Anna Caterina Antonacci, Federico Ferri, Accademia degli Astrusi - Lagrime mie (2015)
BAND/ARTIST: Anna Caterina Antonacci, Federico Ferri, Accademia degli Astrusi
- Title: Lagrime mie
- Year Of Release: 2015
- Label: Concerto Classics
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 01:12:07
- Total Size: 360 mb
- WebSite: Album Preview
Tracklist
01. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": I. Vivace- Grave
02. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": II. Allegro
03. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": III. Adagio - Allegro - Adagio
04. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": IV. Vivace
05. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": V. Allegro
06. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": VI. Pastorale
07. Diporti di Euterpe, Op. VII: Lagrime mie, a che vi trattenete?
08. Concerto grosso in D Minor, H. 143 "La folia"
09. L'Orfeo, SV 318: Vi ricorda o boschi ombrosi
10. The Fairy Queen, Z. 6229: Chaconne
11. Dido and Aeneas, Z. 626: Thy Hand, Belinda... When I Am Laid in Earth
12. Concerto a quattro pieno in D Major: I. Allegro
13. Concerto a quattro pieno in D Major: II. Andante
14. Concerto a quattro pieno in D Major: III. Allegro
15. Madrigali guerrieri, et amorosi, Book 8: No. 8, Combattimento di Tancredi e Clorinda
16. Rinaldo, HWV 7a: Lascia ch'io pianga
An extraordinary musical journey leads us from Montiverdi’s Mantova to Strozzi’s Venice, from Corelli’s Roma to Martini’s Bologna. From Italy we are then transported to England, the home of Purcell and Händel (who both took influence from the Italian and French models), exploring the very different styles of madrigals, cantatas and opera alongside the concerto grosso, symphonies and dance music. The common theme is the sublime human expression: crying for love.
In the 1600s the ‘lament’ developed into its very own genre, just as Dido’s Lament in Dido and Aeneas by Henry Purcell. This tormented adventure is accompanied by exceptional performers: the Accademia degli Astrusi, directed by Federico Ferri, and the extraordinary voice of Anna Caterina Antonacci.
01. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": I. Vivace- Grave
02. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": II. Allegro
03. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": III. Adagio - Allegro - Adagio
04. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": IV. Vivace
05. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": V. Allegro
06. 12 Concerti grossi, Op. 6, No. 8 in G Minor "Christmas Conserto": VI. Pastorale
07. Diporti di Euterpe, Op. VII: Lagrime mie, a che vi trattenete?
08. Concerto grosso in D Minor, H. 143 "La folia"
09. L'Orfeo, SV 318: Vi ricorda o boschi ombrosi
10. The Fairy Queen, Z. 6229: Chaconne
11. Dido and Aeneas, Z. 626: Thy Hand, Belinda... When I Am Laid in Earth
12. Concerto a quattro pieno in D Major: I. Allegro
13. Concerto a quattro pieno in D Major: II. Andante
14. Concerto a quattro pieno in D Major: III. Allegro
15. Madrigali guerrieri, et amorosi, Book 8: No. 8, Combattimento di Tancredi e Clorinda
16. Rinaldo, HWV 7a: Lascia ch'io pianga
An extraordinary musical journey leads us from Montiverdi’s Mantova to Strozzi’s Venice, from Corelli’s Roma to Martini’s Bologna. From Italy we are then transported to England, the home of Purcell and Händel (who both took influence from the Italian and French models), exploring the very different styles of madrigals, cantatas and opera alongside the concerto grosso, symphonies and dance music. The common theme is the sublime human expression: crying for love.
In the 1600s the ‘lament’ developed into its very own genre, just as Dido’s Lament in Dido and Aeneas by Henry Purcell. This tormented adventure is accompanied by exceptional performers: the Accademia degli Astrusi, directed by Federico Ferri, and the extraordinary voice of Anna Caterina Antonacci.
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