Robin Ticciati, Scottish Chamber Orchestra - Schumann: The Symphonies (2014) [Hi-Res]
BAND/ARTIST: Robin Ticciati, Scottish Chamber Orchestra
- Title: Schumann: The Symphonies
- Year Of Release: 2014
- Label: Linn Records
- Genre: Classical
- Quality: flac lossless (image +.cue, log, scans) / flac 24bits - 96.0kHz +Booklet
- Total Time: 02:13:24
- Total Size: 541 mb / 2.24 gb
- WebSite: Album Preview
Tracklist
01. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
02. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto
03. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace
04. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": IV. Allegro animato e grazioso
05. Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai - Allegro ma non troppo
06. Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace
07. Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo
08. Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace
01. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft
02. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr massig
03. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell
04. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich
05. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": V. Lebhaft
06. Symphony No. 4 in D Minor, Op. 120: I. Ziemlich langsam - Lebhaft (1851 Version)
07. Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (1851 Version)
08. Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft (1851 Version)
09. Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft (1851 Version)
Schumann: The Symphonies sees Robin Ticciati and the Scottish Chamber Orchestra embark upon their first symphonic cycle together in a programme that they performed in concerts across Scotland.
This is music that is very close to Robin Ticciati's heart; he describes Schumann as one of his favourite composers and has often spoken about how important poetry, colour and story are to Schumann's music.
Symphony No. 1 'Spring', blazes and sparkles with joy, Symphony No. 2 finds its way carefully through to the safe haven of its final movement, the much-loved Symphony No. 3 'Rhenish' moves with huge ease and assurance to a resonant and joyful conclusion. Symphony No. 4 is radical in the way each movement attacks the start of the next movement with barely a pause, and in its minute-and-a-half-long, shimmering and horn-call filled-transition to the finale. Under Ticciati and the SCO it is magnificent, the radical, soaring, disturbing and exhilarating symphony Schumann intended.
The SCO's smaller forces bring a lightness of touch and a clarity to the counterpoint; under Ticciati they achieve a sense of movement that no previous recording has.
This recording was met with critical acclaim: it was named #9 in The Sunday Times' 'Classical Album in the 100 Top Albums of 2014', #23 in the 'Best Albums of 2014' by Da Volkskrant, a 'Critics' Choice Pick of 2014' by Andrew Ford on ABC Radio and won a 2015 'Discovery' Classic Edison Award. Sir Simon Rattle commented, "Robin makes a clear case for how the revised version can retain the radical edge of the 1841 version. Still it sounds like a fireball and I take my hat off to him."
01. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
02. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": II. Larghetto
03. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo. Molto vivace
04. Symphony No. 1 in B-Flat Major, Op. 38 "Spring": IV. Allegro animato e grazioso
05. Symphony No. 2 in C Major, Op. 61: I. Sostenuto assai - Allegro ma non troppo
06. Symphony No. 2 in C Major, Op. 61: II. Scherzo. Allegro vivace
07. Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo
08. Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace
01. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft
02. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr massig
03. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": III. Nicht schnell
04. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich
05. Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": V. Lebhaft
06. Symphony No. 4 in D Minor, Op. 120: I. Ziemlich langsam - Lebhaft (1851 Version)
07. Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (1851 Version)
08. Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft (1851 Version)
09. Symphony No. 4 in D Minor, Op. 120: IV. Langsam - Lebhaft (1851 Version)
Schumann: The Symphonies sees Robin Ticciati and the Scottish Chamber Orchestra embark upon their first symphonic cycle together in a programme that they performed in concerts across Scotland.
This is music that is very close to Robin Ticciati's heart; he describes Schumann as one of his favourite composers and has often spoken about how important poetry, colour and story are to Schumann's music.
Symphony No. 1 'Spring', blazes and sparkles with joy, Symphony No. 2 finds its way carefully through to the safe haven of its final movement, the much-loved Symphony No. 3 'Rhenish' moves with huge ease and assurance to a resonant and joyful conclusion. Symphony No. 4 is radical in the way each movement attacks the start of the next movement with barely a pause, and in its minute-and-a-half-long, shimmering and horn-call filled-transition to the finale. Under Ticciati and the SCO it is magnificent, the radical, soaring, disturbing and exhilarating symphony Schumann intended.
The SCO's smaller forces bring a lightness of touch and a clarity to the counterpoint; under Ticciati they achieve a sense of movement that no previous recording has.
This recording was met with critical acclaim: it was named #9 in The Sunday Times' 'Classical Album in the 100 Top Albums of 2014', #23 in the 'Best Albums of 2014' by Da Volkskrant, a 'Critics' Choice Pick of 2014' by Andrew Ford on ABC Radio and won a 2015 'Discovery' Classic Edison Award. Sir Simon Rattle commented, "Robin makes a clear case for how the revised version can retain the radical edge of the 1841 version. Still it sounds like a fireball and I take my hat off to him."
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