• logo

Boston Symphony Orchestra - Boston Symphony Orchestra - Ravel (2022)

Boston Symphony Orchestra - Boston Symphony Orchestra - Ravel (2022)
  • Title: Boston Symphony Orchestra - Ravel
  • Year Of Release: 2022
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 2:50:42
  • Total Size: 694 MB
  • WebSite:
Tracklist:

01. 1. Prélude
02. 2. Forlane
03. 3. Menuet
04. 4. Rigaudon
05. Pavane pour une infante défunte, M. 19
06. Menuet antique - For Orchestra, M. 7
07. 1. Prélude à la nuit
08. 2. Malagueña
09. 3. Habanera
10. 4. Feria
11. Ravel: Alborada del gracioso, M. 43 - Orchestral Version
12. 3. Une barque sur l'océan
13. 1. Modéré - très franc
14. 2. Assez lent - avec une expression intense
15. 3. Modéré
16. 4. Assez animé
17. 5. Presque lent - dans un sentiment intime
18. 6. Assez vif
19. 7. Moins vif
20. 8. Epilogue (Lent)
21. Prélude
22. Danse du rouet et scène - Interlude
23. Pavane de la Belle au bois dormant
24. Les entretiens de la Belle et de la Bête
25. Petit Poucet
26. Laideronnette, Impératrice des Pagodes
27. Apothéose: Le jardin féerique
28. Introduction - Lent - Trè modéré
29. Danse religieuse - Modéré
30. Scène - Un peu plus lent
31. Scène - Les jeunes filles dansent - Vif, Pt. 1
32. Scène - Les jeunes filles dansent - Vif, Pt. 2
33. Scène - Danse générale
34. Scène - Vif - Plus modéré - Très modéré - Pesant
35. Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif
36. Scène - Lent - Moins lent - Très libre
37. Scène - Danse de Lyceion - Scène (Les pirates)
38. Scène - Modérément animé - Très animé - Lent - Très agité
39. Scène - Modéré - Plus lent
40. Scène - Danse lente et mystérieuse
41. Scène - Même mouvement
42. Danse guerrière
43. Scène - Un peu moins animé
44. Scène - Danse suppliante de Chloé
45. Scène - Lent - Plus animé
46. Lever du jour - Scène
47. Daphnis et Chloé miment l'aventure de Pan et Syrinx
48. Scène - Très lent
49. Scène - Lent - Animé - Lent - Animé
50. Danse générale
51. Ravel: Boléro, M. 81

The Boston Symphony Orchestra is one of the most prominent U.S. symphonic ensembles, with deep roots in the Germanic practices that formed the model for American orchestral culture. The orchestra's catalogue of recordings on the RCA Victor label in the middle of the 20th century, artistically ambitious and sonically top-notch thanks to the ambiance of Boston's magnificent Symphony Hall, continue to set a standard. The Boston Symphony Orchestra was formed in 1881 with principal support from banker Henry Lee Higginson, who also spearheaded the construction of Symphony Hall and its opening in 1900. Its membership consisted largely of German-trained musician, and its first conductor, George Henschel, was a friend of Brahms. Subsequent conductors were German or, in the case of Arthur Nikisch, Hungarian. Especially important was Karl Muck, a former conductor of the Berlin Court Opera (now the Berlin State Opera), who led the orchestra from 1906 to 1908, and again from 1912 to 1918 after the leadership of Max Fiedler in the interim. Muck stepped down and was held in an internment camp in Georgia after espousing pro-German sympathies during World War I. But beginning with Pierre Monteux in 1919, the Boston Symphony boasted a series of internationally renowned and non-German conductors. Monteux was French; Serge Koussevitsky, who led the orchestra from 1924 to 1949, was Russian and a towering figure who commissioned numerous modern works and led the world premieres of Stravinsky's Symphony of Psalms and Bartók's Concerto for Orchestra, among many other now-standard works, and founded the annual Tanglewood Music Festival and its associated talent-development classes, with the BSO in residence. Koussevitsky was succeeded by Alsatian-French Charles Münch (1949-1963) and the Austrian-Jewish Erich Leinsdorf, whose RCA recordings were central to collections in the LP era in the U.S. Leinsdorf was succeeded for several years by the ailing William Steinberg and in 1973 by Japanese-born Seiji Ozawa, whose leadership was artistically controversial but long, and also marked by significant recordings, mostly on the Deutsche Grammophon label. Another conductor with an operatic background, James Levine, followed Ozawa in 2002; he stepped down due to ill health and Latvian conductor Andris Nelsons, who had taken on Mahler's vast Symphony No. 8 ("Symphony of a Thousand") as an emergency replacement for Levine, was named conductor. His contract has been extended through 2022, and he has led the orchestra in new recordings with Deutsche Grammophon, including a live cycle of the symphonies of Dmitri Shostakovich. A notable feature of the orchestra's musical life is the existence of the Boston Pops light music orchestra, with personnel drawn from the ranks of the BSO; under conductor Arthur Fiedler (son of Max), that group attained unprecedented popularity on American radio and television as well as in live concerts. The Boston Symphony Orchestra has also been heard on the scores of two films by director Steven Spielberg, Schindler's List and Saving Private Ryan, with the scores' composer, John Williams, as conductor. ~ James Manheim


As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
  • Unlimited high speed downloads
  • Download directly without waiting time
  • Unlimited parallel downloads
  • Support for download accelerators
  • No advertising
  • Resume broken downloads