Alina Shevchenko, Clive Greensmith, Katerina Poterjaeva, Myroslav Drahan - Hermann: Complete Surviving Music, Vol. 1-2 (2021-2022) [Hi-Res]
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BAND/ARTIST: Alina Shevchenko, Clive Greensmith, Katerina Poterjaeva, Lviv International Symphony Orchestra, Roman Machenko, Sofia Soloviy, Theodore Kuchar, Myroslav Drahan, Denys Lytvynenko, Marko Komonko
- Title: Hermann: Complete Surviving Music, Vol. 1-2
- Year Of Release: 2021-2022
- Label: Toccata Classics
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:09:49 /
- Total Size: 311 mb / 2.04 gb
- WebSite: Album Preview
Tracklist
01. Cello Concerto: I. Allegro cantabile
02. Cello Concerto: II. Allegro - Lento - Andante "Disappearance" (After Hermann)
03. Cello Concerto: III. Allegro (After Hermann)
04. Cello Concerto: IV. Andante (After Hermann)
05. Cello Concerto: V. Allegro giocoso (After Hermann)
06. Kammersonate: I. Andante
07. Kammersonate: II. Allegro con brio
08. Kammersonate: III. Largo
09. Kammersonate: IV. Allegretto grazioso
10. Előjáték
11. Suite for piano: I. Allegretto
12. Suite for piano: II. Molto allegro
13. Suite for piano: III. Lento
14. Ophélie: Ophélie (Orch. F. Conti)
Pál Hermann, born in Budapest in 1902, was not only one of the leading cellists of his generation: he was also an important composer, one of the major figures in Hungarian music in the generation after his teachers Bartók and Kodály. But since only two of his works were published before his early death, in 1944, at the hands of the Nazis, and many more of them were lost, he has not had the esteem that he deserves.
This series will present all his surviving compositions, most of them in first recordings. The major work on this first album, Hermann’s Cello Concerto of 1925 in a reconstruction by the Italian composer Fabio Conti (born 1967), sits somewhere between Bartók and Korngold and bids fair to become a staple of the cello repertoire.
01. Duo No. 1 for Violin & Cello: I. Allegro
02. Duo No. 1 for Violin & Cello: II. Andante
03. Duo No. 1 for Violin & Cello: III. Allegro giocoso
04. Suite for Violin: I. Introduction. Adagio rubato
05. Suite for Violin: II. Little Waltz
06. Suite for Violin: III. Scherzo. Presto
07. Suite for Violin: IV. Lento
08. Suite for Violin: V. Little Burlesque. Allegretto
09. Invenzioni a tre voci: I. Andante
10. Invenzioni a tre voci: II. Molto allegro
11. Duo No. 2 for Violin & Cello: I. Lento
12. Duo No. 2 for Violin & Cello: II. Allegro giocoso
13. Duo No. 2 for Violin & Cello: III. Andante
14. Duo No. 2 for Violin & Cello: IV. Allegretto
15. String Trio
16. Piano Trio
Pál Hermann, born in Budapest in 1902, was not only one of the leading cellists of his generation; he was also an important composer, one of the major figures in Hungarian music in the generation after his teachers Bartók and Kodály. But since only two of his works were published before his early death – in 1944, at the hands of the Nazis – and many more of them were lost, he has not had the esteem that he deserves. The works on this second volume of his surviving compositions – here mostly chamber works for strings, several in their first recordings – have the wiry humour, sprung and spiky rhythms and Hungarian melos that mark him out as a worthy successor to Bartók – and hints at how much was lost with his murder.
01. Cello Concerto: I. Allegro cantabile
02. Cello Concerto: II. Allegro - Lento - Andante "Disappearance" (After Hermann)
03. Cello Concerto: III. Allegro (After Hermann)
04. Cello Concerto: IV. Andante (After Hermann)
05. Cello Concerto: V. Allegro giocoso (After Hermann)
06. Kammersonate: I. Andante
07. Kammersonate: II. Allegro con brio
08. Kammersonate: III. Largo
09. Kammersonate: IV. Allegretto grazioso
10. Előjáték
11. Suite for piano: I. Allegretto
12. Suite for piano: II. Molto allegro
13. Suite for piano: III. Lento
14. Ophélie: Ophélie (Orch. F. Conti)
Pál Hermann, born in Budapest in 1902, was not only one of the leading cellists of his generation: he was also an important composer, one of the major figures in Hungarian music in the generation after his teachers Bartók and Kodály. But since only two of his works were published before his early death, in 1944, at the hands of the Nazis, and many more of them were lost, he has not had the esteem that he deserves.
This series will present all his surviving compositions, most of them in first recordings. The major work on this first album, Hermann’s Cello Concerto of 1925 in a reconstruction by the Italian composer Fabio Conti (born 1967), sits somewhere between Bartók and Korngold and bids fair to become a staple of the cello repertoire.
01. Duo No. 1 for Violin & Cello: I. Allegro
02. Duo No. 1 for Violin & Cello: II. Andante
03. Duo No. 1 for Violin & Cello: III. Allegro giocoso
04. Suite for Violin: I. Introduction. Adagio rubato
05. Suite for Violin: II. Little Waltz
06. Suite for Violin: III. Scherzo. Presto
07. Suite for Violin: IV. Lento
08. Suite for Violin: V. Little Burlesque. Allegretto
09. Invenzioni a tre voci: I. Andante
10. Invenzioni a tre voci: II. Molto allegro
11. Duo No. 2 for Violin & Cello: I. Lento
12. Duo No. 2 for Violin & Cello: II. Allegro giocoso
13. Duo No. 2 for Violin & Cello: III. Andante
14. Duo No. 2 for Violin & Cello: IV. Allegretto
15. String Trio
16. Piano Trio
Pál Hermann, born in Budapest in 1902, was not only one of the leading cellists of his generation; he was also an important composer, one of the major figures in Hungarian music in the generation after his teachers Bartók and Kodály. But since only two of his works were published before his early death – in 1944, at the hands of the Nazis – and many more of them were lost, he has not had the esteem that he deserves. The works on this second volume of his surviving compositions – here mostly chamber works for strings, several in their first recordings – have the wiry humour, sprung and spiky rhythms and Hungarian melos that mark him out as a worthy successor to Bartók – and hints at how much was lost with his murder.
Year 2022 | Year 2021 | Classical | FLAC / APE | HD & Vinyl
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