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London Symphony Orchestra, Lawrence Foster - Working Classical: Orchestral and Chamber Music by Paul McCartney (1999)

London Symphony Orchestra, Lawrence Foster - Working Classical: Orchestral and Chamber Music by Paul McCartney (1999)
  • Title: Working Classical: Orchestral and Chamber
  • Year Of Release: 1999
  • Label: Angel Records
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:01:28
  • Total Size: 281 Mb
  • WebSite:
Tracklist:

01. Junk
02. A Leaf
03. Haymakers
04. Midwife
05. Spiral
06. Warm And Beautiful
07. My Love
08. Maybe I'm Amazed
09. Calico Skies
10. Golden Earth Girl
11. Somedays
12. Tuesday
13. She's My Baby
14. The Lovely Linda

After tackling two lengthy works in the Liverpool Oratorio and Standing Stone, Paul McCartney works in much smaller form on the pieces in his third album of classical music, Working Classical. The album consists of three compositions performed by the London Symphony Orchestra that run 10-12 minutes each, plus 11 short selections performed by the Loma Mar Quartet, some of which are versions of his pop songs. Of course, McCartney is more accustomed to writing short compositions, and even the three orchestral pieces seem more tightly organized than the earlier, longer works. "A Leaf" and "Spiral" both began as works for the piano but have been opened out in orchestrations by Jonathan Tunick and Richard Rodney Bennett, respectively. "Tuesday," by contrast, was written as the score for a short, animated children's film, and it retains the sense of being program music. The quartet pieces are unfailingly melodic, and the mixture of the pop songs "Junk," "My Love," "Maybe I'm Amazed," "She's My Baby," and "The Lovely Linda" with newer pieces creates a pleasant alternation of the new and the familiar. The chosen songs mostly were written for McCartney's late wife, and the album as a whole has a wistful, delicate sense consistent with the grief associated with her death. This, McCartney's second album after being widowed (following the pop/rock oldies collection Run Devil Run by only two weeks), consists largely of music written prior to the tragedy, but anticipates it and, simultaneously, marks the composer's welcome return from his period of bereavement.




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