Director - We Thrive On Big Cities (2006)
BAND/ARTIST: Director
- Title: We Thrive On Big Cities
- Year Of Release: 2006
- Label: Atlantic
- Genre: Pop, Rock, Indie, Alternative
- Quality: FLAC (tracks) | Mp3 / 320kbps
- Total Time: 36:30
- Total Size: 243 MB | 83,0 MB
- WebSite: Album Preview
Tracklist
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01 Easy To Me 3:03
02 Standing In My Way 2:52
03 Reconnect 4:32
04 I Only Realise 3:57
05 She's Saying Things 4:25
06 Leave It To Me 4:15
07 Come With A Friend 3:45
08 Big Cities 2:18
09 Can You Take It 3:23
10 Never Know 4:00
-----------
01 Easy To Me 3:03
02 Standing In My Way 2:52
03 Reconnect 4:32
04 I Only Realise 3:57
05 She's Saying Things 4:25
06 Leave It To Me 4:15
07 Come With A Friend 3:45
08 Big Cities 2:18
09 Can You Take It 3:23
10 Never Know 4:00
The vacant expression of the boy that adorns the cover of Director's debut
album We Thrive on Big Cities is curiously reminiscent of that of another
famous Irish debut album. Cover aesthetics notwithstanding, Director's
music is less akin to that of U2's Boy than it is New York art punks the
Strokes' debut offering Is This It. It's not only similar in style --
standout opener "Easy to Me" testifies to this fact -- but also in terms of
its aesthetic. Like Is This It, We Thrive on Big Cities is a meticulously
crafted pop album; if it borrows from post-punk luminaries Talking Heads
and Television, it takes only musical influence and none of the D.I.Y.
attitude and drive to experiment which typified the movement at its peak.
Technically, the musicianship is superb. Frontman Michael Moloney is a
classical music graduate with an ear for the sophisticated melody, and
comparisons to David Byrne and the Divine Comedy's Neil Hannon are well
justified in this regard. The twin guitar attack he forms with Eoin Aherne
is formidable, as evinced by the frenzied duel at the end of "Standing in
My Way," but all too often the band appears to be holding back. The
songwriting, while constantly strong, lacks an individual character; even
attempts to break the mold wind up imitating other acts, as demonstrated by
the Daft Punk-like opening of "Come with a Friend." Overall, a lack of
spontaneity and a particular personality detract from an otherwise constant
and overwhelmingly likeable debut.
album We Thrive on Big Cities is curiously reminiscent of that of another
famous Irish debut album. Cover aesthetics notwithstanding, Director's
music is less akin to that of U2's Boy than it is New York art punks the
Strokes' debut offering Is This It. It's not only similar in style --
standout opener "Easy to Me" testifies to this fact -- but also in terms of
its aesthetic. Like Is This It, We Thrive on Big Cities is a meticulously
crafted pop album; if it borrows from post-punk luminaries Talking Heads
and Television, it takes only musical influence and none of the D.I.Y.
attitude and drive to experiment which typified the movement at its peak.
Technically, the musicianship is superb. Frontman Michael Moloney is a
classical music graduate with an ear for the sophisticated melody, and
comparisons to David Byrne and the Divine Comedy's Neil Hannon are well
justified in this regard. The twin guitar attack he forms with Eoin Aherne
is formidable, as evinced by the frenzied duel at the end of "Standing in
My Way," but all too often the band appears to be holding back. The
songwriting, while constantly strong, lacks an individual character; even
attempts to break the mold wind up imitating other acts, as demonstrated by
the Daft Punk-like opening of "Come with a Friend." Overall, a lack of
spontaneity and a particular personality detract from an otherwise constant
and overwhelmingly likeable debut.
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