Peter Ritzen, Werner Pelinka - Liszt: Piano Concertos Nos. 1 & 2 (Version for 2 Pianos) - Ritzen: Improvisation on Et incarnatus est (2014)
BAND/ARTIST: Peter Ritzen, Werner Pelinka
- Title: Liszt: Piano Concertos Nos. 1 & 2 (Version for 2 Pianos) - Ritzen: Improvisation on Et incarnatus est
- Year Of Release: 2014
- Label: Naxos
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 01:07:45
- Total Size: 198 mb
- WebSite: Album Preview
Tracklist
01. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Allegro maestoso -
02. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Quasi adagio -
03. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Allegretto - Un poco marcato - Allegro animato -
04. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Allegro marziale - Più mosso - Alla breve - Presto
05. Piano Concerto No. 2 in A Major, S. 651/R. 373: Adagio sostenuto - Un poco più mosso -
06. Piano Concerto No. 2 in A Major, S. 651/R. 373: Tempo del andante - Allegro moderato -
07. Piano Concerto No. 2 in A Major, S. 651/R. 373: Allegro deciso - Marziale - Allegro animato
08. Improvisation on Et incarnatus est
09. Mysterium Fidei, Op. 48
Franz Liszt’s two surviving piano concertos are unusual in form, the first being described by Bartók as “the first perfect realisation of cyclic sonata form”, and the second unfolding in a single continuous movement. Both concertos were originally scored for two pianos and this is their première recording in this instrumentation. Werner Pelinka’s Mysterium Fidei expresses the Passion and resurrection of Christ, from dark meditation to triumphant apotheosis. Pianist, composer and Liszt expert Peter Ritzen possesses an unparalleled gift for improvisation, drawing on the great traditions of the 19th century. An unedited performance, ‘et incarnates est’ takes its thematic starting point from Gregorian chant. His album The Art of Improvisation can be found on Naxos 9.70187.
01. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Allegro maestoso -
02. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Quasi adagio -
03. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Allegretto - Un poco marcato - Allegro animato -
04. Piano Concerto No. 1 in E-Flat Major, S. 650/R. 372: Allegro marziale - Più mosso - Alla breve - Presto
05. Piano Concerto No. 2 in A Major, S. 651/R. 373: Adagio sostenuto - Un poco più mosso -
06. Piano Concerto No. 2 in A Major, S. 651/R. 373: Tempo del andante - Allegro moderato -
07. Piano Concerto No. 2 in A Major, S. 651/R. 373: Allegro deciso - Marziale - Allegro animato
08. Improvisation on Et incarnatus est
09. Mysterium Fidei, Op. 48
Franz Liszt’s two surviving piano concertos are unusual in form, the first being described by Bartók as “the first perfect realisation of cyclic sonata form”, and the second unfolding in a single continuous movement. Both concertos were originally scored for two pianos and this is their première recording in this instrumentation. Werner Pelinka’s Mysterium Fidei expresses the Passion and resurrection of Christ, from dark meditation to triumphant apotheosis. Pianist, composer and Liszt expert Peter Ritzen possesses an unparalleled gift for improvisation, drawing on the great traditions of the 19th century. An unedited performance, ‘et incarnates est’ takes its thematic starting point from Gregorian chant. His album The Art of Improvisation can be found on Naxos 9.70187.
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads