Dilbağ Tokay, Emine Serdaroğlu - Turkish Music for Cello & Piano (2015)
BAND/ARTIST: Dilbağ Tokay, Emine Serdaroğlu
- Title: Turkish Music for Cello & Piano
- Year Of Release: 2015
- Label: Naxos
- Genre: Classical
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:03:01
- Total Size: 258 mb
- WebSite: Album Preview
Tracklist
01. Cello Sonata, Op. 12: I. Animato
02. Cello Sonata, Op. 12: II. Largo
03. Cello Sonata, Op. 12: III. Allegro assai
04. 3 Türkü: No. 1, Ah Bir Ateş Ver
05. 3 Türkü: No. 2, Al Tavandan Belleri
06. 3 Türkü: No. 3, Leblebi
07. Elif Dedim, Be Dedim
08. Music for Cello & Piano No. 1
09. Music for Cello & Piano No. 2
10. Aleatoric for Cello & Piano No. 1 (Version 1)
11. Aleatoric for Cello & Piano No. 2 (Version 1)
12. Aleatoric for Cello & Piano No. 1 (Version 2)
13. Aleatoric for Cello & Piano No. 2 (Version 2)
This disc explores the ways in which Turkish composers have sought to reconcile their own traditions with Western musical heritage. Saygun’s Cello Sonata is representative of his first creative period, blending Anatolian and Western idioms, while İlhan Usmanbaş’ ceaseless aspiration for newer expression via freedom of form has won him international renown. More recently, Özkan Manav has explored folk music using techniques derived from the bağlama, a long-necked lute, and Hasan Uçarsu’s arrangement of an Anatolian folk song uses innovative compositional techniques to represent the sounds, geography and culture of his homeland.
01. Cello Sonata, Op. 12: I. Animato
02. Cello Sonata, Op. 12: II. Largo
03. Cello Sonata, Op. 12: III. Allegro assai
04. 3 Türkü: No. 1, Ah Bir Ateş Ver
05. 3 Türkü: No. 2, Al Tavandan Belleri
06. 3 Türkü: No. 3, Leblebi
07. Elif Dedim, Be Dedim
08. Music for Cello & Piano No. 1
09. Music for Cello & Piano No. 2
10. Aleatoric for Cello & Piano No. 1 (Version 1)
11. Aleatoric for Cello & Piano No. 2 (Version 1)
12. Aleatoric for Cello & Piano No. 1 (Version 2)
13. Aleatoric for Cello & Piano No. 2 (Version 2)
This disc explores the ways in which Turkish composers have sought to reconcile their own traditions with Western musical heritage. Saygun’s Cello Sonata is representative of his first creative period, blending Anatolian and Western idioms, while İlhan Usmanbaş’ ceaseless aspiration for newer expression via freedom of form has won him international renown. More recently, Özkan Manav has explored folk music using techniques derived from the bağlama, a long-necked lute, and Hasan Uçarsu’s arrangement of an Anatolian folk song uses innovative compositional techniques to represent the sounds, geography and culture of his homeland.
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