Lou Ann Barton - Diving Duck (2012)
BAND/ARTIST: Lou Ann Barton
- Title: Diving Duck
- Year Of Release: 2012
- Label: The Entertainers
- Genre: Blues, Rock
- Quality: flac lossless (tracks)
- Total Time: 00:48:41
- Total Size: 320 mb
- WebSite: Album Preview
Tracklist
01. Diving Duck
02. He's Gotta Use His Head (To Turn Me On)
03. I Feel Like Breaking up Somebody's Home
04. I Will Change That Too
05. Natural Born Lover
06. Not Even Me
07. Rock 'N' Roll 800
08. Scratch My Back
09. Shake a Hand
10. Someday
11. Te Ni Nee Ni Nu
12. Young & Dumb
Although she doesn’t tour nearly as much as she probably could, Austin-based vocalist Lou Ann Barton is one of the finest purveyors of raw, unadulterated roadhouse blues from the female gender that you’ll ever hear. Like Delbert McClinton, she can belt out a lyric so that she can be heard over a two-guitar band with horns. Born February 17, 1954, in Fort Worth, she’s a veteran of thousands of dance hall and club shows all over Texas. Barton moved to Austin in the 1970s and later performed with the Fabulous Thunderbirds and Stevie Ray Vaughan and Double Trouble.
Although she has a few great recordings out, notably Old Enough (1982, Asylum Records), produced by Jerry Wexler and Glenn Frey, Barton has to be seen live to be fully appreciated. She belts out her lyrics in a twangy voice so full of Texas that you can smell the barbecue sauce. She swaggers confidently about the stage, casually tossing her cigarette to the floor as the band kicks in on its first number. The grace, poise and confidence she projects on stage is part of a long tradition for women blues singers. The blues world still needs more good female blues singers like Barton, to help to broaden the appeal of the music to diverse audiences and to further its evolution.
Barton has several other excellent albums out on the Austin-based Antone’s Records, Read My Lips (1989) and her cooperative effort with fellow Texas blues women Marcia Ball and Angela Strehli, Dreams Come True (1990). Old Enough was reissued on compact disc in 1992 on the Antone’s label. The only criticism one could level at Barton — and it may be unfair because of business complications — is that she hasn’t recorded much. Here’s hoping that this premier interpreter of Texas roadhouse blues will be well recorded through the rest of the 1990s.
01. Diving Duck
02. He's Gotta Use His Head (To Turn Me On)
03. I Feel Like Breaking up Somebody's Home
04. I Will Change That Too
05. Natural Born Lover
06. Not Even Me
07. Rock 'N' Roll 800
08. Scratch My Back
09. Shake a Hand
10. Someday
11. Te Ni Nee Ni Nu
12. Young & Dumb
Although she doesn’t tour nearly as much as she probably could, Austin-based vocalist Lou Ann Barton is one of the finest purveyors of raw, unadulterated roadhouse blues from the female gender that you’ll ever hear. Like Delbert McClinton, she can belt out a lyric so that she can be heard over a two-guitar band with horns. Born February 17, 1954, in Fort Worth, she’s a veteran of thousands of dance hall and club shows all over Texas. Barton moved to Austin in the 1970s and later performed with the Fabulous Thunderbirds and Stevie Ray Vaughan and Double Trouble.
Although she has a few great recordings out, notably Old Enough (1982, Asylum Records), produced by Jerry Wexler and Glenn Frey, Barton has to be seen live to be fully appreciated. She belts out her lyrics in a twangy voice so full of Texas that you can smell the barbecue sauce. She swaggers confidently about the stage, casually tossing her cigarette to the floor as the band kicks in on its first number. The grace, poise and confidence she projects on stage is part of a long tradition for women blues singers. The blues world still needs more good female blues singers like Barton, to help to broaden the appeal of the music to diverse audiences and to further its evolution.
Barton has several other excellent albums out on the Austin-based Antone’s Records, Read My Lips (1989) and her cooperative effort with fellow Texas blues women Marcia Ball and Angela Strehli, Dreams Come True (1990). Old Enough was reissued on compact disc in 1992 on the Antone’s label. The only criticism one could level at Barton — and it may be unfair because of business complications — is that she hasn’t recorded much. Here’s hoping that this premier interpreter of Texas roadhouse blues will be well recorded through the rest of the 1990s.
Blues | Rock | FLAC / APE
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