Daniel Müller-Schott - #CelloUnlimited (2019) [Hi-Res]
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BAND/ARTIST: Daniel Müller-Schott
- Title: #CelloUnlimited
- Year Of Release: 2019
- Label: Orfeo
- Genre: Classical
- Quality: flac lossless / flac 24bits - 48.0kHz
- Total Time: 01:13:30
- Total Size: 717 / 1217 mb
- WebSite: Album Preview
Tracklist
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01. Cello Sonata, Op. 8: I. Allegro maestoso ma appassionato
02. Cello Sonata, Op. 8: II. Adagio con grand espressione
03. Cello Sonata, Op. 8: III. Allegro molto vivace
04. Cello Sonata in C-Sharp Minor, Op. 134
05. Cello Sonata, Op. 25 No. 3: I. Lebhaft, sehr markiert
06. Cello Sonata, Op. 25 No. 3: II. Mäßig schnell, gemächlich
07. Cello Sonata, Op. 25 No. 3: III. Langsam
08. Cello Sonata, Op. 25 No. 3: IV. Lebhafte Viertel
09. Cello Sonata, Op. 25, No. 3: Mäßig schnell
10. Serenade for Cello: I. Adagio rubato
11. Serenade for Cello: II. Poco allegretto
12. Serenade for Cello: III. Pastorale
13. Serenade for Cello: IV. Andante con moto, rubato
14. Serenade for Cello: V. Vivace
15. Serenade for Cello: VI. Tango
16. Serenade for Cello: VII. Allegro marciale
17. Serenade for Cello: VIII. Allegretto
18. Serenade for Cello: IX. Menuett
19. Cadenza
20. Cello Sonata: I. Fantasia
21. Cello Sonata: II. Tema pastorale con variazioni
22. Cello Sonata: III. Toccata
23. Song of the Birds
After J. S. Bach's solo cello suites in the early 18th century, the genre experienced a fallow period until Zoltán Kodály set the pace with a monumental sonata for solo cello in 1915. It inspired a variety of similar works, but Kodaly's 30-minute sonata still stands 'like Mount Everest', to quote Daniel Müller-Schott, the soloist on this recording. His programme also includes music by Prokofiev, Hindemith, Henze, Crumb and Casals, and features a work of his own for the first time: Cadenza continues the tradition of compositions that other cellists have always added to their recital programmes. “Here, you can recognise influences of the solo works that have influenced me over the years. In Cadenza, the contrasting elements of the world of my instrument appear in the closest space – the cello in pure lyricism, just as sequences catapulting themselves into the highest registers in rhythmical savagery and immediately concluding the movement after a final culmination.” (Daniel Müller-Schott)
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01. Cello Sonata, Op. 8: I. Allegro maestoso ma appassionato
02. Cello Sonata, Op. 8: II. Adagio con grand espressione
03. Cello Sonata, Op. 8: III. Allegro molto vivace
04. Cello Sonata in C-Sharp Minor, Op. 134
05. Cello Sonata, Op. 25 No. 3: I. Lebhaft, sehr markiert
06. Cello Sonata, Op. 25 No. 3: II. Mäßig schnell, gemächlich
07. Cello Sonata, Op. 25 No. 3: III. Langsam
08. Cello Sonata, Op. 25 No. 3: IV. Lebhafte Viertel
09. Cello Sonata, Op. 25, No. 3: Mäßig schnell
10. Serenade for Cello: I. Adagio rubato
11. Serenade for Cello: II. Poco allegretto
12. Serenade for Cello: III. Pastorale
13. Serenade for Cello: IV. Andante con moto, rubato
14. Serenade for Cello: V. Vivace
15. Serenade for Cello: VI. Tango
16. Serenade for Cello: VII. Allegro marciale
17. Serenade for Cello: VIII. Allegretto
18. Serenade for Cello: IX. Menuett
19. Cadenza
20. Cello Sonata: I. Fantasia
21. Cello Sonata: II. Tema pastorale con variazioni
22. Cello Sonata: III. Toccata
23. Song of the Birds
After J. S. Bach's solo cello suites in the early 18th century, the genre experienced a fallow period until Zoltán Kodály set the pace with a monumental sonata for solo cello in 1915. It inspired a variety of similar works, but Kodaly's 30-minute sonata still stands 'like Mount Everest', to quote Daniel Müller-Schott, the soloist on this recording. His programme also includes music by Prokofiev, Hindemith, Henze, Crumb and Casals, and features a work of his own for the first time: Cadenza continues the tradition of compositions that other cellists have always added to their recital programmes. “Here, you can recognise influences of the solo works that have influenced me over the years. In Cadenza, the contrasting elements of the world of my instrument appear in the closest space – the cello in pure lyricism, just as sequences catapulting themselves into the highest registers in rhythmical savagery and immediately concluding the movement after a final culmination.” (Daniel Müller-Schott)
Year 2019 | Classical | FLAC / APE | HD & Vinyl
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