Doulce Mémoire, Denis Raisin Dadre and Kwal - Du Bellay: Heureux qui, comme Ulysse (2022) [Hi-Res]
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BAND/ARTIST: Doulce Mémoire, Denis Raisin Dadre, Kwal
- Title: Du Bellay: Heureux qui, comme Ulysse
- Year Of Release: 2022
- Label: Alpha Classics
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
- Total Time: 69:12
- Total Size: 346 MB / 1.19 GB
- WebSite: Album Preview
Tracklist:
1. Blanc: Qui prestera la parole (4:30)
2. Kwal: Heureux qui, comme Ulysse (1:55)
3. Arcadelt: Du temps que j'estois amoureux (2:04)
4. Arcadelt: Du temps que j'estois amoureux (Arr. for Ensemble) (1:56)
5. Lassus: La nuit froyde et sombre, LV 578 (2:56)
6. Lassus: O foible esprit, LV 444 (2:55)
7. Blanc: On peut faindre par le cizeau (3:44)
8. Gombert: Hors envyeux (Arr. for Ensemble) (1:48)
9. Arcadelt: Si vous regardez, ma dame (1:54)
10. AnonymousMontfort: Si vous regardez, ma dame / Bransles / Si vous regardez, ma dame (5:19)
11. Arcadelt: En ce moys delicieux (I) (1:19)
12. Arcadelt: En ce moys delicieux (I) (Arr. for Ensemble) (1:17)
13. Nicolas: En ce moys delicieux (II) (2:10)
14. Verdonck: Seul et pensif (5:15)
15. Kwal: La nuit m'est courte (I) (2:13)
16. Castro: La nuit m'est courte (II) (4:58)
17. Verdonck: L'homme vertueux est riche (2:37)
18. Anonymous: Pavane (instrumental) (3:14)
19. Bertrand: Cet' humeur vient de mon œil (2:34)
20. Kwal: Marcher d'un grave pas (2:00)
21. Castro: Je te souhaite pour t'ebatre (1:53)
22. Arcadelt: Si le bien qui au plus grand bien (2:25)
23. Janequin: Qui voudra voir (2:37)
24. Arcadelt: Je ne puis dissimuler (2:39)
25. Arcadelt: Vieille plus vieille que le monde (3:11)
1. Blanc: Qui prestera la parole (4:30)
2. Kwal: Heureux qui, comme Ulysse (1:55)
3. Arcadelt: Du temps que j'estois amoureux (2:04)
4. Arcadelt: Du temps que j'estois amoureux (Arr. for Ensemble) (1:56)
5. Lassus: La nuit froyde et sombre, LV 578 (2:56)
6. Lassus: O foible esprit, LV 444 (2:55)
7. Blanc: On peut faindre par le cizeau (3:44)
8. Gombert: Hors envyeux (Arr. for Ensemble) (1:48)
9. Arcadelt: Si vous regardez, ma dame (1:54)
10. AnonymousMontfort: Si vous regardez, ma dame / Bransles / Si vous regardez, ma dame (5:19)
11. Arcadelt: En ce moys delicieux (I) (1:19)
12. Arcadelt: En ce moys delicieux (I) (Arr. for Ensemble) (1:17)
13. Nicolas: En ce moys delicieux (II) (2:10)
14. Verdonck: Seul et pensif (5:15)
15. Kwal: La nuit m'est courte (I) (2:13)
16. Castro: La nuit m'est courte (II) (4:58)
17. Verdonck: L'homme vertueux est riche (2:37)
18. Anonymous: Pavane (instrumental) (3:14)
19. Bertrand: Cet' humeur vient de mon œil (2:34)
20. Kwal: Marcher d'un grave pas (2:00)
21. Castro: Je te souhaite pour t'ebatre (1:53)
22. Arcadelt: Si le bien qui au plus grand bien (2:25)
23. Janequin: Qui voudra voir (2:37)
24. Arcadelt: Je ne puis dissimuler (2:39)
25. Arcadelt: Vieille plus vieille que le monde (3:11)
Joachim Du Bellay (1522-1560) stormed onto the Parisian literary scene with the resounding avant-garde manifesto Défense et illustration de la langue française. Ronsard and Du Bellay are the great French poets of the sixteenth century, but while the former has been set to music hundreds of times, Du Bellay inspired only about thirty compositions.
Denis Raisin Dadre and his ensemble Doulce Mémoire celebrate the Angevin poet on the occasion of his 500th anniversary with works by the leading composers of the period, among them Arcadelt (who set nine chansons to his texts, including Je ne puis dissimuler a year before Du Bellay’s death), Lassus, Chardavoine and Verdonck. It was also established practice at the time to declaim poems accompanied by a musician who improvised on the lyre, an instrument and usage imported from Italy (recitare a la lira).
Denis Raisin Dadre has decided to pay tribute to these sixteenth-century "slammers" by asking a modern equivalent, Kwal, to "slam" some of Du Bellay's sonnets, including the famous Heureux qui, comme Ulysse.
Denis Raisin Dadre and his ensemble Doulce Mémoire celebrate the Angevin poet on the occasion of his 500th anniversary with works by the leading composers of the period, among them Arcadelt (who set nine chansons to his texts, including Je ne puis dissimuler a year before Du Bellay’s death), Lassus, Chardavoine and Verdonck. It was also established practice at the time to declaim poems accompanied by a musician who improvised on the lyre, an instrument and usage imported from Italy (recitare a la lira).
Denis Raisin Dadre has decided to pay tribute to these sixteenth-century "slammers" by asking a modern equivalent, Kwal, to "slam" some of Du Bellay's sonnets, including the famous Heureux qui, comme Ulysse.
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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