George Benson - Breezin' (1976) [Hi-Res]
BAND/ARTIST: George Benson
- Title: Breezin'
- Year Of Release: 1976
- Label: Rhino - Warner Records
- Genre: Jazz, Smooth Jazz, Jazz-Funk
- Quality: FLAC (tracks) [96kHz/24bit]
- Total Time: 38:50
- Total Size: 600 MB
- WebSite: Album Preview
Tracklist:
1. Breezin' (05:42)
2. This Masquerade (08:05)
3. Six to Four (05:11)
4. Affirmation (06:51)
5. So This Is Love? (07:00)
6. Lady (06:02)
1. Breezin' (05:42)
2. This Masquerade (08:05)
3. Six to Four (05:11)
4. Affirmation (06:51)
5. So This Is Love? (07:00)
6. Lady (06:02)
• Breezin' is the fifteenth studio album by jazz/soul guitarist George Benson. It is his debut on Warner Bros. Records.
The album marked the beginning of Benson's most successful period commercially. Breezin' topped the Pop, Jazz and R&B album charts in Billboard and spun off two hit singles, the title song (which has become a smooth jazz standard) and "This Masquerade," which was a top ten pop and R&B hit. The album itself was certified triple Platinum by the RIAA.
The album won multiple prizes at the 1977 Grammy Awards. The album won the awards Best Pop Instrumental Performance for Benson and Best Engineered Album, Non-Classical for Al Schmitt and was nominated as Album of the Year for Tommy LiPuma and Benson. "This Masquerade" received the award Record of the Year for LiPuma and Benson, while it was nominated as Song of the Year for Leon Russell and as Best Pop Vocal Performance, Male for Benson.
• All of a sudden, George Benson became a pop superstar with this album, thanks to its least representative track. Most of Breezin' is a softer-focused variation of Benson's R&B/jazz-flavored CTI work, his guitar as assured and fluid as ever with Claus Ogerman providing the suave orchestral backdrops and his crack then-working band (including Ronnie Foster on keyboards and sparkplug Phil Upchurch on rhythm guitar) pumping up the funk element. Yet it is the sole vocal track (his first in many years), Leon Russell's "This Masquerade" -- where George unveiled his new trademark, scatting along with a single-string guitar solo -- that reached number ten on the pop singles chart and drove the album all the way to number one on the pop (!) LP chart. The attractive title track also became a minor hit single, although Gabor Szabo's 1971 recording with composer Bobby Womack is even more fetching. In the greater scheme of Benson's career, Breezin' is really not so much a breakthrough as it is a transition album; the guitar is still the core of his identity. © Richard S. Ginell
The album marked the beginning of Benson's most successful period commercially. Breezin' topped the Pop, Jazz and R&B album charts in Billboard and spun off two hit singles, the title song (which has become a smooth jazz standard) and "This Masquerade," which was a top ten pop and R&B hit. The album itself was certified triple Platinum by the RIAA.
The album won multiple prizes at the 1977 Grammy Awards. The album won the awards Best Pop Instrumental Performance for Benson and Best Engineered Album, Non-Classical for Al Schmitt and was nominated as Album of the Year for Tommy LiPuma and Benson. "This Masquerade" received the award Record of the Year for LiPuma and Benson, while it was nominated as Song of the Year for Leon Russell and as Best Pop Vocal Performance, Male for Benson.
• All of a sudden, George Benson became a pop superstar with this album, thanks to its least representative track. Most of Breezin' is a softer-focused variation of Benson's R&B/jazz-flavored CTI work, his guitar as assured and fluid as ever with Claus Ogerman providing the suave orchestral backdrops and his crack then-working band (including Ronnie Foster on keyboards and sparkplug Phil Upchurch on rhythm guitar) pumping up the funk element. Yet it is the sole vocal track (his first in many years), Leon Russell's "This Masquerade" -- where George unveiled his new trademark, scatting along with a single-string guitar solo -- that reached number ten on the pop singles chart and drove the album all the way to number one on the pop (!) LP chart. The attractive title track also became a minor hit single, although Gabor Szabo's 1971 recording with composer Bobby Womack is even more fetching. In the greater scheme of Benson's career, Breezin' is really not so much a breakthrough as it is a transition album; the guitar is still the core of his identity. © Richard S. Ginell
Jazz | Smooth Jazz | Funk | FLAC / APE | HD & Vinyl
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