Glaise - Le temps du geste (2022) Hi-Res
BAND/ARTIST: Glaise, Alexandre Bughin, Philippe Cloes, Nicolas Paternotte
- Title: Le temps du geste
- Year Of Release: 2022
- Label: homerecords.be
- Genre: Classical
- Quality: FLAC (tracks) / FLAC 24 Bit (48 KHz / tracks)
- Total Time: 64:01 min
- Total Size: 273 MB
- WebSite: Album Preview
Tracklist:
1. D'or et d'argent
2. Huile d'Argan
3. D'où
4. Dut-il
5. Fausse relation
6. Grappes et gouttes
7. Émaillent les langues
8. La terre s'en nourrit
9. Les paumes brûlées
10. Sonate pour violoncelle et piano en do majeur, Op. 119: I. Andante grave
11. Hortense
12. L'angor
13. Avant l'heure
1. D'or et d'argent
2. Huile d'Argan
3. D'où
4. Dut-il
5. Fausse relation
6. Grappes et gouttes
7. Émaillent les langues
8. La terre s'en nourrit
9. Les paumes brûlées
10. Sonate pour violoncelle et piano en do majeur, Op. 119: I. Andante grave
11. Hortense
12. L'angor
13. Avant l'heure
Under the leadership of eRno le Mentholé for artistic production and Michel Van Achter for mixing and mastering, the opus offers an instrumental dynamic characterized by its naturalness (Huile d'argan, L'angor) and its amplitude (Emailent les Langues, Hortense )..
A breath, a tongue in the mouth, the sound of a finger on the string or the felt of a piano hammer. The time of the gesture, through an undeniable requirement of musical and verbal writing, delivers
an authentic creation.
The vocal treatment, meanwhile, oscillates between a certain immodesty (The earth feeds on it, Hortense) to the most daring hues resulting from a mix with Anglo-Saxon influences (Fausse relation, Avant l'heure). Passing through the emaciated Clusters and drops.
On the titles D’où and Émaillent les langues, we notice the beautiful presence of Martin Descamps, percussionist-solo and second timpanist of the Opéra Royal de Wallonie and member of the Duo Phébus.
GLAISE does not miss the references to the great repertoire with a cinematographic version of the first movement of the sonata for piano and cello by S.Prokofiev in which inhabited voices will nestle.
A breath, a tongue in the mouth, the sound of a finger on the string or the felt of a piano hammer. The time of the gesture, through an undeniable requirement of musical and verbal writing, delivers
an authentic creation.
The vocal treatment, meanwhile, oscillates between a certain immodesty (The earth feeds on it, Hortense) to the most daring hues resulting from a mix with Anglo-Saxon influences (Fausse relation, Avant l'heure). Passing through the emaciated Clusters and drops.
On the titles D’où and Émaillent les langues, we notice the beautiful presence of Martin Descamps, percussionist-solo and second timpanist of the Opéra Royal de Wallonie and member of the Duo Phébus.
GLAISE does not miss the references to the great repertoire with a cinematographic version of the first movement of the sonata for piano and cello by S.Prokofiev in which inhabited voices will nestle.
Year 2022 | Classical | World | Musique Française | FLAC / APE | HD & Vinyl
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