Matthias Pech - Stralsunder Romantik (Buchholz-Orgel Nikolaikirche Stralsund) (2021)
BAND/ARTIST: Matthias Pech
- Title: Stralsunder Romantik (Buchholz-Orgel Nikolaikirche Stralsund)
- Year Of Release: 2021
- Label: Querstand
- Genre: Classical Organ
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:13:09
- Total Size: 290 mb
- WebSite: Album Preview
Tracklist
01. Praeludium und Fuge: Praeludium in G Minor
02. Praeludium und Fuge: Fuge in G Minor
03. Musikalischer Gottesdienst, Stettin 1851: Herzallerliebster Jesu
04. Musikalischer Gottesdienst, Stettin 1851: Machs mit mir, Gott, nach deiner Güte
05. Wie groß ist des Allmächtigen Güte, MMVW8: Choral
06. Wie groß ist des Allmächtigen Güte, MWVW8: Variation 1
07. Wie groß ist des Allmächtigen Güte, MWVW8: Variation 2 (Kanon)
08. Wie groß ist des Allmächtigen Güte: Variation 3
09. Vier Postludien, Op. 20: No. 1, Trauermarsch
10. Vier Postludien, Op. 2ß: No. 2, Ach Gott und Herr
11. Vier Postludien, Op. 20: No. 3, Gott des Himmels und der Erden
12. Vier Postludien: No. 4, Fuge zu vier Stimmen mit einem Basso Continue
13. Cantus-Firmus-Praeludium, 1928: No. 1, Aus meines Herzens Grunde
14. Cantus-Firmus-Praeludium, 1928: Die Tugend wird durchs Kreuz geübet
15. Cantus-Firmus-Praeludium, 1928: Lobe den Herren, den mächtigen König
16. Cantus-Firmus-Praeludium, 1928: Oh Welt, ich muss dich lassen
17. Cantus-Firmus-Praeludium, 1928: Die Tugend wird durchs Kreuz geübt
18. Cantus-Firmus-Praeludium, 1928: Valet will ich dir geben
19. Konzert-Präludium, Op. 25
20. Stimmungsbilder, Op. 29: Pfingsten
21. Konzert-Postludium, Op. 26
The program idea for this CD came about after several exciting discoveries in archives of 19th-century organ music were made. As a result, five of the seven composers represented are directly related to the 19th-century organ scene in Stralsund: August Wilhelm Bach, Robert Dornheckter, Friedrich Wilhelm Franke, Rudolf Looks and Georg Riemenschneider.
Matthias Pech can be heard playing the Organ in St. Nikolai in Stralsund, built by Carl August Buchholz, on this recording and has been active at this instrument since 2003.
Few composers from the romantic period of organ music are truly well known today, and only gradually have the works of these composers become accessible and well known. The congenial instrument for their works as well as for those by the great Romantics Felix Mendelssohn and Carl Loewe is the organ in St. Nikolai, built by Carl August Buchholz between 1838 and 1841.
Its restoration and reconstruction by the organ builders Wegscheider and Klais between 2003 and 2006 was made possible by the large, surviving sister organ in the Black Church in the Transylvanian city of Brasov, Romania, which Buchholz completed in 1839. Today, the "little sister" in Stralsund once again presents a convincing tonal impression of early German Romanticism. It is still steeped in the tradition of the late Baroque period, but at the same time points far into the Romantic period and is one of the largest surviving German organs from the period between 1800 and 1850.
01. Praeludium und Fuge: Praeludium in G Minor
02. Praeludium und Fuge: Fuge in G Minor
03. Musikalischer Gottesdienst, Stettin 1851: Herzallerliebster Jesu
04. Musikalischer Gottesdienst, Stettin 1851: Machs mit mir, Gott, nach deiner Güte
05. Wie groß ist des Allmächtigen Güte, MMVW8: Choral
06. Wie groß ist des Allmächtigen Güte, MWVW8: Variation 1
07. Wie groß ist des Allmächtigen Güte, MWVW8: Variation 2 (Kanon)
08. Wie groß ist des Allmächtigen Güte: Variation 3
09. Vier Postludien, Op. 20: No. 1, Trauermarsch
10. Vier Postludien, Op. 2ß: No. 2, Ach Gott und Herr
11. Vier Postludien, Op. 20: No. 3, Gott des Himmels und der Erden
12. Vier Postludien: No. 4, Fuge zu vier Stimmen mit einem Basso Continue
13. Cantus-Firmus-Praeludium, 1928: No. 1, Aus meines Herzens Grunde
14. Cantus-Firmus-Praeludium, 1928: Die Tugend wird durchs Kreuz geübet
15. Cantus-Firmus-Praeludium, 1928: Lobe den Herren, den mächtigen König
16. Cantus-Firmus-Praeludium, 1928: Oh Welt, ich muss dich lassen
17. Cantus-Firmus-Praeludium, 1928: Die Tugend wird durchs Kreuz geübt
18. Cantus-Firmus-Praeludium, 1928: Valet will ich dir geben
19. Konzert-Präludium, Op. 25
20. Stimmungsbilder, Op. 29: Pfingsten
21. Konzert-Postludium, Op. 26
The program idea for this CD came about after several exciting discoveries in archives of 19th-century organ music were made. As a result, five of the seven composers represented are directly related to the 19th-century organ scene in Stralsund: August Wilhelm Bach, Robert Dornheckter, Friedrich Wilhelm Franke, Rudolf Looks and Georg Riemenschneider.
Matthias Pech can be heard playing the Organ in St. Nikolai in Stralsund, built by Carl August Buchholz, on this recording and has been active at this instrument since 2003.
Few composers from the romantic period of organ music are truly well known today, and only gradually have the works of these composers become accessible and well known. The congenial instrument for their works as well as for those by the great Romantics Felix Mendelssohn and Carl Loewe is the organ in St. Nikolai, built by Carl August Buchholz between 1838 and 1841.
Its restoration and reconstruction by the organ builders Wegscheider and Klais between 2003 and 2006 was made possible by the large, surviving sister organ in the Black Church in the Transylvanian city of Brasov, Romania, which Buchholz completed in 1839. Today, the "little sister" in Stralsund once again presents a convincing tonal impression of early German Romanticism. It is still steeped in the tradition of the late Baroque period, but at the same time points far into the Romantic period and is one of the largest surviving German organs from the period between 1800 and 1850.
Year 2021 | Classical | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads