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Orchestra of the Swan, Kenneth Woods - Gál: Symphony No. 2 / Schumann: Symphony No. 4 (2013

Orchestra of the Swan, Kenneth Woods - Gál: Symphony No. 2 / Schumann: Symphony No. 4 (2013
  • Title: Gál: Symphony No. 2 / Schumann: Symphony No. 4
  • Year Of Release: 2013
  • Label: Avie
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:13:05
  • Total Size: 330 Mb
  • WebSite:
Tracklist:

Symphony No. 2 in F major, Op. 53 (Hans Gal)
1 Symphony No. 2: I. Introduction: Andante – Adagio 07:44
2 Symphony No. 2: II. Allegro energico – molto moderato 08:23
3 Symphony No. 2: III. Adagio 15:21
4 Symphony No. 2: IV. Allegro moderato ma agitato 13:44
Symphony No. 4 in D Minor, Op. 120 (Robert Schumann)
5 Symphony No. 4 in D minor, Op. 120: I. Ziemlich langsam - Lebhaft 10:06
6 Symphony No. 4 in D minor, Op. 120: II. Romanze: Ziemlich langsam 03:27
7 Symphony No. 4 in D minor, Op. 120: III. Scherzo: Lebhaft 06:46
8 Symphony No. 4 in D minor, Op. 120: IV. Langsam; Lebhaft 07:34

Performers:
Orchestra of the Swan
Kenneth Woods

Kenneth Woods and Orchestra of the Swan continue their revelatory cycle pairing the symphonies of Hans Gál and Robert Schumann, with Gál’s Second and Schumann’s Fourth. Kenneth Woods, Principal Guest Conductor of Stratford-upon-Avon based Orchestra of the Swan, has made international headlines for his ongoing cycle of world-premiere recordings of Hans Gál’s Symphonies. The set, paired with the symphonies of Robert Schumann, has been featured on National Public Radio’s All Things Considered and Performance Today, The New York Times, The Washington Post, in Gramophone and BBC Music Magazine, and dozens of other newspaper and online reviews, introducing a new generation to Gál’s wide-ranging and extensive oeuvre.

Woods and OOTS continue the cycle with Gál’s Second and Schumann’s Fourth. The Gál, written in 1942-43 during the darkest war years, is perhaps the most personal of the composer’s four symphonies. With an emotional depth and haunting beauty, the symphony distils the process of overcoming pain and loss into the language of pure music. Composed a century earlier, Schumann’s Fourth is arguably his most popular symphony.




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