Jan von Busch - Franck: L'Organiste. Pieces for Organ or Pump Organ, Vol. 2 (2013)
BAND/ARTIST: Jan von Busch
- Title: Franck: L'Organiste. Pieces for Organ or Pump Organ, Vol. 2
- Year Of Release: 2013
- Label: Musikproduktion Dabringhaus und Grimm (MDG)
- Genre: Classical Organ
- Quality: flac lossless (tracks)
- Total Time: 01:09:22
- Total Size: 278 mb
- WebSite: Album Preview
Tracklist
01. 7 Pièces in F-Sharp Minor and G-Flat Major: I. Air Béarnais. Andantino
02. 7 Pièces in F-Sharp Minor and G-Flat Major: II. Chant Béarnais. Poco allegretto
03. 7 Pièces in F-Sharp Minor and G-Flat Major: III. Andantino
04. 7 Pièces in F-Sharp Minor and G-Flat Major: IV. Poco lento
05. 7 Pièces in F-Sharp Minor and G-Flat Major: V. Poco allegro
06. 7 Pièces in F-Sharp Minor and G-Flat Major: VI. Poco allegretto
07. 7 Pièces in F-Sharp Minor and G-Flat Major: VII. Amen. Moderato
08. 7 Pièces in F-Sharp Minor and G-Flat Major: VIII. Offertoire funèbre. Poco lento
09. 7 Pièces pour le temps de Noel in G Major and G Minor: I. Poco allegretto
10. 7 Pièces pour le temps de Noel in G Major and G Minor: II. Vieux Noel. Poco lento
11. 7 Pièces pour le temps de Noel in G Major and G Minor: III. Noel angevin. Allegretto
12. 7 Pièces pour le temps de Noel in G Major and G Minor: IV. Quasi lento
13. 7 Pièces pour le temps de Noel in G Major and G Minor: V. Noel angevin. Quasi allegro
14. 7 Pièces pour le temps de Noel in G Major and G Minor: VI. Allegretto vivo
15. 7 Pièces pour le temps de Noel in G Major and G Minor: VI. Amen. Moderato
16. 7 Pièces pour le temps de Noel in G Major and G Minor: VIII. Sortie. Allegro
17. 7 Pièces in A-Flat Major and G-Sharp Minor: I. Poco maestoso
18. 7 Pièces in A-Flat Major and G-Sharp Minor: II. Allegretto amabile
19. 7 Pièces in A-Flat Major and G-Sharp Minor: III. Andantino
20. 7 Pièces in A-Flat Major and G-Sharp Minor: IV. Andantino
21. 7 Pièces in A-Flat Major and G-Sharp Minor: V. Lento
22. 7 Pièces in A-Flat Major and G-Sharp Minor: VII. Sortie
23. 7 Pièces in A-Flat Major and G-Sharp Minor: VI. -
24. 30 Pièces pour orgue ou harmonium: I. Sortie. Maestoso
25. 30 Pièces pour orgue ou harmonium: II. Grand Choeur. Allegro maestoso
26. 30 Pièces pour orgue ou harmonium: III. Andantino. Calmato
27. 30 Pièces pour orgue ou harmonium: IV. Grand Choeur
28. 30 Pièces pour orgue ou harmonium: V. Offertoire pour la messe de minuit. Lento
29. 30 Pièces pour orgue ou harmonium: VI. Pièce symphonique. Maestoso
30. 30 Pièces pour orgue ou harmonium: VII. Sortie. Maestoso poco allegro
Passow, Hanstorf, Alt Bukow, Bülow, Vietlübbe, Biblow – the village churches of Mecklenburg- Vorpommern are home to carefully maintained organ rarities in the French style. Friedrich Friese, a highly gifted pupil of Aristide Cavaillé-Coll, built these instruments in the nineteenth century and did so with great care and individuality for each church. These organs equipped with only a few stops have not yet been documented in recorded form. Jan von Busch from Rostock now scores a first with a CD featuring César Franck’s cycle L’Organiste.
Friedrich Friese spent a mere two years with his mentor in Paris, but this short time marked him for life. From now on each of his more than one hundred organs followed Cavaillé-Coll’s principles. Most of the instruments from Friese’s workshop had only four to eight stops with a pedal attachment, but each of them forms a musical microcosm all of its own.
