ARC Ensemble - Hemsi: Chamber Works (2022) [Hi-Res]
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BAND/ARTIST: ARC Ensemble
- Title: Hemsi: Chamber Works
- Year Of Release: 2022
- Label: Chandos
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:03:47
- Total Size: 289 mb / 1.13 gb
- WebSite: Album Preview
Tracklist
01. Greek Nuptial Dances, Op. 37bis: I. In Honour of the Mother-in-law
02. Greek Nuptial Dances, Op. 37bis: II. In Honour of the Bride
03. Greek Nuptial Dances, Op. 37bis: III. In Honour of the Godfather
04. Three Ancient Airs, from the Coplas Sefardies, Op. 30: I. Ballata
05. Three Ancient Airs, from the Coplas Sefardies, Op. 30: II. Canzone
06. Three Ancient Airs, from the Coplas Sefardies, Op. 30: III. Rondò
07. Pilpúl Sonata, Op. 27: I. Allegretto comodo
08. Pilpúl Sonata, Op. 27: II. Larghetto meditativo
09. Pilpúl Sonata, Op. 27: III. Larghetto meditativo
10. Quintet, Op. 28: I. Concertino
11. Quintet, Op. 28: II. Burlesca
12. Quintet, Op. 28: III. Berceuse
13. Quintet, Op. 28: IV. Rondò
14. Méditation, Op. 16
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Alberto Hemsi was born in 1898 in Turgutlu (also known as Cassaba), in Anatolia (present-day Turkey). Although there had been a Jewish presence in Anatolia for more than 2000 years, the population expanded considerably following the Alhambra Decree of 1492, with the arrival of Sephardim from Spain and Portugal. It then dwindled precipitously with the disintegration of the Ottoman Empire, the rise of Nazism, the creation of the state of Israel, and the escalation of anti-Semitism in the Arab world.
Having completed his training at the conservatory in Milan, Hemsi returned to Anatolia determined to collect and notate as much traditional Sephardic music as he possibly could. A fascination with national folk music had taken root throughout Europe – Bartók and Kodály in Hungary, Dvorák and Smetana in Bohemia, and Vaughan Williams and Gustav Holst in England being the most familiar examples. Because his research was not defined by political or geographical boundaries, Hemsi was compelled to survey the myriad communities spread throughout the vast Sephardic diaspora. He was as fascinated by this musical heritage as he was concerned about its survival but, like so many composers, he also understood how traditional melodies, together with the various performance styles and conventions that supported them, could provide inspiration and nourishment for his own music.
01. Greek Nuptial Dances, Op. 37bis: I. In Honour of the Mother-in-law
02. Greek Nuptial Dances, Op. 37bis: II. In Honour of the Bride
03. Greek Nuptial Dances, Op. 37bis: III. In Honour of the Godfather
04. Three Ancient Airs, from the Coplas Sefardies, Op. 30: I. Ballata
05. Three Ancient Airs, from the Coplas Sefardies, Op. 30: II. Canzone
06. Three Ancient Airs, from the Coplas Sefardies, Op. 30: III. Rondò
07. Pilpúl Sonata, Op. 27: I. Allegretto comodo
08. Pilpúl Sonata, Op. 27: II. Larghetto meditativo
09. Pilpúl Sonata, Op. 27: III. Larghetto meditativo
10. Quintet, Op. 28: I. Concertino
11. Quintet, Op. 28: II. Burlesca
12. Quintet, Op. 28: III. Berceuse
13. Quintet, Op. 28: IV. Rondò
14. Méditation, Op. 16
Alberto Hemsi was born in 1898 in Turgutlu (also known as Cassaba), in Anatolia (present-day Turkey). Although there had been a Jewish presence in Anatolia for more than 2000 years, the population expanded considerably following the Alhambra Decree of 1492, with the arrival of Sephardim from Spain and Portugal. It then dwindled precipitously with the disintegration of the Ottoman Empire, the rise of Nazism, the creation of the state of Israel, and the escalation of anti-Semitism in the Arab world.
Having completed his training at the conservatory in Milan, Hemsi returned to Anatolia determined to collect and notate as much traditional Sephardic music as he possibly could. A fascination with national folk music had taken root throughout Europe – Bartók and Kodály in Hungary, Dvorák and Smetana in Bohemia, and Vaughan Williams and Gustav Holst in England being the most familiar examples. Because his research was not defined by political or geographical boundaries, Hemsi was compelled to survey the myriad communities spread throughout the vast Sephardic diaspora. He was as fascinated by this musical heritage as he was concerned about its survival but, like so many composers, he also understood how traditional melodies, together with the various performance styles and conventions that supported them, could provide inspiration and nourishment for his own music.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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