Philippe Bernold, Gérard Caussé, Isabelle Moretti, Ariane Jacob, Irène Jacob - Claude Debussy: Sonate pour flûte, alto et harpe; Les chansons de bilitis; Syrinx (2012)
BAND/ARTIST: Philippe Bernold, Gérard Caussé, Isabelle Moretti, Ariane Jacob, Irène Jacob
- Title: Claude Debussy: Sonate pour flûte, alto et harpe; Les chansons de bilitis; Syrinx
- Year Of Release: 2012
- Label: harmonia mundi
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 00:50:08
- Total Size: 161 mb
- WebSite: Album Preview
Tracklist
01. Sonate pour flûte, alto et harpe: I. Pastorale. Lento, dolce rubato
02. Sonate pour flûte, alto et harpe: II. Interlude. Tempo di minuetto
03. Sonate pour flûte, alto et harpe: III. II. Interlude. Tempo di minuetto
04. La flûte de Pan (Syrinx), pour flûte seule
05. Prélude à l’après-midi d’un faune
06. Les chansons de Bilitis: I. Chant pastoral
07. Les chansons de Bilitis: II. Les comparaisons
08. Les chansons de Bilitis: III. Les contes
09. Les chansons de Bilitis: IV. Chanson
10. Les chansons de Bilitis: V. La partie d’osselets
11. Les chansons de Bilitis: VI. Bilitis
12. Les chansons de Bilitis: VII. Le tombeau sans nom
13. Les chansons de Bilitis: VIII. Les courtisanes égyptiennes
14. Les chansons de Bilitis: IX. L’eau pure du bassin
15. Les chansons de Bilitis: X. La danseuse aux crotales
16. Les chansons de Bilitis: XI. Le souvenir de Mnasidica
17. Les chansons de Bilitis: XII. La pluie au matin
18. La flûte de Pan (Syrinx), version originale avec récitante
Stéphane Mallarmé was very impressed by the way in which Debussy had expanded on the moods of his poem, L'Après-midi d'un faune. The flute is not the most widely used instrument in Debussy's music, but he wrote one or two masterpieces for it. With the exception of his famous last Sonata for flute, viola and harp, all of the pieces on this recording were associated with theatrical or literary performances - an opportunity to put Syrinx back in context (Gabriel Mourey's drama, Psyché) and to hear Pierre Louÿs' Chansons de Bilitis as they were performed (with a small instrumental ensemble and reciter) on a day in February 1901. This title was released for the first time in 1998.
01. Sonate pour flûte, alto et harpe: I. Pastorale. Lento, dolce rubato
02. Sonate pour flûte, alto et harpe: II. Interlude. Tempo di minuetto
03. Sonate pour flûte, alto et harpe: III. II. Interlude. Tempo di minuetto
04. La flûte de Pan (Syrinx), pour flûte seule
05. Prélude à l’après-midi d’un faune
06. Les chansons de Bilitis: I. Chant pastoral
07. Les chansons de Bilitis: II. Les comparaisons
08. Les chansons de Bilitis: III. Les contes
09. Les chansons de Bilitis: IV. Chanson
10. Les chansons de Bilitis: V. La partie d’osselets
11. Les chansons de Bilitis: VI. Bilitis
12. Les chansons de Bilitis: VII. Le tombeau sans nom
13. Les chansons de Bilitis: VIII. Les courtisanes égyptiennes
14. Les chansons de Bilitis: IX. L’eau pure du bassin
15. Les chansons de Bilitis: X. La danseuse aux crotales
16. Les chansons de Bilitis: XI. Le souvenir de Mnasidica
17. Les chansons de Bilitis: XII. La pluie au matin
18. La flûte de Pan (Syrinx), version originale avec récitante
Stéphane Mallarmé was very impressed by the way in which Debussy had expanded on the moods of his poem, L'Après-midi d'un faune. The flute is not the most widely used instrument in Debussy's music, but he wrote one or two masterpieces for it. With the exception of his famous last Sonata for flute, viola and harp, all of the pieces on this recording were associated with theatrical or literary performances - an opportunity to put Syrinx back in context (Gabriel Mourey's drama, Psyché) and to hear Pierre Louÿs' Chansons de Bilitis as they were performed (with a small instrumental ensemble and reciter) on a day in February 1901. This title was released for the first time in 1998.
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