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John Eliot Gardiner - John Eliot Gardiner - Handel (2022)

John Eliot Gardiner - John Eliot Gardiner - Handel (2022)
  • Title: John Eliot Gardiner - Handel
  • Year Of Release: 2022
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 2:49:45
  • Total Size: 684 MB
  • WebSite:
Tracklist:

01. Symphony
02. 1. Accompagnato: Comfort ye, My people
03. 2. Air: Ev'ry Valley shall be exalted
04. 3. Chorus: And the glory of the Lord
05. 4. Accompagnato: Thus saith the Lord
06. 5. Air: But who may abide the day of his coming
07. 6. Chorus: And He shall purify the sons of Levi
08. 8. Air - 9. Chorus: O thou that tellest good tidings
09. 10. Accompagnato: For behold, darkness shall cover
10. 11. Air: The people that walked in darkness
11. 12. Chorus: For unto us a Child is born
12. 13. Pifa (Pastoral Symphony)
13. 14. Recitative: There were shepherds - Accompagnato: And lo, the angel of the Lord - Recitative: And the angel said unto them - Accompagnato: And suddenly
14. 15. Chorus: Glory to God in the highest
15. 16. Air: Rejoice greatly, o daughter of Zion
16. 18a. Duet: He shall feed his flock
17. 19. Chorus: His yoke is easy
18. 20. Chorus: Behold the Lamb of God
19. 21. Air: He was despised
20. 22. Chorus: Surely He hath borne our griefs
21. 23. Chorus: And with His stripes we are healed
22. 24. Chorus: All we like sheep have gone astray
23. 25. Accompagnato: All they that see Him
24. 26. Chorus: He trusted in God
25. 27. Accompagnato: Thy rebuke hath broken His heart
26. 28. Arioso: Behold and see
27. 30. Aria: But thou didst not leave
28. 31. Chorus: Lift up your heads
29. 33. Chorus: Let all the angels of God
30. 34a. Air: Thou art gone up on high
31. 35. Chorus: The Lord gave the word
32. 36. Air: How beautiful are the feet
33. 37a. Chorus: Their sound is gone out
34. 38. Air: Why do the nations
35. 39. Chorus: Let us break their bonds asunder
36. 41. Air: Thou shalt break them
37. 44. Hallelujah
38. 43. Air: I know that my Redeemer liveth
39. 44. Chorus: Since by man came death
40. 46. Air: The trumpet shall sound
41. 48. Duet: O death where is thy sting?
42. 49. Chorus: But thanks be to God
43. 50. Air: If God be for us
44. 51. Chorus: Worthy is the Lamb... Amen
45. Gloria in excelsis Deo
46. Et in terra pax
47. Laudamus te...gratius agimus
48. Domine Deus
49. Qui tollis peccata mundi
50. Quoniam...cum Sancto Spiritu
51. 1. Laudate pueri
52. 2. Sit nomen Domini
53. 3. A solis ortu
54. 4. Excelsus super omnes
55. 5. Quis sicut Dominus
56. 6. Suscitans a terra
57. 7. Qui habitare facit
58. 8. Gloria Patri

Conductor John Eliot Gardiner is a leading figure in the historical performance movement, having founded the Monteverdi Choir for performances of Baroque music and the Orchestre Révolutionnaire et Romantique, devoted to music of the 19th century. He is especially noted for performances and recordings of Bach's choral music, and his label, Soli Deo Gloria ("To the Glory of God Only"), takes its name from the small S.D.G. signature Bach affixed to many of his works.

Gardiner was born on April 20, 1943, in the village of Fontmell Magna in England's Dorset County. It is worth notice that for the first part of his musical education, he was largely self-taught: he sang in a village church choir and played the violin. At 15, he took up conducting, and while he was studying history, Arabic, and medieval Spanish at Cambridge, he also began conducting choirs there. He led choirs from Oxford and Cambridge on a Middle Eastern tour while still an undergraduate, and in 1964, he conducted a performance of Monteverdi's Vespers of 1610, a work little known at the time. Out of this performance grew the Monteverdi Choir, his primary performing ensemble. Gardiner studied musicology and conducting with Thurston Dart and Nadia Boulanger in the mid-'60s, which was his only period of formal musical study. In 1968, he founded a Monteverdi Orchestra to go with the choir; in the '70s, the group began to use Baroque instruments and was renamed the English Baroque Soloists. With this group and the Monteverdi Choir, Gardiner has made recordings numbering in the hundreds. Mostly during the first part of his career, he also worked with conventional symphony orchestras. His U.S. debut came in 1979 with the Dallas Symphony Orchestra, and in the '80s and early '90s, he was music director of the CBC Vancouver Symphony Orchestra, the Opera de Lyon Orchestra, and the North German Radio Orchestra (now the NDR Elbphilharmonie). In 1990, as understanding of the historical instruments used in the music of Beethoven and subsequent composers was just developing, he founded the Orchestre Révolutionnaire et Romantique, leading it on tour in 1993 with a then recently rediscovered Messe solennelle of Berlioz.

One of Gardiner's most celebrated accomplishments was his Bach Cantata Pilgrimage of 2000, with the Monteverdi Choir and English Baroque Soloists. The group toured for 52 weeks, performing all of Bach's cantatas at their appropriate times in the liturgical year, often in churches with relevance in Bach's own career. The performances were recorded and issued in lavish packaging on Soli Deo Gloria, with essays by Gardiner delving into the meaning of each work. These essays led Gardiner to publish a book, Bach: Music in the Castle of Heaven (2013). Gardiner has also recorded for Deutsche Grammophon, Philips, and other labels. His Schumann symphony recordings with the Orchestre Révolutionnaire et Romantique are credited with introducing a trend toward smaller forces in those works. Another major tour came in Spain in 2004, as Gardiner and the Monteverdi Choir retraced the medieval Camino de Santiago pilgrimage route and sang medieval Spanish repertory. Gardiner has also appeared as a guest conductor with major symphony orchestras, including the Berlin Philharmonic, the Chicago Symphony, and the Cleveland Orchestra. His recording career has not slackened in the least in his senior citizen years, as he has often released a half-dozen recordings per year or more. In 2019, he and the Monteverdi Choir released Love is come again, featuring music from the Springhead Easter Play, a mime event staged annually at Gardiner's family home and originally directed by his mother. He was not slowed much in 2020 by the coronavirus pandemic, for he already had material in the hopper, including a modern-instrument recording of a pair of Schumann symphonies with the London Symphony Orchestra. He returned in 2022 with the Monteverdi Choir and English Baroque Soloists in a new recording for the Deutsche Grammophon label of Bach's St. John Passion, BWV 245. Gardiner's many awards include designation as Commander of the British Empire in 1990 and as Chevalier of the Legion of Honor in France in 2011. © James Manheim


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