Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes - Mattei, Peter: Great Baritone Arias (2011) [Hi-Res]
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BAND/ARTIST: Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes
- Title: Mattei, Peter: Great Baritone Arias
- Year Of Release: 2011
- Label: BIS
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 01:03:52
- Total Size: 283 / 570 mb
- WebSite: Album Preview
Tracklist
01. Don Giovanni, K. 527 : Act I: Finch'han dal vino, "Champagne Aria"
02. Don Giovanni, K. 527 : Act II: Aria: Meta di voi qua vadano
03. Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu?
04. Tannhauser, Act II: Blick ich umher in diesem edlen Kreise
05. Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux
06. Le nozze di Figaro (The Marriage of Figaro), K. 492: Act I: Se vuol ballare
07. Le nozze di Figaro (The Marriage of Figaro), K. 492: Act III: Recitative and Aria: Hai gia vinta la causa! Cosa sento!
08. Tannhauser, Act III: Wie Todesahnung Dammerung deckt die Lande - O du mein holder Abendstern
09. The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You)
10. Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta
11. Rivolgete a lui lo sguardo, K. 584
12. Eugene Onegin, Op. 24, Act I: Aria: Vi mnye pisali. Net otpiraites - Kogda bi zhizn domashnim krugon
13. Don Carlo, Act III: Son io, mio Carlo - Per me giunto e il di supremo - O Carlo, ascolta
14. Billy Budd, Op. 50, Act II: Billy in the Darbies: Look! Through the port comes the moonshine astray
15. Don Giovanni, K. 527, Act II: Canzonetta: Deh, vieni alla finestra
Swedish baritone Peter Mattei has been active on the international opera scene since the mid-'90s, but he hasn't made it into the ranks of superstar baritones who proliferated during about the same period. If this album of a wide variety of arias has the effect of bringing him to the attention of a broader spectrum of the opera-loving public, it will have served a valuable service. The album incontrovertibly demonstrates that Mattei is an artist of the first rank not only because the quality of his vocal equipment but because of the depth and breadth of his musicianship revealed in repertoire ranging from Mozart to Britten. Arias from Don Giovanni and Le nozze di Figaro figure prominently on the album and from the first notes of "Finch'han dal vino," Mattei establishes himself as a natural Mozart singer: confident, lyrical, agile, and fluent in the subtleties of characterization. Then the two arias from Tannhäuser (not only the requisite "O, du mein holder Abendstern," but "Blick'ich umher in diesem edlen Kreise") show off a loamy, dark, and deeply resonant voice that makes him seem like an ideal Wagnerian baritone. In the arias from Eugene Onegin, The Queen of Spades, and Faust, Mattei's romantic sensibility comes to the fore, his tone luxuriantly creamy and his bearing fervently passionate. The extended scene from Don Carlo that culminates in the aria, "O Carlo, ascolta," is charged with dramatic urgency. Throughout, Mattei's tone sounds effortlessly produced and his beautifully controlled vibrato is calibrated to the expressive demands of the music. The Royal Stockholm Philharmonic Orchestra, under the leadership of Lawrence Renes, provides a stylistically sensitive accompaniment. The sound of BIS' hybrid SACD is clean, balanced, and immediate, providing an ideal acoustic for showcasing Mattei's impressive performances.
01. Don Giovanni, K. 527 : Act I: Finch'han dal vino, "Champagne Aria"
02. Don Giovanni, K. 527 : Act II: Aria: Meta di voi qua vadano
03. Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu?
04. Tannhauser, Act II: Blick ich umher in diesem edlen Kreise
05. Faust: Faust, Act I: Cavatina: Avant de quitter ces lieux
06. Le nozze di Figaro (The Marriage of Figaro), K. 492: Act I: Se vuol ballare
07. Le nozze di Figaro (The Marriage of Figaro), K. 492: Act III: Recitative and Aria: Hai gia vinta la causa! Cosa sento!
08. Tannhauser, Act III: Wie Todesahnung Dammerung deckt die Lande - O du mein holder Abendstern
09. The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You)
10. Il barbiere di Siviglia (The Barber of Seville), Act I: Cavatina: Largo al factotum della citta
11. Rivolgete a lui lo sguardo, K. 584
12. Eugene Onegin, Op. 24, Act I: Aria: Vi mnye pisali. Net otpiraites - Kogda bi zhizn domashnim krugon
13. Don Carlo, Act III: Son io, mio Carlo - Per me giunto e il di supremo - O Carlo, ascolta
14. Billy Budd, Op. 50, Act II: Billy in the Darbies: Look! Through the port comes the moonshine astray
15. Don Giovanni, K. 527, Act II: Canzonetta: Deh, vieni alla finestra
Swedish baritone Peter Mattei has been active on the international opera scene since the mid-'90s, but he hasn't made it into the ranks of superstar baritones who proliferated during about the same period. If this album of a wide variety of arias has the effect of bringing him to the attention of a broader spectrum of the opera-loving public, it will have served a valuable service. The album incontrovertibly demonstrates that Mattei is an artist of the first rank not only because the quality of his vocal equipment but because of the depth and breadth of his musicianship revealed in repertoire ranging from Mozart to Britten. Arias from Don Giovanni and Le nozze di Figaro figure prominently on the album and from the first notes of "Finch'han dal vino," Mattei establishes himself as a natural Mozart singer: confident, lyrical, agile, and fluent in the subtleties of characterization. Then the two arias from Tannhäuser (not only the requisite "O, du mein holder Abendstern," but "Blick'ich umher in diesem edlen Kreise") show off a loamy, dark, and deeply resonant voice that makes him seem like an ideal Wagnerian baritone. In the arias from Eugene Onegin, The Queen of Spades, and Faust, Mattei's romantic sensibility comes to the fore, his tone luxuriantly creamy and his bearing fervently passionate. The extended scene from Don Carlo that culminates in the aria, "O Carlo, ascolta," is charged with dramatic urgency. Throughout, Mattei's tone sounds effortlessly produced and his beautifully controlled vibrato is calibrated to the expressive demands of the music. The Royal Stockholm Philharmonic Orchestra, under the leadership of Lawrence Renes, provides a stylistically sensitive accompaniment. The sound of BIS' hybrid SACD is clean, balanced, and immediate, providing an ideal acoustic for showcasing Mattei's impressive performances.
Classical | FLAC / APE | HD & Vinyl
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