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Harriet Adie - Christmastide (2022) [Hi-Res]

Harriet Adie - Christmastide (2022) [Hi-Res]

BAND/ARTIST: Harriet Adie

  • Title: Christmastide
  • Year Of Release: 2022
  • Label: MPR
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
  • Total Time: 48:27
  • Total Size: 156 / 828 MB
  • WebSite:
Tracklist:

1. Ding Dong! Merrily on High (Arr. H. Adie for Harp) (3:13)
2. I Saw Three Ships (Arr. H. Adie for Harp) (2:09)
3. O Come, O Come, Emmanuel (Arr. H. Adie for Harp) (3:01)
4. Infant Holy, Infant Lowly (Arr. H. Adie for Harp) (3:33)
5. Let All Mortal Flesh Keep Silence (Arr. H. Adie for Harp) (2:39)
6. Christ Was Born on Christmas Day (Arr. H. Adie for Harp) (2:23)
7. Sussex Carol "On Christmas Night All Christians Sing" (Arr. H. Adie for Harp) (3:05)
8. Joy to the World (Arr. H. Adie for Harp) (2:59)
9. Huron Carol "Twas in the Moon of Wintertime" (Arr. H. Adie for Harp) (2:46)
10. Noël nouvelet (Arr. H. Adie for Harp) (4:07)
11. The Holly and the Ivy (Arr. H. Adie for Harp) (2:24)
12. Once in Royal David's City (Arr. H. Adie for Harp) (4:25)
13. The Truth Sent from Above (Arr. H. Adie for Harp) (2:56)
14. Silent Night, H. 145 (Arr. H. Adie for Harp) (3:39)
15. Tomorrow Shall Be My Dancing Day (Arr. H. Adie for Harp) (2:36)
16. In dulci jubilo (Arr. H. Adie for Harp) (2:40)

From the artist: "After experiencing two devastating miscarriages in 2021, I subsequently felt a profound need to channel grief into something constructive. Whilst a collection of traditional Christmas carols might not seem an obvious musical choice for a personal journey through loss, I have always taken comfort in the warmth, feelings of nostalgia, and hope that festive music inspires. Arranging these carols for solo harp has been a healing experience for me as an artist, and I hope that the Christmas message shines through in each arrangement. Arranging often feels like an easier option than composing from scratch as there isn?t the pressure to formulate an original idea. However, there is always a feeling of responsibility when modifying someone else?s creation; a consideration of whether the original composer would approve of the revised version. In addition, there is the question of whether the arrangement has anything new to say, musically speaking. Taking music already written and turning it into something with a current and sympathetic voice is a challenge that I have always relished, and each of these arrangements draws on my personal musical influences. Finding inspiration in everything from the golden age of musicals and jazz through to the folk music that defines rural England, and favourite composers such as Ravel and Rachmaninov, I have utilised the harp to bring forth the warmth of a winter fire, the crisp coldness of snowfall, the excitement of Christmas morning, and the joyful proclamation of Christ?s birth.


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