Iago Fernandez - Luzada (2022)
BAND/ARTIST: Iago Fernández
- Title: Luzada
- Year Of Release: 2022
- Label: Fresh Sound New Talent
- Genre: Jazz
- Quality: 320 kbps | FLAC (tracks)
- Total Time: 01:02:20
- Total Size: 143 mb | 356 mb
- WebSite: Album Preview
Tracklist:
01. Iago Fernández - Almas Viaxeiras
02. Iago Fernández - Doces
03. Iago Fernández - Arrolo da Alba
04. Iago Fernández - Flor Esvelta
05. Iago Fernández - Cadeas Por Fin
06. Iago Fernández - Lonely Child
07. Iago Fernández - Springtime Paradox
08. Iago Fernández - Luz da Paz
09. Iago Fernández - Purple Light
10. Iago Fernández - Curarei
Personnel:
Iago Fernandez (drums, organ, voice)
Mark Turner (tenor sax)
Joris Roelofs (bass clarinet)
David Virelles (piano)
Ben Street (double bass)
Yumi Ito (voice)
Wilfried Wilde (guitar)
Song Yi Jeon (voice)
Sam Barnett (alto sax)
Kuba Dvorak (double bass)
01. Iago Fernández - Almas Viaxeiras
02. Iago Fernández - Doces
03. Iago Fernández - Arrolo da Alba
04. Iago Fernández - Flor Esvelta
05. Iago Fernández - Cadeas Por Fin
06. Iago Fernández - Lonely Child
07. Iago Fernández - Springtime Paradox
08. Iago Fernández - Luz da Paz
09. Iago Fernández - Purple Light
10. Iago Fernández - Curarei
Personnel:
Iago Fernandez (drums, organ, voice)
Mark Turner (tenor sax)
Joris Roelofs (bass clarinet)
David Virelles (piano)
Ben Street (double bass)
Yumi Ito (voice)
Wilfried Wilde (guitar)
Song Yi Jeon (voice)
Sam Barnett (alto sax)
Kuba Dvorak (double bass)
It seems fitting that Jorge Rossy, one of the best drummers on the planet, wrote the liner notes for drummer Iago Fernandez’s new album LUZADA; his fourth as leader.
I had a hard time coming up with reference points for a lot of what I was listening to. There are nods to jazz, classical, and Brazilian folk music. But this is beautiful music that sounds completely original. This isn’t something Art Blakey and the Jazz Messengers would play. This is slower, quieter, it’s mysterious, maybe even a little eerie sounding at times. All the songs, except one, were written and arranged by Fernandez.
Yumi Ito is a Japanese-Polish singer, and she sings on ‘Almas Viaxeiras.’ I couldn’t help but think about Astrud Gilberto and I mean that as a compliment. Ito has a bigger range than Gilberto, but she still has that sultry beguiling sound we enjoyed on those Getz Gilberto records way back when. Yumi Ito sings on two more; the wordless ‘Purple Light’ and ‘Flor Esvelta,’ a song sung to a flower.
I rarely hear bass clarinet on recordings, but Joris Roelofs plays that instrument a lot on LUZADA and I love it. He’s not afraid to use the whole range of his instrument. He does a couple of squawks in the lower register that I thought was a digeridoo until I realized it was a clarinet. Joris Roelofs is probably a pretty interesting guy. In his spare time he’s written philosophical papers on Nietzsche.
Mark Turner’s tenor saxophone is the perfect foil to Roelof’s bass clarinet. Turner pretty much sticks to the upper register and it sounds superb.
I had a hard time coming up with reference points for a lot of what I was listening to. There are nods to jazz, classical, and Brazilian folk music. But this is beautiful music that sounds completely original. This isn’t something Art Blakey and the Jazz Messengers would play. This is slower, quieter, it’s mysterious, maybe even a little eerie sounding at times. All the songs, except one, were written and arranged by Fernandez.
Yumi Ito is a Japanese-Polish singer, and she sings on ‘Almas Viaxeiras.’ I couldn’t help but think about Astrud Gilberto and I mean that as a compliment. Ito has a bigger range than Gilberto, but she still has that sultry beguiling sound we enjoyed on those Getz Gilberto records way back when. Yumi Ito sings on two more; the wordless ‘Purple Light’ and ‘Flor Esvelta,’ a song sung to a flower.
I rarely hear bass clarinet on recordings, but Joris Roelofs plays that instrument a lot on LUZADA and I love it. He’s not afraid to use the whole range of his instrument. He does a couple of squawks in the lower register that I thought was a digeridoo until I realized it was a clarinet. Joris Roelofs is probably a pretty interesting guy. In his spare time he’s written philosophical papers on Nietzsche.
Mark Turner’s tenor saxophone is the perfect foil to Roelof’s bass clarinet. Turner pretty much sticks to the upper register and it sounds superb.
Year 2022 | Jazz | FLAC / APE | Mp3
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