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Benedetto Boccuzzi, Paolo Leonardi, Hakon Thelin, Alessandra Rombolà - György Kurtág: Blumen die Menschen, nur Blumen (2022) [Hi-Res]

Benedetto Boccuzzi, Paolo Leonardi, Hakon Thelin, Alessandra Rombolà - György Kurtág: Blumen die Menschen, nur Blumen (2022) [Hi-Res]
  • Title: György Kurtág: Blumen die Menschen, nur Blumen
  • Year Of Release: 2022
  • Label: Stradivarius
  • Genre: Classical
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 00:48:00
  • Total Size: 184 / 699 mb
  • WebSite:
Tracklist

01. Scenes for Flute, Op. 39: I. Ballad
02. Scenes for Flute, Op. 39: II. Echoes, Back and Forth
03. Scenes for Flute, Op. 39: III. Preparations, Experiments for the Creation of a Perpetuum Mobile
04. Scenes for Flute, Op. 39: IV. A Faltering Confession
05. Scenes for Flute, Op. 39: V. In the Language of the Birds
06. Scenes for Flute, Op. 39: VI. Pondering
07. Scenes for Flute, Op. 39: VII. Wild and Passionate
08. Scenes for Flute, Op. 39: VIII. Memories of Gyimes
09. Scenes for Flute, Op. 39: IX. Reveries d'un promeneur solitaire
10. Signs, Games and Messages: I. Myriam Marabé in memoriam
11. Signs, Games and Messages: II. Plaintive Pleading
12. Signs, Games and Messages: III. C'erano due fiori
13. Signs, Games and Messages: IV. Épitaphe
14. Signs, Games and Messages: V. Joli oiseau en pantomine, Samuel Beckett
15. Signs, Games and Messages: VI. Hommage à Johann Sebastian Bach
16. Signs, Games and Messages: VII. Doloroso
17. Signs, Games and Messages: VIII. Jauchzet und frohlocket! Auf! Schwung!
18. Signs, Games and Messages: IX. Apres une lecture de Rimbaud
19. Signs, Games and Messages: X. Bref message à Pierre Boulez
20. Signs, Games and Messages: XI. Ein brief aus den ferne an Ursula
21. Bagatelles for Flute, Double-Bass & Piano, Op. 14d: I. Furious Chorale
22. Bagatelles for Flute, Double-Bass & Piano, Op. 14d: II. Hommage a Johann Sebastian Bach
23. Bagatelles for Flute, Double-Bass & Piano, Op. 14d: III. Like the Flowers of the Field
24. Bagatelles for Flute, Double-Bass & Piano, Op. 14d: IV. Wild and Tame
25. Bagatelles for Flute, Double-Bass & Piano, Op. 14d: V. Flowers We Are, Mere Flowers
26. Bagatelles for Flute, Double-Bass & Piano, Op. 14d: VI. La fille aux cheveux de lin, enragée

In Kurtág’s works for solo flute or in ensemble, we find all the characteristic features of his musical language: theatricality of the musical gesture, expressive value of the interval; connection with the word and its intonation; symmetrical writing through expansions and contractions of cells in the sound space, aphoristic and fragmentary writing; reworking and self-quotation. Moreover, these pieces show a humanistic approach, where music, while avoiding any consolatory intent, becomes memory, communication and sign of affection.





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