Caravan - Blind Dog At St.Dunstan's (Japan Remastered) (1976/2006)
BAND/ARTIST: Caravan
- Title: Blind Dog At St.Dunstan's
- Year Of Release: 1976/2006
- Label: Air Mail Archive
- Genre: Art Rock, Prog Rock
- Quality: Flac (image, .cue, log) / Flac (tracks, 24/96)
- Total Time: 46:32
- Total Size: 306/993 Mb (scans)
- WebSite: Album Preview
Tracklist:
1. Here Am I
2. Chiefs and Indians
3. A Very Smelly, Grubby Little Oik
4. Bobbing Wide
5. Come on Back
6. Oik (reprise)
7. Jack and Jill
8. Can You Hear Me?
9. All the Way
Pye Hastings – electric and acoustic guitars, vocals
Richard Coughlan – drums
Jan Schelhaas – keyboards
Mike Wedgwood – bass guitar, congas, vocals
Geoffery Richardson – viola, electric guitar, flute, night-shift whistle
Additional personnel
Jimmy Hastings – flute, alto saxophone, tenor saxophone, clarinet
David Hitchcock – producer
Chanter Sisters - backing vocalist, backing vocals
CARAVAN were the other half of the WILDE FLOWERS - the SOFT MACHINE being the other - that originated in Canterbury, Kent. The band itself was originally formed in early 1968 by guitarist/vocalist Pye HASTINGS, keyboardist Dave SINCLAIR , bassist/vocalist Richard SINCLAIR (later of HATFIELD & THE NORTH, NATIONAL HEALTH, etc.), and drummer Richard COUGHLAN. All four members of CARAVAN were, at one time or another, in that band. They were a leading exponent of what became known as "the Canterbury sound".
The band's 1968 self-titled debut was a hybrid of jazz and psychedelia. Things became serious with the second album, "If I Could Do It All Over Again,I'd Do It All Over You" and would mark the start of their classic period. The material was a very original mixture of styles including classical, jazz, and traditional English influences. A MILESTONE IN THEIR HISTORY. This recipe was used to great success on the next album, "In the Land of Grey and Pink". This album was a perfect blend between simple northern-English pop and complex progressive rock. Quite simply one of the greatest progressive rock classics. The style dominated the next album, "Waterloo Lily", released in May of 1972, which marked a clear step towards jazz. Yet, Richard SINCLAIR's influence was clearly apparent on the first side. "For Girls Who Grow Plump in the Night" marked another change in the band's sound, this time towards a more streamlined symphonic approach. This album is not a bad album taken by itself, but the classic Canterbury sound stopped here. For a more representative look at CARAVAN in their prime, check out the preceding three albums. This lineup also recorded the live album "Caravan and the New Symphonia", a live 1973 performance accompanied by a full orchestra.
"Cunning Stunts" (1975) marked the beginning of a series of mediocre releases and lineup changes, eventually leading to the reunion of the original members on "Back to Front". Many different compilations and live albums were released in the intervening twelve years before a new studio album, "Battle of Hastings", which was released in 1995. This album was a nice collection of poppy tunes retaining the classic CARAVAN sound (organ, violin, flute, sax and HASTINGS' inimitable vocals). CARAVAN is still active today, playing many live dates in Britain and Holland and in 2000 saw the beginning of renewed activity (festival, concert, etc.). In February 2001, all the albums from "If I Could..." to "Cunning Stunts" were reissued with a myriad of bonus material, copious liner notes and impeccable sound quality. 2002 also saw the band plays their first performance in the United States in 28 years at NEARFEST 2002.
The band's 1968 self-titled debut was a hybrid of jazz and psychedelia. Things became serious with the second album, "If I Could Do It All Over Again,I'd Do It All Over You" and would mark the start of their classic period. The material was a very original mixture of styles including classical, jazz, and traditional English influences. A MILESTONE IN THEIR HISTORY. This recipe was used to great success on the next album, "In the Land of Grey and Pink". This album was a perfect blend between simple northern-English pop and complex progressive rock. Quite simply one of the greatest progressive rock classics. The style dominated the next album, "Waterloo Lily", released in May of 1972, which marked a clear step towards jazz. Yet, Richard SINCLAIR's influence was clearly apparent on the first side. "For Girls Who Grow Plump in the Night" marked another change in the band's sound, this time towards a more streamlined symphonic approach. This album is not a bad album taken by itself, but the classic Canterbury sound stopped here. For a more representative look at CARAVAN in their prime, check out the preceding three albums. This lineup also recorded the live album "Caravan and the New Symphonia", a live 1973 performance accompanied by a full orchestra.
"Cunning Stunts" (1975) marked the beginning of a series of mediocre releases and lineup changes, eventually leading to the reunion of the original members on "Back to Front". Many different compilations and live albums were released in the intervening twelve years before a new studio album, "Battle of Hastings", which was released in 1995. This album was a nice collection of poppy tunes retaining the classic CARAVAN sound (organ, violin, flute, sax and HASTINGS' inimitable vocals). CARAVAN is still active today, playing many live dates in Britain and Holland and in 2000 saw the beginning of renewed activity (festival, concert, etc.). In February 2001, all the albums from "If I Could..." to "Cunning Stunts" were reissued with a myriad of bonus material, copious liner notes and impeccable sound quality. 2002 also saw the band plays their first performance in the United States in 28 years at NEARFEST 2002.
Oldies | Rock | FLAC / APE | HD & Vinyl
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