
Joan Harrison, Elaine Keillor - When Music Sounds (2014)
BAND/ARTIST: Joan Harrison, Elaine Keillor
- Title: When Music Sounds
- Year Of Release: 2014
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:09:16
- Total Size: 281 mb
- WebSite: Album Preview
Tracklist
01. When Music Sounds
02. Cello Sonata, "Israel": I. Slow and Sustained
03. Cello Sonata, "Israel": II. Allegro risoluto
04. Chants oubliés and Danse: Chant oubliés
05. Chants oubliés and Danse: Danse
06. Cello Sonata: I. Andante con moto ed espressivo
07. Cello Sonata: II. Allegro
08. Cello Sonata: III. Larghetto espressivo
09. Cello Sonata: IV. Allegro ma non troppo
10. Cello Sonata: I. in a Quietly Flowing Style. Allegro
11. Cello Sonata: II. Sarabande
12. Cello Sonata: III. Allegro
This selection of undeservedly neglected Canadian works for cello and piano is framed by the music of Jean Coulthard, her 1946 Sonata establishing a personal voice while building on the influence of Debussy, the later When Music Sounds exemplifying her lyricism and sensitive treatment of both instruments. John Weinzweig’s Cello Sonata fascinatingly combines serial technique with Jewish melodic shapes, expressing national joy and the struggles of creating the new state of Israel. Remembered as the teacher of Glenn Gould, Alberto Guerrero’s Chants oubliés extend the impressionism of Debussy and Ravel into new directions. Violet Archer’s Sonata refers to Baroque models, exploiting the duo’s sensuality, wit and acrobatic virtuosity.
01. When Music Sounds
02. Cello Sonata, "Israel": I. Slow and Sustained
03. Cello Sonata, "Israel": II. Allegro risoluto
04. Chants oubliés and Danse: Chant oubliés
05. Chants oubliés and Danse: Danse
06. Cello Sonata: I. Andante con moto ed espressivo
07. Cello Sonata: II. Allegro
08. Cello Sonata: III. Larghetto espressivo
09. Cello Sonata: IV. Allegro ma non troppo
10. Cello Sonata: I. in a Quietly Flowing Style. Allegro
11. Cello Sonata: II. Sarabande
12. Cello Sonata: III. Allegro
This selection of undeservedly neglected Canadian works for cello and piano is framed by the music of Jean Coulthard, her 1946 Sonata establishing a personal voice while building on the influence of Debussy, the later When Music Sounds exemplifying her lyricism and sensitive treatment of both instruments. John Weinzweig’s Cello Sonata fascinatingly combines serial technique with Jewish melodic shapes, expressing national joy and the struggles of creating the new state of Israel. Remembered as the teacher of Glenn Gould, Alberto Guerrero’s Chants oubliés extend the impressionism of Debussy and Ravel into new directions. Violet Archer’s Sonata refers to Baroque models, exploiting the duo’s sensuality, wit and acrobatic virtuosity.
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