Trevor Beales - Fireside Stories (Hebden Bridge circa 1971 -1974) (2022)
BAND/ARTIST: Trevor Beales
- Title: Fireside Stories (Hebden Bridge circa 1971 -1974)
- Year Of Release: 2022
- Label: Basin Rock
- Genre: Acoustic, Folk, Singer-Songwriter
- Quality: FLAC (tracks)
- Total Time: 34:42
- Total Size: 129 Mb
- WebSite: Album Preview
Tracklist:
01. Marion Belle (3:26)
02. Tell Me Now (3:27)
03. Dance of the Mermaids (3:54)
04. City Lights (2:35)
05. The Old Soldier (2:35)
06. Sunlight on the Table (1:17)
07. Metropolis (2:22)
08. The Prisoner (2:29)
09. Braziliana (1:50)
10. Then I'll Take You Home (3:27)
11. Ocean of Tears (3:21)
12. Fireside Story (4:20)
01. Marion Belle (3:26)
02. Tell Me Now (3:27)
03. Dance of the Mermaids (3:54)
04. City Lights (2:35)
05. The Old Soldier (2:35)
06. Sunlight on the Table (1:17)
07. Metropolis (2:22)
08. The Prisoner (2:29)
09. Braziliana (1:50)
10. Then I'll Take You Home (3:27)
11. Ocean of Tears (3:21)
12. Fireside Story (4:20)
There’s no getting around the sepia-toned romance of rediscovery and the profound local tragedy surrounding Fireside Stories (Hebden Bridge circa 1971-1974). A teenager records a cluster of songs, bent over his guitar in the attic of his parents’ home.
Suspended in this peculiar in-between moment of the early 1970s is Trevor Beales, the latest entry in the long folk tradition of being discovered decades late and with nary a Google result to their name. Responsible for this discovery is Basin Rock, a small contemporary folk label based in nearby Todmorden. Fireside Stories is the label’s first release by a non-working songwriter, and it is, at its best, remarkable.
Although you’d never know his age from the world-weary character of his voice, this is the work of a young songwriter seeking a musical identity by trying out several. He begins with dark and detailed narratives. Album opener “Marion Belle” is an evocative tale of mariners adrift upon the waves and within their own hearts; “Tell Me Now” is a harrowing one about a farmer’s son accused of raping and murdering the mayor’s daughter. His assumed guilt is rooted in the class divide: “Such a girl of respect would never have let/ A mere farmer make love to and court her.”
“Sunlight on the Table” is the opposite of a narrative, however, which is to say it’s a song in which nothing happens. Beales fixates instead on the minutiae of a single, interior moment: “Silence in the corridors, a slow tide in my mind/ A mist made up of memories of the ones I left behind.” A talented player by any standard, he attempts a playful Latin experiment on the instrumental “Braziliana.” But the energized album finale “Fireside Stories” may be the standout. He hits every impassioned downstrum with fervor and combines sharpened, singular stanzas—“If your jewels make you sparkle/ And your wine makes you glow/ And my words taste so bitter/ And you’ve learned all there is to know”—with a catalog of momentary images marked by a sensory vividness. It’s easy to imagine him, pen in hand, noting down the “creaking rocking chair and thick velvet curtains and the smell of the pinewood walls.” As such, Fireside Stories captures a gifted and otherwise-forgotten songwriter in amber. Finally dug out of the attic and dusted off, it shines in the light of day.
Suspended in this peculiar in-between moment of the early 1970s is Trevor Beales, the latest entry in the long folk tradition of being discovered decades late and with nary a Google result to their name. Responsible for this discovery is Basin Rock, a small contemporary folk label based in nearby Todmorden. Fireside Stories is the label’s first release by a non-working songwriter, and it is, at its best, remarkable.
Although you’d never know his age from the world-weary character of his voice, this is the work of a young songwriter seeking a musical identity by trying out several. He begins with dark and detailed narratives. Album opener “Marion Belle” is an evocative tale of mariners adrift upon the waves and within their own hearts; “Tell Me Now” is a harrowing one about a farmer’s son accused of raping and murdering the mayor’s daughter. His assumed guilt is rooted in the class divide: “Such a girl of respect would never have let/ A mere farmer make love to and court her.”
“Sunlight on the Table” is the opposite of a narrative, however, which is to say it’s a song in which nothing happens. Beales fixates instead on the minutiae of a single, interior moment: “Silence in the corridors, a slow tide in my mind/ A mist made up of memories of the ones I left behind.” A talented player by any standard, he attempts a playful Latin experiment on the instrumental “Braziliana.” But the energized album finale “Fireside Stories” may be the standout. He hits every impassioned downstrum with fervor and combines sharpened, singular stanzas—“If your jewels make you sparkle/ And your wine makes you glow/ And my words taste so bitter/ And you’ve learned all there is to know”—with a catalog of momentary images marked by a sensory vividness. It’s easy to imagine him, pen in hand, noting down the “creaking rocking chair and thick velvet curtains and the smell of the pinewood walls.” As such, Fireside Stories captures a gifted and otherwise-forgotten songwriter in amber. Finally dug out of the attic and dusted off, it shines in the light of day.
Year 2022 | Folk | FLAC / APE
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