Georg Arzberger & Julian Riem - Fantasie (2022) [Hi-Res]
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BAND/ARTIST: Georg Arzberger, Julian Riem
- Title: Fantasie
- Year Of Release: 2022
- Label: Farao Classics
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:07:57
- Total Size: 283 mb / 1.05 gb
- WebSite: Album Preview
Tracklist
01. Three Fantasiestücke for Clarinet and Piano, Op. 19: I. Allegro moderato
02. Three Fantasiestücke for Clarinet and Piano, Op. 19: II. Allegretto – Andantino semplice
03. Three Fantasiestücke for Clarinet and Piano, Op. 19: III. Vivace non troppo
04. Two Fantasiestücke for Clarinet and Piano, Op. 9: I. Langsam – Schneller und sehr bewegt
05. Two Fantasiestücke for Clarinet and Piano, Op. 9: II. Romanze. Nicht zu langsam – Allegro
06. Fantasiestücke for Piano and Clarinet, Op. 73: I. Zart und mit Ausdruck
07. Fantasiestücke for Piano and Clarinet, Op. 73: II. Lebhaft, leicht
08. Fantasiestücke for Piano and Clarinet, Op. 73: III. Rasch und mit Feuer
09. Four Fantasiestücke for Clarinet and Piano, Op. 43: I. Andantino con moto
10. Four Fantasiestücke for Clarinet and Piano, Op. 43: II. Allegro vivace
11. Four Fantasiestücke for Clarinet and Piano, Op. 43: III. Ballade. Moderato
12. Four Fantasiestücke for Clarinet and Piano, Op. 43: IV. Allegro molto vivace
13. Fantasiestücke for Clarinet and Piano, Op. 22: I. Allegretto
14. Fantasiestücke for Clarinet and Piano, Op. 22: II. Presto
15. Fantasiestücke for Clarinet and Piano, Op. 22: III. Deutscher Walzer. Molto moderato
16. Fantasiestücke for Clarinet and Piano, Op. 22: IV. Canon. Lento ma non troppo
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Fantasy inspires, fantasy opens doors, fantasy allows changes of perspective: "With fantasy, you can shape a completely new world language-wise, intellectually and musically. The composer creates the basic framework; we musicians fill this with our interpretation and aspire to take the listeners with us into this wonderful and fantastic world of music“, says Georg Arzberger. "All the works on this album are so-called 'Romantic character pieces'; they were inspired by poetry, experiences in nature or simply the current emotional state of the composer. So for me, finding each individual 'language' and the corresponding musical message of the pieces is the main goal of our album“, says Julian Riem.
The Fantasiestücke (Eng.: fantasy pieces) on this album take listeners along on a journey into very different and individual musical worlds. All the works reflect the Romantic desire to overcome the limits of this world and plunge into unique microcosms. Schumann's Fantasiestücke, a standard work of the clarinet literature that at the time it was written was already a source of inspiration for some of the other pieces on this album, takes centre stage on the recording.
Gade is known to have greatly respected Schumann; in a letter written during a stay in Copenhagen, for example, Clara Schumann told Robert: "Gade visited me today and went into raptures over you. He knows everything you have written and plays it all (as far as he can) himself."
So it is not at all far- fetched to see a direct connection to Schumann in Gade's Fantasiestücke. Reinecke, too, had a friendly relationship with Schumann and was a great champion of his works. Winding, who in his turn was a pupil of Reinecke and Gade, also contributed a work to this genre that has almost fallen into oblivion today although it was praised by his contemporaries. The charming Fantasiestücke by Eschmann, who can also be seen as belonging to Schumann's sphere, are heard even more rarely.
Georg Arzberger, clarinet
Julian Riem, piano
01. Three Fantasiestücke for Clarinet and Piano, Op. 19: I. Allegro moderato
02. Three Fantasiestücke for Clarinet and Piano, Op. 19: II. Allegretto – Andantino semplice
03. Three Fantasiestücke for Clarinet and Piano, Op. 19: III. Vivace non troppo
04. Two Fantasiestücke for Clarinet and Piano, Op. 9: I. Langsam – Schneller und sehr bewegt
05. Two Fantasiestücke for Clarinet and Piano, Op. 9: II. Romanze. Nicht zu langsam – Allegro
06. Fantasiestücke for Piano and Clarinet, Op. 73: I. Zart und mit Ausdruck
07. Fantasiestücke for Piano and Clarinet, Op. 73: II. Lebhaft, leicht
08. Fantasiestücke for Piano and Clarinet, Op. 73: III. Rasch und mit Feuer
09. Four Fantasiestücke for Clarinet and Piano, Op. 43: I. Andantino con moto
10. Four Fantasiestücke for Clarinet and Piano, Op. 43: II. Allegro vivace
11. Four Fantasiestücke for Clarinet and Piano, Op. 43: III. Ballade. Moderato
12. Four Fantasiestücke for Clarinet and Piano, Op. 43: IV. Allegro molto vivace
13. Fantasiestücke for Clarinet and Piano, Op. 22: I. Allegretto
14. Fantasiestücke for Clarinet and Piano, Op. 22: II. Presto
15. Fantasiestücke for Clarinet and Piano, Op. 22: III. Deutscher Walzer. Molto moderato
16. Fantasiestücke for Clarinet and Piano, Op. 22: IV. Canon. Lento ma non troppo
Fantasy inspires, fantasy opens doors, fantasy allows changes of perspective: "With fantasy, you can shape a completely new world language-wise, intellectually and musically. The composer creates the basic framework; we musicians fill this with our interpretation and aspire to take the listeners with us into this wonderful and fantastic world of music“, says Georg Arzberger. "All the works on this album are so-called 'Romantic character pieces'; they were inspired by poetry, experiences in nature or simply the current emotional state of the composer. So for me, finding each individual 'language' and the corresponding musical message of the pieces is the main goal of our album“, says Julian Riem.
The Fantasiestücke (Eng.: fantasy pieces) on this album take listeners along on a journey into very different and individual musical worlds. All the works reflect the Romantic desire to overcome the limits of this world and plunge into unique microcosms. Schumann's Fantasiestücke, a standard work of the clarinet literature that at the time it was written was already a source of inspiration for some of the other pieces on this album, takes centre stage on the recording.
Gade is known to have greatly respected Schumann; in a letter written during a stay in Copenhagen, for example, Clara Schumann told Robert: "Gade visited me today and went into raptures over you. He knows everything you have written and plays it all (as far as he can) himself."
So it is not at all far- fetched to see a direct connection to Schumann in Gade's Fantasiestücke. Reinecke, too, had a friendly relationship with Schumann and was a great champion of his works. Winding, who in his turn was a pupil of Reinecke and Gade, also contributed a work to this genre that has almost fallen into oblivion today although it was praised by his contemporaries. The charming Fantasiestücke by Eschmann, who can also be seen as belonging to Schumann's sphere, are heard even more rarely.
Georg Arzberger, clarinet
Julian Riem, piano
Year 2022 | Classical | FLAC / APE | HD & Vinyl
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