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John Wetton - Raised In Captivity (2022 Remaster) (2022)

John Wetton - Raised In Captivity (2022 Remaster) (2022)

BAND/ARTIST: John Wetton

  • Title: Raised In Captivity (2022 Remaster)
  • Year Of Release: 2011 / 2022
  • Label: Spirit Of Unicorn Music
  • Genre: Rock, Prog Rock
  • Quality: FLAC (tracks) / MP3
  • Total Time: 53:35
  • Total Size: 348 / 126 MB
  • WebSite:
Tracklist:

01. Lost For Words (2022 Remaster)
02. Raised In Captivity (2022 Remaster)
03. Goodbye Elsinore (2022 Remaster)
04. The Last Night Of My Life (2022 Remaster)
05. We Stay Together (2022 Remaster)
06. The Human Condition (2022 Remaster)
07. Steffis Ring (2022 Remaster)
08. The Devil And The Opera House (2022 Remaster)
09. New Star Rising (2022 Remaster)
10. Don't Misunderstand Me (2022 Remaster)
11. Mighty Rivers (2022 Remaster)

For anyone trying, no doubt with difficulty, to keep score, 2011's Raised in Captivity is the seventh solo studio album by 61-year-old singer/songwriter/bassist John Wetton over a period of 31 years. "Solo" is of course the key word, since Wetton is much better known as a member of groups, primarily the chart-topping early ‘80s progressive rock band Asia, but also numerous others including King Crimson, Uriah Heep, and U.K. On the albums by those ensembles and on his previous solo LPs (Caught in the Crossfire, Jacknife, Voice Mail [aka Battle Lines], Arkangel, Welcome to Heaven [aka Sinister], and Rock of Faith), Wetton has pursued a melodic, pop-infused version of prog, and he does so on Raised in Captivity, too. Old friends such as Geoff Downes, Steve Hackett, Tony Kaye, and Steve Morse help him create familiarly full-sounding rock arrangements, over which he sings in his still supple tenor. Curiously, the sound occasionally veers toward that of the Police, a band that was hitting its stride as a post-punk/power pop outfit just as Asia was hitting number one. In such tracks as the title song and "The Last Night of My Life," Wetton distinctly exhibits the influence of Sting, another singer/songwriter/bassist, when the direction of influence probably should have gone the other way. Nevertheless, the album remains one that will provide minor pleasure to fans of Asia and some of the other groups with which Wetton has been involved. © William Ruhlmann


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  • User offline
  • nilesh65
  •  wrote in 02:30
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    • 0
Thank you so much for sharing!!
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  • mufty77
  •  wrote in 17:04
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    • 0
Many thanks for Flac.