Frank Bungarten, Andrea Lieberknecht - Mauro Giuliani: Works for Flute and Guitar (2011)
BAND/ARTIST: Frank Bungarten, Andrea Lieberknecht
- Title: Mauro Giuliani: Works for Flute and Guitar
- Year Of Release: 2011
- Label: Musikproduktion Dabringhaus und Grimm (MDG)
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:08:36
- Total Size: 267 mb
- WebSite: Album Preview
Tracklist
01. Grand potpourri per flauto e chitarra, Op. 126
02. Quintetto nella semiramide di Rossini, Ridotto per flauto e chitarra
03. Variazione per flauto e chitarra, Op. 84
04. Notturno Nr. 16, Op. 86: Allegro
05. Notturno Nr. 11, Op. 86: Larghetto
06. Polonese in A Major, o. Op.
07. Preußischer Marsch: Allegro
08. Marsch der Schweden: Moderato
09. Österreichischer Marsch: Allegro maestoso
10. Serenata per flauto e chitarra, Op. 127: I. Maestoso
11. Serenata per flauto e chitarra, Op. 127: II. Minuetto. Allegretto
12. Serenata per flauto e chitarra, Op. 127: III. Tema con Variazioni
13. Serenata per flauto e chitarra, Op. 127: IV. Rondo. Allegro
The Italian composer Giuliani was known as the "Apulian Orpheus" and he was a virtuoso guitar player. Even today, his guitar course of 1812 is regarded as a valuable guide. His late works were influenced by bel canto and are full of quotations from famous opera arias and canzonettas.
01. Grand potpourri per flauto e chitarra, Op. 126
02. Quintetto nella semiramide di Rossini, Ridotto per flauto e chitarra
03. Variazione per flauto e chitarra, Op. 84
04. Notturno Nr. 16, Op. 86: Allegro
05. Notturno Nr. 11, Op. 86: Larghetto
06. Polonese in A Major, o. Op.
07. Preußischer Marsch: Allegro
08. Marsch der Schweden: Moderato
09. Österreichischer Marsch: Allegro maestoso
10. Serenata per flauto e chitarra, Op. 127: I. Maestoso
11. Serenata per flauto e chitarra, Op. 127: II. Minuetto. Allegretto
12. Serenata per flauto e chitarra, Op. 127: III. Tema con Variazioni
13. Serenata per flauto e chitarra, Op. 127: IV. Rondo. Allegro
The Italian composer Giuliani was known as the "Apulian Orpheus" and he was a virtuoso guitar player. Even today, his guitar course of 1812 is regarded as a valuable guide. His late works were influenced by bel canto and are full of quotations from famous opera arias and canzonettas.
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