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Leonard Bernstein - The Greatest Symphonic Works with Leonard Bernstein (2022)

Leonard Bernstein - The Greatest Symphonic Works with Leonard Bernstein (2022)
  • Title: The Greatest Symphonic Works with Leonard Bernstein
  • Year Of Release: 2022
  • Label: UMG Recordings, Inc.
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 16:55:25
  • Total Size: 4.26 GB
  • WebSite:
Tracklist:

01. Variation IV. Più mosso
02. 4. Finale (Allegro con spirito) (Live)
03. Variation VIII. Molto moderato, ma movendo
04. Variation V. Agitato
05. 4. Finale (Allegro di molto) (Live)
06. III. Presto (Live)
07. 3. Menuetto (Allegretto) (Live At Musikverein, Vienna / 1983)
08. Variation 3. Largamente, ma mosso
09. Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo (Live)
10. Allegro molto moderato - Poco a poco meno moderato - (Live)
11. Variation IX. Più mosso. Tempo di Valse
12. Variation 2. Poco più mosso
13. III. Menuetto (Allegretto) - Trio (Live at Grosser Saal, Musikverein, Wien / 1984)
14. II. Langsam (Live)
15. Variation XII. Poco più vivace
16. 3. Menuet (Allegro molto) (Live)
17. Variation VII. L'istesso tempo
18. III. Un poco allegretto e grazioso (Live)
19. Lento moderato
20. IV. Largo (Live)
21. Extremely fast
22. III. Menuetto (Allegretto) (Live)
23. I. Allegro (Live)
24. 1. Adagio - Allegro spiritoso (Live At Musikverein, Vienna / 1984)
25. 3. Scherzo (Allegro) (Live)
26. III. Allegretto grazioso ( Quasi andantino) - Presto ma non assai (Live)
27. 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all' (Live)
28. Variation XI. L'istesso tempo
29. Allegro moderato - Presto (Live)
30. 4. Presto (Live At Musikverein, Vienna / 1984)
31. III. Scherzo. Pizzicato ostinato - Allegro (Live)
32. Variation XIII. L'istesso tempo
33. V. Allegretto (Live)
34. III. Allegro giocoso - Poco meno presto - Tempo I (Live)
35. 2. Andante (Live)
36. Variation XIV. Poco più vivace
37. 3. Menuet (Allegretto) (Live At Musikverein, Vienna / 1984)
38. Variation X. Più mosso
39. III. Valse (Allegro moderato) (Live)
40. 3. Vivacissimo - Lento e suave - Largamente (Live)
41. III. Poco allegretto (Live)
42. IV. Presto (Live)
43. II. Scherzo (Allegro vivace) (Live)
44. Largo
45. III. Presto (Live)
46. 2. Largo (Live At Musikverein, Vienna / 1983)
47. II. Allegro (Live)
48. III. Sehr lebhaft (Live)
49. 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I (Live)
50. L'istesso tempo - Adagio / Andante - quasi cadenza - Lento molto
51. II. Andante (Live at Grosser Saal, Musikverein, Wien / 1984)
52. Adagio - (Live)
53. I. Molto allegro (Live at Grosser Saal, Musikverein, Wien / 1984)
54. IV. Allegro molto vivace (Live)
55. II. Moderato (Live)
56. 1. Adagio - Vivace assai (Live)
57. II. Andante cantabile (Live)
58. 1. Adagio - Allegro (Live At Musikverein, Vienna / 1983)
59. IV. Finale (Allegro assai) (Live at Grosser Saal, Musikverein, Wien / 1984)
60. 2. Adagio (Live At Musikverein, Vienna / 1984)
61. IV. Molto allegro (Live)
62. IV. Finale (Allegro con fuoco) (Live)
63. 3. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai (Live)
64. IV. Allegro (Live)
65. 1. Tempo molto moderato - Largamente - (Live)
66. 2. Andante mosso, quasi allegretto (Live)
67. IV. Allegro con spirito (Live)
68. II. Andante (Live)
69. Brahms: Academic Festival Overture, Op. 80 (Live)
70. II. Andante sostenuto (Live)
71. 2. Andante (ma non troppo lento) (Live)
72. II. Molto vivace (Live)
73. IV. Allegro energico e passionato - Più allegro (Live)
74. IV. Adagietto (Live)
75. 1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro (Live)
76. I. Nicht zu schnell (Live)
77. II. Adagio non troppo - L'istesso tempo, ma grazioso (Live)
78. I. Allegro vivace (Live)
79. II. Andantino in modo di canzone (Live)
80. 2. Scherzo. Bewegt, lebhaft - Trio. Schnell (Live From Grosser Saal, Musikverein, Vienna / 1990)
81. 4. Finale (Quasi una fantasia) (Live)
82. 1. Andante, ma non troppo - Allegro energico (Live)
83. II. Andante moderato (Live)
84. Brahms: Tragic Overture, Op. 81 (Live)
85. I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (Live)
86. 4. Finale (Andante maestoso - Allegro vivace) (Live)
87. I. Allegro non troppo (Live)
88. I. Allegro ma non troppo, un poco maestoso (Live)
89. I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) (Live)
90. III. Adagio Espresssivo (Live)
91. V. Rondo-Finale (Allegro) (Live)
92. I. Allegro con brio - Un poco sostenuto - Tempo I (Live)
93. II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito (Live)
94. 4. Finale (Allegro moderato) (Live)
95. IV. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro (Live)
96. II. Andante cantabile, con alcuna licenza - Moderato con anima (Live)
97. I. Un poco sostenuto - Allegro - Meno allegro (Live)
98. I. Andante - Allegro con anima (Live)
99. 2. Tempo andante, ma rubato - Andante sostenuto (Live)
100. III. Adagio molto e cantabile (Live)
101. I. Allegro non troppo (Live)
102. IV. Presto - "O Freunde, nicht diese Töne!" - Allegro assai (Live)
103. III. Scherzo (Kräftig, nicht zu schnell) (Live)
104. Brahms: Variations on a Theme by Haydn, Op. 56a (Live)
105. I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo (Live)
106. 3. Adagio. Langsam, feierlich (Live From Grosser Saal, Musikverein, Vienna / 1990)
107. I. Largo (Live)
108. 1. Feierlich, Misterioso (Live From Grosser Saal, Musikverein, Vienna / 1990)

No figure in 20th century American classical music had as prominent or controversial a career -- or did more to sell classical music to the general public as something genuinely exciting, and worth getting into a sweat over -- than Leonard Bernstein. For more than 30 years, from his assumption of the post of Music Director of the New York Philharmonic in 1958 until the final concerts that he conducted in obviously failing health near the end of his life in 1990, he was the most prominent and widely recognized American-born conductor in the world, and the dominant personality in American classical music as both a conductor and, to a lesser degree, a composer. A flamboyant public figure, he burst three different times on the musical world -- twice in classical with a rush of success on Broadway in between -- in a blaze of glory, in the space of 15 years; and over a career lasting from the early '40s until the beginning of the '90s, he never lost an opportunity to advance his reputation as well as the cause of music. In the process, he opened new musical horizons to millions of listeners and thousands of would-be performers who might never have otherwise discovered them. And most who were around to see him in the years when he was at the New York Philharmonic, either as an assistant conductor or a guest conductor for such events as the Lewisohn Stadium concerts, or as Music Director, remember him as vividly as they recall Elvis Presley or the Beatles on Ed Sullivan, or hearing the Sgt. Pepper album for the first time -- in those years, like no one before or since, Bernstein made classical music exciting, even sexy; he made it sing to people who'd never appreciated it before and speak to people who'd never understood it.



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