Royal Concertgebouw Orchestra - Royal Concertgebouw Orchestra - A Selection (2022)
BAND/ARTIST: Royal Concertgebouw Orchestra
- Title: Royal Concertgebouw Orchestra - A Selection
- Year Of Release: 2022
- Label: UMG Recordings, Inc.
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 4:32:23
- Total Size: 1.21 GB
- WebSite: Album Preview
Tracklist:
01. No. 14b Pas de deux: Variation I (Tarantella)
02. March
03. 3. Allegro
04. 16. Scène (Allegro agitato)
05. 3. Scherzino: Allegro
06. Storm Scene: Storm Breaks
07. No. 12c Character Dances: Tea (Chinese Dance)
08. IV. Allegro molto
09. No. 12d Character Dances: Trépak (Russian Dance)
10. V. Galop: Le bal
11. 15b. Variation d'Aurore (Allegro comodo)
12. 27. Pas berrichon (Hop 'o my Thumb)
13. No. 12a Character Dances: Chocolate (Spanish Dance)
14. No. 13d Danse des petits cygnes (Allegro moderato)
15. 15c. Coda
16. Beethoven: Overture "Fidelio", Op. 72c
17. No. 14d Pas de deux: Coda
18. 26. Pas de caractère (Red Riding Hood)
19. No. 14c Pas de deux: Variation II (Dance of the Sugar-Plum Fairy)
20. 28a. Pas de deux: Intrada
21. 6. Valse
22. 13. Farandole: Scène - Danse
23. Masks
24. Elgar: "Pomp and Circumstance," Op. 39: March, No. 1 in D
25. Praeludium
26. Prelude (Sonnenaufgang)
27. Adagio e staccato
28. 8. Finale
29. Overture (Excerpt)
30. Gnomus
31. Waltz
32. 2. Scherzo. Vivace
33. II. Berceuse: La Poupée
34. Pas de deux
35. Alla hornpipe
36. 2.Excerpt/Beginning of mvt.2: Largo
37. 2. Allegretto
38. 3. Adagio (Extract)
39. 2. Allegretto scherzando
40. No. 1 The Christmas Tree
41. No. 8 in G minor (Presto)
42. 4. Adagietto (Sehr langsam)
43. The Ride of the Valkyries
44. No. 9 Wedding March
45. 2. Air
46. 3. Allegro
47. II. Un bal. Valse (Allegro non troppo)
48. 2. Fêtes
49. 2. Play Of The Waves (Jeux de vagues)
50. 1. Par les rues et par les chemins
51. Ravel: Pavane pour une infante défunte, M. 19
52. The Shrovetide Fair - The Crowds - The Conjuring-trick
53. 1. Nuages
54. 2. Andante
55. 4. Finale (Allegro assai)
56. 1. Allegro con brio
57. 2. Kräftig bewegt (Live)
58. Dvořák: Carnival Overture, Op. 92
59. The Young Prince and the Young Princess
60. Mendelssohn: The Hebrides - Overture (Fingal's Cave) Op. 26
61. 2. Allegro molto
62. 3. Scherzo (Sehr schnell)
63. 4. Finale (Bewegt, doch nicht schnell)
64. Tchaikovsky: Overture The Storm, Op. 76
65. 2. Vltava (The Moldau)
01. No. 14b Pas de deux: Variation I (Tarantella)
02. March
03. 3. Allegro
04. 16. Scène (Allegro agitato)
05. 3. Scherzino: Allegro
06. Storm Scene: Storm Breaks
07. No. 12c Character Dances: Tea (Chinese Dance)
08. IV. Allegro molto
09. No. 12d Character Dances: Trépak (Russian Dance)
10. V. Galop: Le bal
11. 15b. Variation d'Aurore (Allegro comodo)
12. 27. Pas berrichon (Hop 'o my Thumb)
13. No. 12a Character Dances: Chocolate (Spanish Dance)
14. No. 13d Danse des petits cygnes (Allegro moderato)
15. 15c. Coda
16. Beethoven: Overture "Fidelio", Op. 72c
17. No. 14d Pas de deux: Coda
18. 26. Pas de caractère (Red Riding Hood)
19. No. 14c Pas de deux: Variation II (Dance of the Sugar-Plum Fairy)
20. 28a. Pas de deux: Intrada
21. 6. Valse
22. 13. Farandole: Scène - Danse
23. Masks
24. Elgar: "Pomp and Circumstance," Op. 39: March, No. 1 in D
25. Praeludium
26. Prelude (Sonnenaufgang)
27. Adagio e staccato
28. 8. Finale
29. Overture (Excerpt)
30. Gnomus
31. Waltz
32. 2. Scherzo. Vivace
33. II. Berceuse: La Poupée
34. Pas de deux
35. Alla hornpipe
36. 2.Excerpt/Beginning of mvt.2: Largo
37. 2. Allegretto
38. 3. Adagio (Extract)
39. 2. Allegretto scherzando
40. No. 1 The Christmas Tree
41. No. 8 in G minor (Presto)
42. 4. Adagietto (Sehr langsam)
43. The Ride of the Valkyries
44. No. 9 Wedding March
45. 2. Air
46. 3. Allegro
47. II. Un bal. Valse (Allegro non troppo)
48. 2. Fêtes
49. 2. Play Of The Waves (Jeux de vagues)
50. 1. Par les rues et par les chemins
51. Ravel: Pavane pour une infante défunte, M. 19
52. The Shrovetide Fair - The Crowds - The Conjuring-trick
53. 1. Nuages
54. 2. Andante
55. 4. Finale (Allegro assai)
56. 1. Allegro con brio
57. 2. Kräftig bewegt (Live)
58. Dvořák: Carnival Overture, Op. 92
59. The Young Prince and the Young Princess
60. Mendelssohn: The Hebrides - Overture (Fingal's Cave) Op. 26
61. 2. Allegro molto
62. 3. Scherzo (Sehr schnell)
63. 4. Finale (Bewegt, doch nicht schnell)
64. Tchaikovsky: Overture The Storm, Op. 76
65. 2. Vltava (The Moldau)
The Royal Concertgebouw Orchestra, or, as it is often called, the Amsterdam Concertgebouw Orchestra, was founded in 1888, its first concert taking place on November 3 of that year. Concertgebouw means concert hall in Dutch, and the ensemble adopted that name from the lavish site where it has been based since 1888. The building, known for its splendid acoustics, houses a large auditorium (the Grote Zaal) and a small one (Kleine Zaal).
