Coline Dutilleul and Kunal Lahiry - Licht in der Nacht (2022) [Hi-Res]
![Coline Dutilleul and Kunal Lahiry - Licht in der Nacht (2022) [Hi-Res]](https://www.dibpic.com/uploads/posts/2022-10/1666260980_i91j7no6hehrb_600.jpg)
BAND/ARTIST: Coline Dutilleul, Kunal Lahiry
- Title: Licht in der Nacht
- Year Of Release: 2022
- Label: Fuga Libera
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
- Total Time: 63:00
- Total Size: 201 MB / 1.04 GB
- WebSite: Album Preview
Tracklist:
1. 4 Lieder, Op. 2: No. 1, Erwartung (3:51)
2. 4 Lieder, Op. 2: No. 2, Schenk mir deinen goldenen Kamm (3:42)
3. 4 Lieder, Op. 2: No. 3, Erhebung (1:07)
3. Fantasien über Gedichte von Richard Dehmel, Op. 9: No. 1, Stimme des Abends (3:35)
4. 4 Lieder, Op. 2: No. 4, Waldsonne (3:22)
5. 3 chansons de Bilitis, CD 97: No. 1, La flûte de Pan (2:45)
5. 3 morceaux pour piano: No. 1, D’un vieux jardin (3:36)
6. 3 chansons de Bilitis, CD 97: No. 2, La chevelure (3:59)
7. 3 chansons de Bilitis, CD 97: No. 3, Le tombeau des Naïades (2:49)
7. Reflets (2:51)
8. Epigrammes de Clément Marot: No. 1, D’Anne qui me jecta de la neige, M. 21 (3:00)
8. Un grand sommeil noir (1:41)
9. Clairières dans le ciel: No. 6, Si tout ceci n’est qu’un pauvre rêve (2:19)
9. Epigrammes de Clément Marot: No. 2, D’Anne jouant de l’espinette, M. 10 (1:55)
10. 5 Lieder: No. 1, Die stille Stadt (3:18)
11. 5 Lieder: No. 2, In meines Vaters Garten (5:37)
12. 5 Lieder: No. 3, Laue Sommernacht (2:14)
13. 5 Lieder: No. 4, Bei dir ist es traut (1:59)
14. 5 Lieder: No. 5, Ich wandle unter Blumen (1:14)
15. 4 Gesänge, Op. 2: No. 1, Aus Dem Schmerz sein Recht (3:13)
16. 4 Gesänge, Op. 2: No. 2, Schlafend trägt man mich in mein Heimatland (1:14)
17. 4 Gesänge, Op. 2: No. 3, Nun ich der Riesen Stärksten überwand (0:59)
18. 4 Gesänge, Op. 2: No. 4, Warm die Lüfte (2:53)
1. 4 Lieder, Op. 2: No. 1, Erwartung (3:51)
2. 4 Lieder, Op. 2: No. 2, Schenk mir deinen goldenen Kamm (3:42)
3. 4 Lieder, Op. 2: No. 3, Erhebung (1:07)
3. Fantasien über Gedichte von Richard Dehmel, Op. 9: No. 1, Stimme des Abends (3:35)
4. 4 Lieder, Op. 2: No. 4, Waldsonne (3:22)
5. 3 chansons de Bilitis, CD 97: No. 1, La flûte de Pan (2:45)
5. 3 morceaux pour piano: No. 1, D’un vieux jardin (3:36)
6. 3 chansons de Bilitis, CD 97: No. 2, La chevelure (3:59)
7. 3 chansons de Bilitis, CD 97: No. 3, Le tombeau des Naïades (2:49)
7. Reflets (2:51)
8. Epigrammes de Clément Marot: No. 1, D’Anne qui me jecta de la neige, M. 21 (3:00)
8. Un grand sommeil noir (1:41)
9. Clairières dans le ciel: No. 6, Si tout ceci n’est qu’un pauvre rêve (2:19)
9. Epigrammes de Clément Marot: No. 2, D’Anne jouant de l’espinette, M. 10 (1:55)
10. 5 Lieder: No. 1, Die stille Stadt (3:18)
11. 5 Lieder: No. 2, In meines Vaters Garten (5:37)
12. 5 Lieder: No. 3, Laue Sommernacht (2:14)
13. 5 Lieder: No. 4, Bei dir ist es traut (1:59)
14. 5 Lieder: No. 5, Ich wandle unter Blumen (1:14)
15. 4 Gesänge, Op. 2: No. 1, Aus Dem Schmerz sein Recht (3:13)
16. 4 Gesänge, Op. 2: No. 2, Schlafend trägt man mich in mein Heimatland (1:14)
17. 4 Gesänge, Op. 2: No. 3, Nun ich der Riesen Stärksten überwand (0:59)
18. 4 Gesänge, Op. 2: No. 4, Warm die Lüfte (2:53)
"What could be more fascinating than the play of light and shadow? To descend into sensual melancholy, to dare to be fragile and to reveal oneself in its depths and inner nuances. I find that one way of illustrating this complexity of the senses is to compare two musical and pictorial schools: French Impressionism and German Expressionism. The colours and timbres employed by these two schools have long fascinated me just as much as the extreme refinement and detail of the paintings and compositions themselves. Each painter and composer explored the depths of the human soul in his or her own manner.
This programme of works composed between 1899-1914 that laid the foundations for modern music is intended as a bridge between Expressionism and Impressionism. This parallel does not claim to illustrate their differences but rather to highlight their common points, to reveal the voluptuous and almost decadent sensuality of these two currents as well as their geographical and stylistic contrasts" (Coline Dutilleul)
This programme of works composed between 1899-1914 that laid the foundations for modern music is intended as a bridge between Expressionism and Impressionism. This parallel does not claim to illustrate their differences but rather to highlight their common points, to reveal the voluptuous and almost decadent sensuality of these two currents as well as their geographical and stylistic contrasts" (Coline Dutilleul)
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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