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Marc-André Hamelin - Schumann: Piano Music (2001)

Marc-André Hamelin - Schumann: Piano Music (2001)
  • Title: Schumann: Piano Music
  • Year Of Release: 2001
  • Label: Hyperion
  • Genre: Classical
  • Quality: FLAC (tracks+booklet)
  • Total Time: 01:15:31
  • Total Size: 245 MB
  • WebSite:
Tracklist:

01. Fantasie in C major, Op 17: Durchaus phantastisch und leidenschaftlich vorzutragen (13:02)
02. Fantasie in C major, Op 17: Mässig. Durchaus energisch (7:48)
03. Fantasie in C major, Op 17: Langsam getragen. Durchaus leise zu halten (12:02)
04. Piano Sonata No 2 in G minor, Op 22: So rasch wie möglich (5:43)
05. Piano Sonata No 2 in G minor, Op 22: Andantino (getragen) (5:02)
06. Piano Sonata No 2 in G minor, Op 22: Scherzo. Sehr rasch und markiert (1:36)
07. Piano Sonata No 2 in G minor, Op 22: Rondo. Presto (5:27)
08. Études symphoniques, Op 13: Thema. Andante (1:38)
09. Études symphoniques, Op 13: Variation I. Un poco più vivo (1:06)
10. Études symphoniques, Op 13: Variation II (3:14)
11. Études symphoniques, Op 13: Étude III. Vivace (1:24)
12. Études symphoniques, Op 13: Variation III (0:58)
13. Études symphoniques, Op 13: Variation IV (1:05)
14. Études symphoniques, Op 13: Variation V (0:52)
15. Études symphoniques, Op 13: Variation VI. Allegro molto (1:04)
16. Études symphoniques, Op 13: Variation VII (2:57)
17. Études symphoniques, Op 13: Étude IX. Presto possibile (0:39)
18. Études symphoniques, Op 13: Variation VIII (1:14)
19. Études symphoniques, Op 13: Variation IX (2:35)
20. Études symphoniques, Op 13: Finale. Allegro brillante (6:16)

This disc contains Schumann's three greatest abstract works for piano (as opposed to his suites of character pieces such as Carnival and Kinderszenen), including the Fantasy Op 17 arguably his finest piano work. Marc-Andr Hamelin has lived with these works for many years, and has made something of a speciality of the C major Fantasy, which he has played many times in concert. These performances have been widely praised, and we are delighted that this studio recording captures all the poetry and Romantic feeling of his live performances. Schumann was, of course, primarily a lyricist of the piano, but that did not stop him writing some of the most fearsomely difficult passages in the repertoire: the coda to the second movement of the Fantasy is an infamous example, as are many of the variations in the tudes symphoniques. Nevertheless, Marc-Andr Hamelin's legendary virtuosity allows him complete freedom to concentrate on the music rather than merely on the technical challenges. His now familiar hallmarks of refinement of tone and clarity of line, coupled with his warmth of expression, enable him to communicate Schumann's poetry with a rare poise and passion. All in all, this is yet another outstanding recording to add to Hamelin's impressive discography for Hyperion.


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