The Orchestra's first conductor was Willem Kes, who enforced a common etiquette on Dutch audiences previously unobserved: eating, late arrivals, and talking during performance were banned. Kes built the orchestra into a fine one, even if it still fell short of world-class caliber. Upon Kes' departure in 1895, the legendary Willem Mengelberg was appointed music director. He would serve for nearly 50 years in that capacity, molding the orchestra into a first-rate ensemble and making many famous recordings with the group.
During his reign Mengelberg took sabbaticals to conduct other orchestras in Europe and America, including the New York Philharmonic. During his absences, other conductors were engaged to serve as substitutes, including Pierre Monteux and Bruno Walter. While Mengelberg was highly respected and his orchestra widely admired, the repertory tended to be somewhat narrow, focusing largely on the Germanic sphere, especially on Beethoven and Richard Strauss. But he conducted works by Gustav Mahler, and the orchestra featured appearances by Rachmaninov and Prokofiev in performances of their works.
During World War II, Mengelberg sided with the Nazis, and after 1945 was banned from conducting the ensemble for six years. That same year Eduard van Beinum was appointed his successor. He broadened the repertory and maintained the orchestra's high performance standards during his 14 years on the podium. He died in 1959 during a rehearsal, and for the next four years, leadership of the orchestra was shared by Eugen Jochum and Bernard Haitink. Haitink was appointed chief conductor in 1963 and served in that capacity until 1988. During his tenure, the orchestra made numerous highly acclaimed tours and recordings.
Haitink's successor was Riccardo Chailly, who further broadened the repertory of the orchestra, and like his predecessors, produced a spate of critically acclaimed recordings. In 2004, Mariss Jansons was appointed conductor of the Royal Concertgebouw Orchestra. Today the ensemble consists of 120 players and is widely considered one of the finest orchestras in the world. ~ Robert Cummings
The Orchestra's first conductor was Willem Kes, who enforced a common etiquette on Dutch audiences previously unobserved: eating, late arrivals, and talking during performance were banned. Kes built the orchestra into a fine one, even if it still fell short of world-class caliber. Upon Kes' departure in 1895, the legendary Willem Mengelberg was appointed music director. He would serve for nearly 50 years in that capacity, molding the orchestra into a first-rate ensemble and making many famous recordings with the group.
During his reign Mengelberg took sabbaticals to conduct other orchestras in Europe and America, including the New York Philharmonic. During his absences, other conductors were engaged to serve as substitutes, including Pierre Monteux and Bruno Walter. While Mengelberg was highly respected and his orchestra widely admired, the repertory tended to be somewhat narrow, focusing largely on the Germanic sphere, especially on Beethoven and Richard Strauss. But he conducted works by Gustav Mahler, and the orchestra featured appearances by Rachmaninov and Prokofiev in performances of their works.
During World War II, Mengelberg sided with the Nazis, and after 1945 was banned from conducting the ensemble for six years. That same year Eduard van Beinum was appointed his successor. He broadened the repertory and maintained the orchestra's high performance standards during his 14 years on the podium. He died in 1959 during a rehearsal, and for the next four years, leadership of the orchestra was shared by Eugen Jochum and Bernard Haitink. Haitink was appointed chief conductor in 1963 and served in that capacity until 1988. During his tenure, the orchestra made numerous highly acclaimed tours and recordings.
Haitink's successor was Riccardo Chailly, who further broadened the repertory of the orchestra, and like his predecessors, produced a spate of critically acclaimed recordings. In 2004, Mariss Jansons was appointed conductor of the Royal Concertgebouw Orchestra. Today the ensemble consists of 120 players and is widely considered one of the finest orchestras in the world. ~ Robert Cummings
Year 2022 | Classical | FLAC / APE
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