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Royal Liverpool Philharmonic Orchestra, Vasily Petrenko - Rachmaninov: Symphonic Dances, Isle of the Dead & The Rock (2010)

Royal Liverpool Philharmonic Orchestra, Vasily Petrenko - Rachmaninov: Symphonic Dances, Isle of the Dead & The Rock (2010)
  • Title: Rachmaninov: Symphonic Dances, Isle of the Dead & The Rock
  • Year Of Release: 2010
  • Label: Avie
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:10:05
  • Total Size: 292 Mb
  • WebSite:
Tracklist:

Symphonic Dances, Op. 45 (Serge Rachmaninoff)
1. Symphonic Dances, Op. 45: I. Non allegro 11:38
2. Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) 10:03
3. Symphonic Dances, Op. 45: III. Lento assai - Allegro vivace 14:15
The Isle of the Dead, Op. 29 (Serge Rachmaninoff)
4. The Isle of the Dead, Op. 29 21:08
The Rock, Op.7 (Serge Rachmaninoff)
5. The Rock, Op. 7 13:01

Performers:
Royal Liverpool Philharmonic Orchestra
Vasily Petrenko

Avie’s tenth release with the RLPO and third with their music director Vasily Petrenko, is the first in a series of orchestral works and concertos by Rachmaninov. It features the Symphonic Dances, and the symphonic poems Isle of the Dead and The Rock.

Avie’s fruitful association with the Royal Liverpool Philharmonic Orchestra yields its tenth release, and the third with Vasily Petrenko, the youngest Music Director in the RLPO’s illustrious history and winner of the Classic FM/Gramophone Young Artist of the Year award in 2007. A native of St. Petersburg, Petrenko appropriately continues his exploration of Russian repertoire with the first in a series of orchestral works and concertos by Sergei Rachmaninov.

“The Liverpudlians could easily be mistaken for a crack Russian orchestra – the key ingredient is the commitment of the playing, the sense of an orchestra at its peak.” Financial Times

“Everybody wants Vasily Petrenko, the blond, galvanising young Russian who, in two years as principal conductor, has transformed the artistic profile of the Royal Liverpool Philharmonic Orchestra. Feel that crackle of electricity...the orchestra’s ensemble spirit is so tight that you could cut yourself on the music’s edges.” The Times




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