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Sir Roger Norrington - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 (2022)

Sir Roger Norrington - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 (2022)
  • Title: Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81
  • Year Of Release: 2022
  • Label: Warner Classics
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 01:12:20
  • Total Size: 305 MB
  • WebSite:
Tracklist:

1. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Theme. Andante (2:00)
2. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato (1:15)
3. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation II. Più vivace (1:01)
4. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation III. Con moto (1:40)
5. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IV. Andante con moto (1:55)
6. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation V. Vivace (0:54)
7. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VI. Vivace (1:08)
8. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VII. Grazioso (2:42)
9. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VIII. Presto non troppo (1:03)
10. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IX. Finale - Andante (3:51)
11. Tragic Overture, Op. 81 (12:58)
12. Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo (19:37)
13. Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo (8:49)
14. Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino (4:51)
15. Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito (8:45)

On the release date of our Sir Roger Norrington retrospective boxset, we also release his long-lost instrumental recordings of Brahms. Norrington approached this project after recording his Beethoven cycle, wondering if mid-19th-century would fit with his views on historically informed performance: “Tempos spacious but forthright; tempo modification, sensitive but simple; textures clear, as benefits such polyphonic writing; balance restored in favour of the winds…” A definitively original vision that gives these recordings a unique appeal.


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