Elena Tsallagova - Martinů: Short Operas (2022) Hi-Res
BAND/ARTIST: Elena Tsallagova, Esther Dierkes
- Title: Martinů: Short Operas
- Year Of Release: 2022
- Label: CapriccioNR
- Genre: Classical
- Quality: FLAC (tracks) / FLAC 24 Bit (48 KHz / tracks)
- Total Time: 64:33 min
- Total Size: 283 / 608 MB
- WebSite: Album Preview
Tracklist:
1. J'aime la musique
2. Madame! Prenez ce fleur
3. Oh, miel de lune
4. Un deux, trois quatre cinq, six, sept
5. Quel est ce machiniste -
6. En vain, j'ai voulu faire battre ce morose pendule
7. Une mère est sans repos
8. Stop! - Don't Stop Me!
9. Stand Back!
10. Oh, I Knew It, Now I See Them!
11. There He Is, Now I Can See Him
12. I Can Tell You, Our Wedding is Off
13. Listen to That! Victoria!
1. J'aime la musique
2. Madame! Prenez ce fleur
3. Oh, miel de lune
4. Un deux, trois quatre cinq, six, sept
5. Quel est ce machiniste -
6. En vain, j'ai voulu faire battre ce morose pendule
7. Une mère est sans repos
8. Stop! - Don't Stop Me!
9. Stand Back!
10. Oh, I Knew It, Now I See Them!
11. There He Is, Now I Can See Him
12. I Can Tell You, Our Wedding is Off
13. Listen to That! Victoria!
Martinů is a musical chameleon. On the one hand, there’s an unmistakable from to his output, on the other hand, he would adopt and adapt just about any style that happened to be en vogue or to his liking. These two one-act operas, presented on record for the first time in their respective versions, are a case in point.
There’s that cracking little shocker that is Knife Tears (in its original French version, "Les larmes du couteau"), in which Martinů set an absurdist libretto to the sounds of Le Jazz Hot, Stravinsky, and anything in between. This is juxtaposed with the English version of his Comedy on the Bridge (the one that helped this work to brief fame), which is wildly different (if anything more in the style of Hanns Eisler), despite being separated by a mere seven years.
There’s that cracking little shocker that is Knife Tears (in its original French version, "Les larmes du couteau"), in which Martinů set an absurdist libretto to the sounds of Le Jazz Hot, Stravinsky, and anything in between. This is juxtaposed with the English version of his Comedy on the Bridge (the one that helped this work to brief fame), which is wildly different (if anything more in the style of Hanns Eisler), despite being separated by a mere seven years.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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