The French organ literature of the nineteenth century is rich in works for small instruments. Not all the compositions are as demanding as the cycles from L’Organiste including Magnificat settings of high art. This late work by César Franck is a tour of all the minor and major keys. Three major and three minor keys are sophisticatedly linked in each cycle. At the conclusion a short “Amen” is followed each time by a longer final piece assimilating the most important motifs from the preceding versets.
The Hamburg native Jan von Busch used the initial years of his career as a music and religion teacher in Schwerin to investigate Mecklenburg’s rich organ landscape. He focused in particular on artistic occupation with the factors represented by the historical instrument and the church space in which it is found. It is thus only natural that he has selected an organ with a disposition ideally suited to each piece for each part of César Franck’s collection. Passow, Hanstorf, Alt Bukow, Bülow, Vietlübbe, Biblow – the village churches of Mecklenburg- Vorpommern are home to carefully maintained organ rarities in the French style. Friedrich Friese, a highly gifted pupil of Aristide Cavaillé-Coll, built these instruments in the nineteenth century and did so with great care and individuality for each church. These organs equipped with only a few stops have not yet been documented in recorded form. Jan von Busch from Rostock now scores a first with a CD featuring César Franck’s cycle L’Organiste.
Friedrich Friese spent a mere two years with his mentor in Paris, but this short time marked him for life. From now on each of his more than one hundred organs followed Cavaillé-Coll’s principles. Most of the instruments from Friese’s workshop had only four to eight stops with a pedal attachment, but each of them forms a musical microcosm all of its own.
The French organ literature of the nineteenth century is rich in works for small instruments. Not all the compositions are as demanding as the cycles from L’Organiste including Magnificat settings of high art. This late work by César Franck is a tour of all the minor and major keys. Three major and three minor keys are sophisticatedly linked in each cycle. At the conclusion a short “Amen” is followed each time by a longer final piece assimilating the most important motifs from the preceding versets.
The Hamburg native Jan von Busch used the initial years of his career as a music and religion teacher in Schwerin to investigate Mecklenburg’s rich organ landscape. He focused in particular on artistic occupation with the factors represented by the historical instrument and the church space in which it is found. It is thus only natural that he has selected an organ with a disposition ideally suited to each piece for each part of César Franck’s collection.
01. 7 Pièces in F-Sharp Minor and G-Flat Major: I. Air Béarnais. Andantino
02. 7 Pièces in F-Sharp Minor and G-Flat Major: II. Chant Béarnais. Poco allegretto
03. 7 Pièces in F-Sharp Minor and G-Flat Major: III. Andantino
04. 7 Pièces in F-Sharp Minor and G-Flat Major: IV. Poco lento
05. 7 Pièces in F-Sharp Minor and G-Flat Major: V. Poco allegro
06. 7 Pièces in F-Sharp Minor and G-Flat Major: VI. Poco allegretto
07. 7 Pièces in F-Sharp Minor and G-Flat Major: VII. Amen. Moderato
08. 7 Pièces in F-Sharp Minor and G-Flat Major: VIII. Offertoire funèbre. Poco lento
09. 7 Pièces pour le temps de Noel in G Major and G Minor: I. Poco allegretto
10. 7 Pièces pour le temps de Noel in G Major and G Minor: II. Vieux Noel. Poco lento
11. 7 Pièces pour le temps de Noel in G Major and G Minor: III. Noel angevin. Allegretto
12. 7 Pièces pour le temps de Noel in G Major and G Minor: IV. Quasi lento
13. 7 Pièces pour le temps de Noel in G Major and G Minor: V. Noel angevin. Quasi allegro
14. 7 Pièces pour le temps de Noel in G Major and G Minor: VI. Allegretto vivo
15. 7 Pièces pour le temps de Noel in G Major and G Minor: VI. Amen. Moderato
16. 7 Pièces pour le temps de Noel in G Major and G Minor: VIII. Sortie. Allegro
17. 7 Pièces in A-Flat Major and G-Sharp Minor: I. Poco maestoso
18. 7 Pièces in A-Flat Major and G-Sharp Minor: II. Allegretto amabile
19. 7 Pièces in A-Flat Major and G-Sharp Minor: III. Andantino
20. 7 Pièces in A-Flat Major and G-Sharp Minor: IV. Andantino
21. 7 Pièces in A-Flat Major and G-Sharp Minor: V. Lento
