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Wigmore Soloists - Mozart, Schumann & Others: Clarinet Trios (2022) [Hi-Res]

Wigmore Soloists - Mozart, Schumann & Others: Clarinet Trios (2022) [Hi-Res]

BAND/ARTIST: Wigmore Soloists

  • Title: Mozart, Schumann & Others: Clarinet Trios
  • Year Of Release: 2022
  • Label: BIS
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
  • Total Time: 01:08:25
  • Total Size: 304 mb / 2.18 gb
  • WebSite:
Tracklist

01. Clarinet Trio in E-Flat Major, K. 498 "Kegelstatt": I. Andante
02. Clarinet Trio in E-Flat Major, K. 498 "Kegelstatt": II. Menuetto
03. Clarinet Trio in E-Flat Major, K. 498 "Kegelstatt": III. Allegretto
04. Märchenerzählungen, Op. 132: I. Lebhaft, nicht zu schnell
05. Märchenerzählungen, Op. 132: II. Lebhaft und sehr markirt
06. Märchenerzählungen, Op. 132: III. Ruhiges Tempo, mit zartem Ausdruck
07. Märchenerzählungen, Op. 132: IV. Lebhaft, sehr markirt
08. 8 Pieces for Clarinet, Viola & Piano (Excerpts): No. 5. Rumänische Melodie
09. 8 Pieces for Clarinet, Viola & Piano (Excerpts): No. 6. Nachtgesang
10. 8 Pieces for Clarinet, Viola & Piano (Excerpts): No. 7. Allegro vivace, ma non troppo
11. 8 Pieces for Clarinet, Viola & Piano (Excerpts): No. 8, Moderato
12. Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts): I. Introduction. Marche du soldat
13. Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts): II. Marche royale
14. Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts): III. Petit concert
15. Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts): IV. Trois danses. Tango - Valse - Ragtime
16. Suite from L'histoire du soldat, Pt. 2, K029 (Excerpts): V. Danse du diable

As core members of the ensemble Wigmore Soloists, Michael Collins, Isabelle van Keulen and Michael McHale present four works for clarinet trio composed over a period of some 130 years.

Mozart’s Kegelstatt-Trio was long believed to have been composed during a game of bowling. The writing is reminiscent of a conversation between three friends in which contrasts are not excluded: we hear affection, divergences and even disagreements. This atmosphere of friendly, playful, and sometimes very intimate exchange also pervades Schumann’s Märchenerzählungen. While its spirited conviviality might give the impression that this work was the product of idyllic times, it was actually composed during Schumann’s last full year of sanity before his final mental collapse in 1854.

There is a similar atmosphere of warm intimacy in Max Bruch’s Eight Pieces, written in 1910. Four of them are presented here, giving not a single hint of the approaching First World War. Based on a Russian folk tale, Stravinsky’s stage work L’Histoire du soldat may be less good-natured than the preceding works. But the music is wonderfully entertaining, borrowing from various genres, including jazz. The composer’s trio version consist of five movements and has deservedly become his most frequently performed chamber composition.




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