Peter Herresthal, Oslo-Filharmonien, Gonzalo Moreno, Rolf Gupta - Thommessen: Bull's Eye - Please Accept My Ears - Cantabile (2006) [Hi-Res]
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BAND/ARTIST: Peter Herresthal, Oslo-Filharmonien, Gonzalo Moreno, Rolf Gupta
- Title: Thommessen: Bull's Eye - Please Accept My Ears - Cantabile
- Year Of Release: 2006
- Label: BIS
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 00:55:37
- Total Size: 245 / 498 mb
- WebSite: Album Preview
Tracklist
01. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: I. Andante Maestoso
02. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: II. Adagio Cantabile
03. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: III. —
04. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: IV. Piu Vivo
05. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: V. Poco Piu Lento
06. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: VI. Moderato Molto Con Fuoco
07. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: VII. Cadenza Accompagnata
08. Please Accept My Ears
09. Cantabile, "Etyde-Cadenza": Cantabile (Etude-cadenza)
For a number of years Olav Anton Thommessen (b.1946) has been a colourful and dynamic player in the musical life of Norway. Born into a family of diplomats, from an early age he encountered influences from the most varied of cultures. Most important was his stay in the USA in the late 1960s, when he studied at Indiana University. His encounter there with Iannis Xenakis had a decisive impact on him.
In the 1980s, as part of a strategy of communication with the public, Thommessen began to use the history of music as a musical warehouse. In the same way that nationalistic composers had utilized folk music, Thommessen envisaged the heritage of classical music as a supply-room of musical building components. A characteristic work from this period is the Macrofantasy over Grieg’s Piano Concerto in A minor from 1981, which is part of the evening-length cycle A Glass Bead Game. This consists of six independent compositions: Prologue, Macrofantasy for piano and orchestra, Beyond Neon for horn and orchestra, Choral Symphony over Beethoven’s Eighth, Through a Prism for cello, organ and orchestra and Encore over Verdi’s Dies Iræ – Apotheosis. The 1980s also saw the creation of a number of chamber music works, as well as other orchestral works and concertos. Many of these, such as EingeBACHt for piano and the opera Hertuginnen dør (The Duchess Dies), with its expressive incorporation and use of the madrigals of Carlo Gesualdo da Venosa, are excellent examples of how Thommessen developed his technique of quotations towards the violin concerto BULL’s eye.
Thommessen’s work-list consists of more than 100 opus numbers, and has brought him prestigious awards and distinctions, including the 1990 Nordic Council Music Prize.
01. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: I. Andante Maestoso
02. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: II. Adagio Cantabile
03. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: III. —
04. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: IV. Piu Vivo
05. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: V. Poco Piu Lento
06. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: VI. Moderato Molto Con Fuoco
07. BULL's Eye - a Symphonic Wrapping of Ole Bull's Violin Concerto In a Major: VII. Cadenza Accompagnata
08. Please Accept My Ears
09. Cantabile, "Etyde-Cadenza": Cantabile (Etude-cadenza)
For a number of years Olav Anton Thommessen (b.1946) has been a colourful and dynamic player in the musical life of Norway. Born into a family of diplomats, from an early age he encountered influences from the most varied of cultures. Most important was his stay in the USA in the late 1960s, when he studied at Indiana University. His encounter there with Iannis Xenakis had a decisive impact on him.
In the 1980s, as part of a strategy of communication with the public, Thommessen began to use the history of music as a musical warehouse. In the same way that nationalistic composers had utilized folk music, Thommessen envisaged the heritage of classical music as a supply-room of musical building components. A characteristic work from this period is the Macrofantasy over Grieg’s Piano Concerto in A minor from 1981, which is part of the evening-length cycle A Glass Bead Game. This consists of six independent compositions: Prologue, Macrofantasy for piano and orchestra, Beyond Neon for horn and orchestra, Choral Symphony over Beethoven’s Eighth, Through a Prism for cello, organ and orchestra and Encore over Verdi’s Dies Iræ – Apotheosis. The 1980s also saw the creation of a number of chamber music works, as well as other orchestral works and concertos. Many of these, such as EingeBACHt for piano and the opera Hertuginnen dør (The Duchess Dies), with its expressive incorporation and use of the madrigals of Carlo Gesualdo da Venosa, are excellent examples of how Thommessen developed his technique of quotations towards the violin concerto BULL’s eye.
Thommessen’s work-list consists of more than 100 opus numbers, and has brought him prestigious awards and distinctions, including the 1990 Nordic Council Music Prize.
Classical | FLAC / APE | HD & Vinyl
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