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Talking Heads - Fear Of Music (Deluxe Version) (2006)

Talking Heads - Fear Of Music (Deluxe Version) (2006)

BAND/ARTIST: Talking Heads

  • Title: Fear Of Music (Deluxe Version)
  • Year Of Release: 1979
  • Label: Rhino Records - Warner Bros.
  • Genre: Post-Punk, New Wave, Rock
  • Quality: Mp3 320 kbps / FLAC (tracks)
  • Total Time: 57:27
  • Total Size: 135 / 392 MB
  • WebSite:
Tracklist:

01 I Zimbra (2005 Remastered Version) 03:09
02 Mind (2005 Remastered Version) 04:12
03 Paper (2005 Remastered Version) 02:38
04 Cities (2005 Remastered Version) 04:14
05 Life During Wartime (2005 Remastered Version) 03:41
06 Memories Can't Wait (2005 Remastered Version ) 03:30
07 Air (2005 Remastered Version ) 03:34
08 Heaven (2005 Remastered Version ) 04:01
09 Animals (2005 Remastered Version) 03:30
10 Electric Guitar (2005 Remastered Version) 03:01
11 Drugs (2005 Remastered Version) 05:14
12 Dancing For Money (Unfinished Outtake) 02:39
13 Life During Wartime (Alternate Version) 04:05
14 Cities (Alternate Version) 05:28
15 Mind (Alternate Version) 04:26

Dark, hypnotic, almost unbearably tense, Fear of Music nonetheless marks the moment when the Talking Heads became a full-on dance band. Recorded at the dawn of the Reagan era, the album’s air of Orwellian menace might seem at odds with the sheer rump-shaking power of its rhythm section. “There’s a party in my mind … and it never stops,” David Byrne sings through the spooky cacophony of “Memories Can’t Wait,” and while that may be true, it’s not necessarily one you’d want to linger at. Produced by Brian Eno and laden with overdubs, effects, and distortion, Fear of Music revolves around the twin poles of Byrne’s high-strung vocals and the increasingly funky groove of Tina Weymouth’s bass. Post-apocalyptic paranoia and existential dread are the dominant emotional modes, with “Life During Wartime” providing survival tips of the scariest sort: “You oughta know not to stand by the window/ Somebody see you up there.” If there was ever a record that summed up the uneasy mood of the time, this was it. Yet the exhilarating opener, “I Zimbra,” is the flip side to this dystopian vision. African polyrhythms, a tribal-sounding Dada chant and Robert Fripp’s guitar weave and pulse around one another for a sound that’s futuristic and primitive at the same time. A brilliant marriage of brain and booty, anxiety and art, Fear of Music wasn’t quite like anything we’d heard before — or since.


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  • User offline
  • whiskers
  •  wrote in 19:16
    • Like
    • 1
Many thanks
  • User offline
  • mufty77
  •  wrote in 22:54
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    • 1
Many thanks for lossless.