Susannah McCorkle - The Beginning 1975 (2002)
BAND/ARTIST: Susannah McCorkle
- Title: The Beginning 1975
- Year Of Release: 2002
- Label: a-records
- Genre: Vocal Jazz
- Quality: flac lossless (tracks)
- Total Time: 01:03:59
- Total Size: 296 mb
- WebSite: Album Preview
Tracklist
01. I Won't Dance
02. Easy Come, Easy Go
03. A Lady Must Live
04. Felicidade
05. Losing My Hand
06. Says My Heart
07. Baby Don't Quit You Now
08. Guess I'll Go Back Home This Summer
09. Men Are Like Streetcars
10. The Second Time Around
11. The Trouble With Me Is You
12. Bim Bom
13. By Myself
14. Sweet and Lowdown
15. The Other Woman
16. 42nd Street
17. Don't Smoke In Bed
18. Why Try to Change Me Now?
19. This Funny World
20. I Love a Film Cliché
21. As Time Goes By
22. Something's Gotta Give
Primarily a collection of early demos, The Beginning 1975 takes listeners back to a time when Susannah McCorkle had yet to become well-known or record for Inner City, Pausa, or Concord Jazz. In fact, these recordings came a year before the jazz/cabaret singer's debut album, The Music of Harry Warren. McCorkle was in her late twenties in 1975, and although she wasn't nearly as well-known as she would be in the '80s and '90s, she had some very enthusiastic supporters in England -- namely, producer Chris Ellis and pianist Keith Ingham. Both of them help McCorkle out on these demos; with Ellis serving as producer and Ingham accompanying her on piano, McCorkle comes across as a singer who has some growing and developing to do but still has considerable potential. In 1975, McCorkle had a major Billie Holiday obsession and, at times, she goes out of her way to emulate Lady Day's '30s recordings (which is a mistake because it's best to be yourself). But more often than not, McCorkle is wise enough to let her own personality shine through, and one really hears her potential on material that ranges from "This Funny World," "As Times Goes By," and "42nd Street" to the Brazilian song "Felicidade" (which demonstrates that even in 1975, McCorkle was capable of singing in Portuguese). Meanwhile, McCorkle's version of "I Love a Film Cliché" is too campy for its own good; this is the sort of performance that gives certain types of cabaret a bad name. Again, McCorkle still had some growing and developing to do in 1975, but excellence was just around the corner -- and Ellis was among the people who helped her achieve it. Although inconsistent and not recommended to casual listeners, The Beginning 1975 is a disc that McCorkle's hardcore fans will find fascinating.
01. I Won't Dance
02. Easy Come, Easy Go
03. A Lady Must Live
04. Felicidade
05. Losing My Hand
06. Says My Heart
07. Baby Don't Quit You Now
08. Guess I'll Go Back Home This Summer
09. Men Are Like Streetcars
10. The Second Time Around
11. The Trouble With Me Is You
12. Bim Bom
13. By Myself
14. Sweet and Lowdown
15. The Other Woman
16. 42nd Street
17. Don't Smoke In Bed
18. Why Try to Change Me Now?
19. This Funny World
20. I Love a Film Cliché
21. As Time Goes By
22. Something's Gotta Give
Primarily a collection of early demos, The Beginning 1975 takes listeners back to a time when Susannah McCorkle had yet to become well-known or record for Inner City, Pausa, or Concord Jazz. In fact, these recordings came a year before the jazz/cabaret singer's debut album, The Music of Harry Warren. McCorkle was in her late twenties in 1975, and although she wasn't nearly as well-known as she would be in the '80s and '90s, she had some very enthusiastic supporters in England -- namely, producer Chris Ellis and pianist Keith Ingham. Both of them help McCorkle out on these demos; with Ellis serving as producer and Ingham accompanying her on piano, McCorkle comes across as a singer who has some growing and developing to do but still has considerable potential. In 1975, McCorkle had a major Billie Holiday obsession and, at times, she goes out of her way to emulate Lady Day's '30s recordings (which is a mistake because it's best to be yourself). But more often than not, McCorkle is wise enough to let her own personality shine through, and one really hears her potential on material that ranges from "This Funny World," "As Times Goes By," and "42nd Street" to the Brazilian song "Felicidade" (which demonstrates that even in 1975, McCorkle was capable of singing in Portuguese). Meanwhile, McCorkle's version of "I Love a Film Cliché" is too campy for its own good; this is the sort of performance that gives certain types of cabaret a bad name. Again, McCorkle still had some growing and developing to do in 1975, but excellence was just around the corner -- and Ellis was among the people who helped her achieve it. Although inconsistent and not recommended to casual listeners, The Beginning 1975 is a disc that McCorkle's hardcore fans will find fascinating.
Jazz | Vocal Jazz | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads