Tabea Zimmermann - J.S. Bach & Kurtág: Works for Viola (2020) [Hi-Res]
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BAND/ARTIST: Tabea Zimmermann
- Title: J.S. Bach & Kurtág: Works for Viola
- Year Of Release: 2020
- Label: Myrios Classics
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz +Booklet
- Total Time: 00:52:46
- Total Size: 198 mb / 1.61 gb
- WebSite: Album Preview
Tracklist
01. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) I. Prelude
02. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) II. Allemande
03. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) III. Courante
04. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) IV. Sarabande
05. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) V. Bourrees I & II
06. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) VI. Gigue
07. Games, Signs & Messages (Excerpts for Viola) No. 6, Klagendes Lied
08. Games, Signs & Messages (Excerpts for Viola) No. 7, Zank-Kromatisch
09. Games, Signs & Messages (Excerpts for Viola) No. 15, Doloroso - Garzulyeknak
10. Games, Signs & Messages (Excerpts for Viola) No. 9, Im Volkston
11. Games, Signs & Messages (Excerpts for Viola) No. 22, Eine Blume fur Tabea
12. Games, Signs & Messages (Excerpts for Viola) No. 20, In Nomine - All'ongherese
13. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) I. Prelude
14. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) II. Allemande
15. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) III. Courante
16. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) IV. Sarabande
17. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) V. Bourrees I & II
18. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) VI. Gigue
Ten years after her acclaimed album “Solo” with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág’s cycle “Games, Signs & Messages”, selecting six numbers to form her own personal homage to Bach.
For what kind of instruments did Bach write his solo suites BWV 1007-1012? How did they sound, what did they look like? This subject still gives rise to much speculation. Johann Peter Kellner’s manuscript copy from the early 1700s is one of the two main sources for the six solo suites, and it indicates a viola basso. The violoncello had not yet become standardized in terms of size, construction, and playing technique; Bach probably had instruments in mind such as the violoncello piccolo or the viola da spalla. The latter was a viola attached in front of the body by a strap: Bach performed the viola da spalla in public himself – possibly these suites. Tabea Zimmermann has not switched her musical hardware for this recording: here she plays her 1980 Vatelot viola with a classical bow.
In 2009, the album “Solo” (MYR003) launched Tabea Zimmermann’s collaboration with the myrios classics label. The release was crowned with a multitude of international awards: Gramophone Editor’s Choice, “Stern des Monats” in Fono Forum, 4f in Télérama and 5 Stars in the Italian magazine Musica; moreover, in response to that groundbreaking recording, the jury of the coveted German ECHO Klassik Prize selected Tabea Zimmermann as “2010 Instrumentalist of the Year”."
01. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) I. Prelude
02. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) II. Allemande
03. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) III. Courante
04. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) IV. Sarabande
05. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) V. Bourrees I & II
06. Cello Suite No. 3 in C Major, BWV 1009 (Transcr. for Viola) VI. Gigue
07. Games, Signs & Messages (Excerpts for Viola) No. 6, Klagendes Lied
08. Games, Signs & Messages (Excerpts for Viola) No. 7, Zank-Kromatisch
09. Games, Signs & Messages (Excerpts for Viola) No. 15, Doloroso - Garzulyeknak
10. Games, Signs & Messages (Excerpts for Viola) No. 9, Im Volkston
11. Games, Signs & Messages (Excerpts for Viola) No. 22, Eine Blume fur Tabea
12. Games, Signs & Messages (Excerpts for Viola) No. 20, In Nomine - All'ongherese
13. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) I. Prelude
14. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) II. Allemande
15. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) III. Courante
16. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) IV. Sarabande
17. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) V. Bourrees I & II
18. Cello Suite No. 4 in E-Flat Major, BWV 1010 (Transcr. for Viola) VI. Gigue
Ten years after her acclaimed album “Solo” with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág’s cycle “Games, Signs & Messages”, selecting six numbers to form her own personal homage to Bach.
For what kind of instruments did Bach write his solo suites BWV 1007-1012? How did they sound, what did they look like? This subject still gives rise to much speculation. Johann Peter Kellner’s manuscript copy from the early 1700s is one of the two main sources for the six solo suites, and it indicates a viola basso. The violoncello had not yet become standardized in terms of size, construction, and playing technique; Bach probably had instruments in mind such as the violoncello piccolo or the viola da spalla. The latter was a viola attached in front of the body by a strap: Bach performed the viola da spalla in public himself – possibly these suites. Tabea Zimmermann has not switched her musical hardware for this recording: here she plays her 1980 Vatelot viola with a classical bow.
In 2009, the album “Solo” (MYR003) launched Tabea Zimmermann’s collaboration with the myrios classics label. The release was crowned with a multitude of international awards: Gramophone Editor’s Choice, “Stern des Monats” in Fono Forum, 4f in Télérama and 5 Stars in the Italian magazine Musica; moreover, in response to that groundbreaking recording, the jury of the coveted German ECHO Klassik Prize selected Tabea Zimmermann as “2010 Instrumentalist of the Year”."
Year 2020 | Classical | FLAC / APE | HD & Vinyl
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