22. 7 Pièces in A-Flat Major and G-Sharp Minor: VII. Sortie
23. 7 Pièces in A-Flat Major and G-Sharp Minor: VI. -
24. 30 Pièces pour orgue ou harmonium: I. Sortie. Maestoso
25. 30 Pièces pour orgue ou harmonium: II. Grand Choeur. Allegro maestoso
26. 30 Pièces pour orgue ou harmonium: III. Andantino. Calmato
27. 30 Pièces pour orgue ou harmonium: IV. Grand Choeur
28. 30 Pièces pour orgue ou harmonium: V. Offertoire pour la messe de minuit. Lento
29. 30 Pièces pour orgue ou harmonium: VI. Pièce symphonique. Maestoso
30. 30 Pièces pour orgue ou harmonium: VII. Sortie. Maestoso poco allegro
Passow, Hanstorf, Alt Bukow, Bülow, Vietlübbe, Biblow – the village churches of Mecklenburg- Vorpommern are home to carefully maintained organ rarities in the French style. Friedrich Friese, a highly gifted pupil of Aristide Cavaillé-Coll, built these instruments in the nineteenth century and did so with great care and individuality for each church. These organs equipped with only a few stops have not yet been documented in recorded form. Jan von Busch from Rostock now scores a first with a CD featuring César Franck’s cycle L’Organiste.
Friedrich Friese spent a mere two years with his mentor in Paris, but this short time marked him for life. From now on each of his more than one hundred organs followed Cavaillé-Coll’s principles. Most of the instruments from Friese’s workshop had only four to eight stops with a pedal attachment, but each of them forms a musical microcosm all of its own.
The French organ literature of the nineteenth century is rich in works for small instruments. Not all the compositions are as demanding as the cycles from L’Organiste including Magnificat settings of high art. This late work by César Franck is a tour of all the minor and major keys. Three major and three minor keys are sophisticatedly linked in each cycle. At the conclusion a short “Amen” is followed each time by a longer final piece assimilating the most important motifs from the preceding versets.
The Hamburg native Jan von Busch used the initial years of his career as a music and religion teacher in Schwerin to investigate Mecklenburg’s rich organ landscape. He focused in particular on artistic occupation with the factors represented by the historical instrument and the church space in which it is found. It is thus only natural that he has selected an organ with a disposition ideally suited to each piece for each part of César Franck’s collection. Passow, Hanstorf, Alt Bukow, Bülow, Vietlübbe, Biblow – the village churches of Mecklenburg- Vorpommern are home to carefully maintained organ rarities in the French style. Friedrich Friese, a highly gifted pupil of Aristide Cavaillé-Coll, built these instruments in the nineteenth century and did so with great care and individuality for each church. These organs equipped with only a few stops have not yet been documented in recorded form. Jan von Busch from Rostock now scores a first with a CD featuring César Franck’s cycle L’Organiste.
Friedrich Friese spent a mere two years with his mentor in Paris, but this short time marked him for life. From now on each of his more than one hundred organs followed Cavaillé-Coll’s principles. Most of the instruments from Friese’s workshop had only four to eight stops with a pedal attachment, but each of them forms a musical microcosm all of its own.
The French organ literature of the nineteenth century is rich in works for small instruments. Not all the compositions are as demanding as the cycles from L’Organiste including Magnificat settings of high art. This late work by César Franck is a tour of all the minor and major keys. Three major and three minor keys are sophisticatedly linked in each cycle. At the conclusion a short “Amen” is followed each time by a longer final piece assimilating the most important motifs from the preceding versets.
The Hamburg native Jan von Busch used the initial years of his career as a music and religion teacher in Schwerin to investigate Mecklenburg’s rich organ landscape. He focused in particular on artistic occupation with the factors represented by the historical instrument and the church space in which it is found. It is thus only natural that he has selected an organ with a disposition ideally suited to each piece for each part of César Franck’s collection.
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