Martin Souter - Schoenberg: Variations on a Recitative - Reger: Benedictus - Variations on an Original Theme (2013)
BAND/ARTIST: Martin Souter
- Title: Schoenberg: Variations on a Recitative - Reger: Benedictus - Variations on an Original Theme
- Year Of Release: 2013
- Label: Obsidian
- Genre: Classical Organ
- Quality: flac lossless (tracks) +Booklet
- Total Time: 01:03:29
- Total Size: 208 mb
- WebSite: Album Preview
Tracklist
01. Variations on a Recitative, Op. 40: Recitative
02. Variations
03. Variations on a Recitative, Op. 40: Fugue
04. 12 Pieces, Op. 59: No. 9, Benedictus in D-Flat Major
05. Variations and Fugue on an Original Theme, Op. 73: Introduction
06. Variations and Fugue on an Original Theme, Op. 73: Theme and Variations
07. Variations and Fugue on an Original Theme, Op. 73: Fugue
Arnold Schoenberg's Variations on a Recitative were first published in 1943 in an edition which gave very detailed performance instructions based on the 1928 Skinner organ in Princeton University Chapel. A restoration of this organ has made it possible to reconstruct the intentions of this edition, and this recording therefore brings the forensic practices of early music to the 1940s. In addition, there are two amazing pieces by Max Reger. The 'Benedictus' provides a perfect foil to Schoenberg's monumental work and it is followed by Reger's own monumental piece, the 'Introduction, Variations and Fugue'.
01. Variations on a Recitative, Op. 40: Recitative
02. Variations
03. Variations on a Recitative, Op. 40: Fugue
04. 12 Pieces, Op. 59: No. 9, Benedictus in D-Flat Major
05. Variations and Fugue on an Original Theme, Op. 73: Introduction
06. Variations and Fugue on an Original Theme, Op. 73: Theme and Variations
07. Variations and Fugue on an Original Theme, Op. 73: Fugue
Arnold Schoenberg's Variations on a Recitative were first published in 1943 in an edition which gave very detailed performance instructions based on the 1928 Skinner organ in Princeton University Chapel. A restoration of this organ has made it possible to reconstruct the intentions of this edition, and this recording therefore brings the forensic practices of early music to the 1940s. In addition, there are two amazing pieces by Max Reger. The 'Benedictus' provides a perfect foil to Schoenberg's monumental work and it is followed by Reger's own monumental piece, the 'Introduction, Variations and Fugue'.
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