variatio IX
50. Variatio X
51. 5. Menuet I
52. 6. Menuet II
53. 7. Giga
54. 6. Capriccio
55. 3. Corrente
56. 4. Air
57. 5. Sarabande
58. 6. Tempo di gavotta
59. 7. Gigue
60. 2. Allemande
61. 3. Corrente
62. 7. Gigue
63. 1. Overture
64. 5. Sarabande
65. 6. Menuet
66. 7. Gigue
67. 2. Allemande
68. 5. Tempo di minuetto
69. 7. Gigue
70. 3. Gavotte I-II
71. 1. Preludio
72. 3. Gavotte
73. 6. Gigue
74. 1. Prélude
75. 2. Allemande
76. 3. Courante I
77. 4. Courante II
78. 5. Double I
79. 6. Double II
80. 7. Sarabande
81. 8. Bourrée I
82. 9. Bourrée II & Bourrée I Da Capo
83. 10. Gigue
84. 1. Prélude
85. 2. Allemande
86. 3. Courante
87. 4. Sarabande
88. 5. Les agréments de la même Sarabande
89. 6. Bourrée I
90. 7. Bourrée II & Bourrée I Da Capo
91. 8. Gigue
92. 1. Prélude
93. 2. Allemande
94. 3. Courante
95. 4. Sarabande
96. 5. Les agréments de la même Sarabande
97. 6. Gavotte I
98. 7. Gavotte II & Gavotte I Da Capo
99. 8. Gigue
Russian-born Vladimir Ashkenazy has been a towering figure both as a pianist and as a conductor, with interpretations cutting a wide swath across Beethoven, the Romantics, and Russian music. His repertoire extends back to Bach and occasionally forward to contemporary pieces.
Ashkenazy was born July 6, 1937, in Gorky (now Nizhny Novgorod) in the Soviet Union. His father was a pianist, but it was his mother who encouraged his pianistic gifts. Ashkenazy made his debut at eight in Moscow and enrolled at the Moscow Conservatory in 1955, becoming a student of Lev Oborin. An early breakthrough was a gold medal at the Brussels Queen Elizabeth International piano competition in 1956. Ashkenazy toured the U.S. in 1958 as the so-called Thaw under Soviet leader Nikita Khrushchev opened opportunities in the West. Back in Moscow, Ashkenazy married Icelandic pianist Dody Johannsdottir. The pair defected during a 1963 tour of Britain, and Ashkenazy soon began a recording career with the associated Decca and London labels, on whose roster he would remain for decades. He became an Icelandic citizen in 1972 and has also lived in Switzerland. In the early 1970s he began conducting as well. Ashkenazy became principal conductor of the Royal Philharmonic Orchestra in London from 1987 to 1994, of the Czech Philharmonic from 1998 to 2003, and of the Sydney Symphony in Australia from 2009 to 2013, as well as other groups, and he has been widely visible as a guest conductor, including in Russia after the fall of the Soviet Union.
Beethoven: Diabelli VariationsAshkenazy's piano playing is bright and incisive, with clear articulation and an intellectual depth that does not interfere with the production of warm feeling. He has exceptional control over tone color. His recorded repertory is vast, including complete cycles of the piano concertos of Mozart, Beethoven (three separate times), and Rachmaninov (twice), as well as of the piano sonatas of Beethoven, the piano works of Chopin, and the difficult sonatas of Scriabin. Ashkenazy's productivity has hardly dropped in old age, nor did the technical difficulty of the works he essayed, although he has been less likely to appear in public on the piano. Still recording for Decca, he issued a version of Beethoven's Diabelli Variations, Op. 120, in 2007. The year 2011 alone saw no fewer than 19 Ashkenazy releases as pianist or conductor, including those of such taxing works as the Mahler Symphony No. 6. In 2017, Ashkenazy celebrated his 80th birthday with a new recording of Bach's French Suites, and his historical performances were well treated by recording companies. In 2018, new releases of two of Rachmaninov's symphonies, performed live by the Philharmonia Orchestra, appeared on the Signum Classics label. On January 17, 2020, Ashkenazy announced his retirement from public performing. © James Manheim
Ashkenazy was born July 6, 1937, in Gorky (now Nizhny Novgorod) in the Soviet Union. His father was a pianist, but it was his mother who encouraged his pianistic gifts. Ashkenazy made his debut at eight in Moscow and enrolled at the Moscow Conservatory in 1955, becoming a student of Lev Oborin. An early breakthrough was a gold medal at the Brussels Queen Elizabeth International piano competition in 1956. Ashkenazy toured the U.S. in 1958 as the so-called Thaw under Soviet leader Nikita Khrushchev opened opportunities in the West. Back in Moscow, Ashkenazy married Icelandic pianist Dody Johannsdottir. The pair defected during a 1963 tour of Britain, and Ashkenazy soon began a recording career with the associated Decca and London labels, on whose roster he would remain for decades. He became an Icelandic citizen in 1972 and has also lived in Switzerland. In the early 1970s he began conducting as well. Ashkenazy became principal conductor of the Royal Philharmonic Orchestra in London from 1987 to 1994, of the Czech Philharmonic from 1998 to 2003, and of the Sydney Symphony in Australia from 2009 to 2013, as well as other groups, and he has been widely visible as a guest conductor, including in Russia after the fall of the Soviet Union.
Beethoven: Diabelli VariationsAshkenazy's piano playing is bright and incisive, with clear articulation and an intellectual depth that does not interfere with the production of warm feeling. He has exceptional control over tone color. His recorded repertory is vast, including complete cycles of the piano concertos of Mozart, Beethoven (three separate times), and Rachmaninov (twice), as well as of the piano sonatas of Beethoven, the piano works of Chopin, and the difficult sonatas of Scriabin. Ashkenazy's productivity has hardly dropped in old age, nor did the technical difficulty of the works he essayed, although he has been less likely to appear in public on the piano. Still recording for Decca, he issued a version of Beethoven's Diabelli Variations, Op. 120, in 2007. The year 2011 alone saw no fewer than 19 Ashkenazy releases as pianist or conductor, including those of such taxing works as the Mahler Symphony No. 6. In 2017, Ashkenazy celebrated his 80th birthday with a new recording of Bach's French Suites, and his historical performances were well treated by recording companies. In 2018, new releases of two of Rachmaninov's symphonies, performed live by the Philharmonia Orchestra, appeared on the Signum Classics label. On January 17, 2020, Ashkenazy announced his retirement from public performing. © James Manheim
Year 2023 | Classical | FLAC / APE
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