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Ahmad Jamal - Who Cares (2022)

Ahmad Jamal - Who Cares (2022)

BAND/ARTIST: Ahmad Jamal

  • Title: Who Cares
  • Year Of Release: 2022
  • Label: Ramzy R. M. Delambert
  • Genre: Jazz
  • Quality: FLAC (tracks) / MP3
  • Total Time: 1:49:54
  • Total Size: 515 / 258 MB
  • WebSite:
Tracklist:

1. Who Cares (03:14)
2. Ivy (04:02)
3. Billy Boy (03:00)
4. Too Late Now (02:30)
5. Little Old Lady (05:15)
6. Sophisticated Gentleman (04:13)
7. Never Never Land (03:12)
8. Ahmad's Blues (04:25)
9. I Like To Recognize The Tune (01:45)
10. Excerpts From The Blues (03:02)
11. My Funny Valentine (03:25)
12. All The Things You Are (03:13)
13. New Rhumba (02:39)
14. For All We Know (02:45)
15. I'll Never Stop Loving You (03:01)
16. I'll Remember April (02:41)
17. I'm Alone Without You (03:14)
18. Speak Low (04:53)
19. Raincheck (04:41)
20. It's You Or No One (02:30)
21. You'd Be So Easy To Love (03:19)
22. Poor Butterfly (03:39)
23. Gone With The Wind (03:24)
24. They Can't Take That Away From Me (04:45)
25. Yesterdays (02:58)
26. Tempo For Two (03:28)
27. Time On My Hands (01:35)
28. You Came A Long Way From St. Louis (03:39)
29. Lover Man Oh Where Can You Be (04:07)
30. It Might As Well Be Spring (03:27)
31. Ahmad's Waltz (04:45)
32. It's A Wonderful World (02:52)

One of the most individualistic pianists, composers, and arrangers of his generation, Ahmad Jamal's disciplined technique and minimalist style had a huge impact on trumpeter Miles Davis, and Jamal is often cited as contributing to the development of cool jazz throughout the 1950s. Though he was an excellent, technically proficient player well-versed in the gymnastic idioms of swing and bebop, he chose to play in a pared-down and nuanced style. Which is to say that while he played with the skill of a virtuoso, it was often what he chose not to play that marked him as an innovator. Influenced by pianists Errol Garner, Art Tatum, and Nat King Cole, as well as big-band and orchestral music, Jamal developed his own boundary-pushing approach to modern jazz that incorporated an abundance of space, an adept use of tension and release, unexpected rhythmic phrasing and dynamics, and a highly melodic, compositional style evidenced beautifully on the best-selling 1958 offering At the Pershing: But Not for Me. His style and depth only increased in the ensuing decades, displaying themselves on standard-setting trio albums including 1965's Extensions, charting crossover sets like 1979's Intervals, and 1986's Rossiter Road. In the 21st century, Jamal continued carving his own path with a series of live and studio albums that juxtaposed standards with his own compositions including 2003's In Search of Momentum, Blue Moon: The New York Session/The Paris Concert in 2012, and the following year's Saturday Morning: La Buissone Studio Sessions. The small group session Marseille arrived in 2017 and was followed by 2019's solo and duets set Ballades.



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